Superimposed
display
DIAL
KEY
x8
x16
x32
x16
x32
x50
OFF
ON
OFF
ON
S/F/R
STOP
BLACK
NORMAL THRU

USER menu

<OPERATION>

 

Item

N o .

Superimposed

 

display

100

SEARCH

 

ENA

101

SHTL MAX

102

FF. REW

 

MAX

103

AUDIO

 

MUTE

104 REF ALARM

105 AUTO EE

SEL

Setting

N o .

0000

0001

0000

0001

0002

0000

0001

0002

0000

0001

0000

0001

0000

0001

0002

Description

This selects the direct search dial operation. 0: For direct search dial operations.

1:Operation is not transferred to the search mode unless the search button is pressed.

This sets the maximum speed for shuttle operations. 0: 8x normal speed

1: 16x normal speed

2: 32x normal speed

This sets the maximum speed for FF and REW operations. 0: 16 (32)x normal speed

1: 32 (60)x normal speed

2:50 (100)x normal speed

<Note>

Values for the 411 (25M) mode are shown in parentheses ( ).

This sets the status until the audio signal is output when operation switches from the stop or search modes to the play mode.

0:The time until the audio is output is shortened.

1:The audio is output after the status stabilizes.

<Note>

When set to 0 (OFF), the sound in the initially output part is incomplete. Therefore, this setting is not recommended for broadcasts.

This selects whether to warn the operator when the REF.VIDEO signal has not been connected.

0:Warning is not given.

1:Warning is given by the flashing STOP lamp.

This selects the VTR mode in which the EE status is established when the TAPE/EE switch is set to EE.

0:EE status is established in the STOP, FF or REW mode. However, EE status is always established in EJECT mode regardless of the TAPE/EE switch setting.

1:EE status is established only in the stop mode. However, EE status is always established in EJECT mode regardless of the TAPE/EE switch setting.

2:EE status is established only in the stop mode. However,

depending on TAPE/EE switch setting EJECT mode is as follows:

TAPE/EE switch EE: EE status

TAPE/EE switch TAPE: BLACK status for video MUTE status for audio

106 EE MODE

0000

SEL

0001

107 PLAY

0000

DELAY

0015

This selects the EE mode output signals.

0:Signals are output with a delay equivalent to the length of internal signal processing.

1:Signals are output directly, without internal processing, and

so are output with no delay.

<Note>

When editing mode is selected, SDTI is selected as the video input signal, or INT SG is selected at either VIDEO or AUDIO, he internal operations are forcibly set to NORMAL.

0This set the play delay time in frame increments.

15

The underline on the setting item denotes the initial setting.

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Panasonic AJ-PD950, AJ-D950 manual Search, Shtl MAX, Ff. Rew, Max, Audio, Mute, REF Alarm Auto EE SEL, EE Mode, Delay

AJ-PD950, AJ-D950 specifications

The Panasonic AJ-D950 and AJ-PD950 are professional digital video recorders that have earned a reputable position in the broadcast and production industries. These versatile devices combine advanced digital technology with user-friendly features, making them suitable for a wide range of applications, from live event coverage to high-end video production.

One of the notable features of the AJ-D950 is its ability to record in both DV and DVCPRO formats. This flexibility allows users to choose the best format for their specific needs, whether they require a higher-quality broadcast standard or a more compressed format for storage efficiency. The device supports both standard definition and high definition, providing broadcasters with the versatility to adapt to changing production demands.

The AJ-PD950 complements its predecessor with additional features tailored for enhanced usability and performance. Equipped with a powerful 25 Mbps data rate in DVCPRO mode, it ensures high-quality video output while maintaining manageable file sizes. The unit's dual-speed playback capabilities allow for real-time viewing and slow-motion playback, enabling editors to capture precise moments during post-production.

Both models feature an intuitive interface with a well-organized control layout, allowing for easy navigation through menus and settings. The LCD display offers clear visibility of vital operational information, including recording time, tape status, and battery life. Additionally, the presence of built-in speakers ensures that audio channels can be monitored without the need for external equipment.

Connectivity options are plentiful with the AJ-D950 and AJ-PD950, as they come equipped with various inputs and outputs, including SDI, HDMI, and analog connections. This wide range of interfaces facilitates integration with other production equipment, enhancing workflow and efficiency in the studio or on location.

The compact and rugged design of both models makes them ideal for field use. Their lightweight build allows for easy transport, while the robust housing provides protection against the rigors of on-location shoots. The long battery life further ensures that these recorders can operate for extended periods, accommodating even the most demanding production schedules.

In conclusion, the Panasonic AJ-D950 and AJ-PD950 are sophisticated yet user-friendly digital video recorders that offer exceptional performance and flexibility. Their advanced recording capabilities, ease of use, and extensive connectivity options make them valuable tools for professionals in the ever-evolving world of video production. Whether for broadcast, event coverage, or creative projects, these recorders stand out as reliable choices in the market.