Peavey manual Peavey Messenger M100, Table of Contents

ENGLISH

Peavey Messenger™ M100

Thank you for purchasing this complete, portable PA system. The Messenger is compact enough to fit in the overhead storage compartment of an airplane, yet is functional and powerful enough to be used as a professional sound system for small venues. The Messenger features a 100 watt, two-channel amplifier, a five-channel mixer and two removable, two-way high output speakers incorporating dual 4" woofers and a 1" tweeter each. Molded from a high-impact polypropylene polymer, the Messenger offers the only complete PA system in a protective briefcase with a spare compartment for microphone and cable storage.

The Messenger has several innovative, specialized features that make it very useful for many types of events. Among these is Split Track Mix, a feature specifically designed to control a split audio track’s voice and music volumes independently so you can adjust the vocals-to-music ratio differently for rehearsals and live performances. This combo channel (ch 4/5) is versatile enough to accommodate normal stereo inputs, as well, or can be used in mono for five total mixer inputs.

These features help make the Messenger the ideal sound system for: Weddings

Business Presentations Choir and Music Rehearsal Pageant

Dance

School functions and so many more...

Your Messenger includes all the accessories needed to get started:

Mixer

Speakers

Microphone

Cables

Lectern

Table of Contents

Page

Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Quick Setup Guide . . . . . . . . . . . . . . . . . . . . . . . . . 9

Setting Up Mixer and Speakers . . . . . . . . 9

Connecting Microphone(s) . . . . . . . . . . . . 10

Connecting CD, Tape

or Other Line Sources. . . . . . . . . . . . . 10

Split Track Mix . . . . . . . . . . . . . . . . . . . . . 10

Connecting Power. . . . . . . . . . . . . . . . . . . 11

Setting Controls and Turning Unit On . . . . . . . . . 11

Adjusting Gain and Volume Controls (Faders) . . . 11

Adjusting Tone Controls. . . . . . . . . . . . . . . . . . . . . 11

Using the Graphic Equalizer . . . . . . . . . . . . . . . . . 11

Avoiding Acoustic Feedback . . . . . . . . . . . . . . . . . 12

Microphone Usage Guidelines . . . . . . . . . . . . . . . . 12

Auxiliary Output (LINE OUT) Operation . . . . . . 12

Optional Accessories . . . . . . . . . . . . . . . . . . . . . . . 12

Troubleshooting Guide . . . . . . . . . . . . . . . . . . . . . . 13

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

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