15.EFX Defeat: Depressing this button defeats the Effects. The effects may also be defeated via the footswitch input (32).
16.EFX Select: This rotary switch selects one of sixteen available effects. See the table below.
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| Effect | Description | Application | Parameter |
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| 1 | Hall Rev | Medium Concert Hall | Ensemble | Rev Time |
| 2 | Large Hall Rev | Larger Concert Hall Darker | Gen Reverb | Rev Time |
| 3 | Room 1 Rev | Intimate Room Bright | Pop Vocal | Rev Time |
| 4 | Room 2 Rev | Larger Room Darker | Drums,Rhythm | Rev Time |
| 5 | Plate 1 Rev | Bright | Pop Vocal | Rev Time |
| 6 | Plate 2 Rev | Darker | Drums | Rev Time |
| 7 | Cathedral | Large Space, Long and Darker | Choir | Rev Time |
| 8 | Spring | Classic Spring | Guitar | Rev Time |
| 9 | Delay 1 | Single Delay | Voc/Instr | Dly Time |
| 10 | Delay 2 | Warm Delay with Repeats | Instruments | Dly Time |
| 11 | Delay 3 | Dark Delay with Repeats | Instruments | Dly Time |
| 12 | Tape Delay | Warm Delay | Instruments | Dly Time/Feedback |
| 13 | Doubler | Single Delay, 30 - 120 ms | Instruments | Dly Time |
| 14 | Shimmer | Warm Delay with Modulation | Instruments | Dly Time |
| 15 | Vocal Enhancement 1 | Brightens and adds Room Reverb | Vocals | Rev Level |
| 16 | Vocal Enhancement 2 | Brightens and adds Spring Reverb | Vocals | Rev Level |
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17.Effects Input CLip LED: This red LED illuminates to indicate 6 dB of headroom before the signals being sent to the effects circuit are clipped. Ideally‚ you want this LED to light only occasionally. An occasional blink indicates that your levels are set optimally. Listen carefully to the output to determine the final setting.
18.EFX Time: This control adjusts the time of the particular reverb or delay.
19.EFX to Monitor: This control adjusts the amount of effects signal sent to the monitor mix. This allows effects to be heard from the stage via the monitors. Keep this control as low as possible.
20.EFX to Main: Adjusts the amount of effects sent to the main mix. Controls the amount of effects sent to the
house mix. ✓ Remember: A little goes a long way!
21.FLS® Feedback Locating System: When feedback occurs‚ the corresponding LED of the frequency band that is feeding back will illuminate over the slider to be adjusted. Slowly bring the corresponding slider down until the feedback is gone. The LED will remain illuminated for a few seconds after the feedback is gone. If the feedback doesn't return‚ all the LEDs will become active again acting as a normal EQ.
22.Power LED: This LED illuminates when power is supplied to the XR600G.
23.EQ Assignment: This switch allows you to patch the second (top) EQ to either the Monitor or to Channel 1. The default position is the Monitor mode. This is indicated by the illuminated green LED. Push the button to change this to the Channel 1 mode and the yellow LED lights. This is a great feature to use if you have a critical instrument such as an acoustic guitar or a lead vocal. You can assign the top
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