5 |
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| Listening to your system |
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| • With a | system, audio signals that |
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| While listening to a source, press | RECEIVER | , then press |
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Listening with Acoustic |
| Calibration EQ |
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| PHASE to switch the P.CTL (Phase | Control) | ON or OFF. |
| have undergone matrix decoding | processing through |
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You can listen to sources using the | Acoustic Calibration |
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| Note |
| surround back channel processing to which the Up Mix |
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Equalization set in Automatically setting up for surround |
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| function is added are output from the surround back |
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sound (MCACC) on page 23. Refer to these pages for more | on |
| • Phase matching is a very important factor in achieving |
| speakers. |
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Acoustic Calibration Equalization. |
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| proper sound reproduction. If two waveforms are ‘in phase’, |
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| they crest and trough together, resulting in increased |
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| 1 | 2 | 3 | DISP |
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| 1 | 2 | 3 |
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| amplitude, clarity and presence of the sound signal. If a |
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| RECEIVER SLEEP | SOURCE |
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| DISP |
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| crest of a wave meets a trough, then the sound will be ‘out |
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| 4 | 5 | 6 | CH |
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| RECEIVER SLEEP | SOURCE | 4 | 5 |
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| of phase’ and an unreliable sound image will be produced. |
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| 6 |
| CH |
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| RECEIVER |
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| 7 | 8 | 9 | CH |
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| INPUT | ||||||||||||||||||
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| • If your subwoofer has a phase control switch, set it to the |
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| 7 | 8 | 9 |
| CH |
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| SHIFT |
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| INPUT |
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| plus (+) sign (or 0°). However, the effect you can actually |
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| CLR | 0 | ENTER |
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| 0 |
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| SHIFT |
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| feel when Phase Control is set to ON on this receiver |
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| CLR | ENTER |
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| Press |
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| depends on the type of your subwoofer. Set your subwoofer |
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| While listening to a source, press |
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| the surround back channel options. |
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| RECEIVER |
| to maximize the effect. It is also recommended you try |
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EQ to switch the EQ (Acoustic Calibration EQ) ON or |
| changing the orientation or the place of your subwoofer. |
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| OFF. |
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| • Set the |
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| • SB ON – Matrix decoding processing for generating | ||||||||||||||||||
| The MCACC indicator on the front panel lights when |
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| the surround back component from the surround | |||||||||||||||||||||||||||||
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| OFF. If this cannot be done on your subwoofer, set the |
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| Acoustic Calibration EQ is active. |
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| component is turned on. |
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| cutoff frequency to a higher value. |
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| • You can’t use Acoustic Calibration EQ with Stream |
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| • SB AUTO – Matrix decoding processing for generating | ||||||||||||||||||||||||||||||
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| • If the speaker distance is not properly set, you may not have |
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| Direct mode and it has no effect with headphones. |
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| the surround back component from the surround | ||||||||||||||||||||||||||||
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| a maximized Phase Control effect. |
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| component is switched automatically. Matrix | ||||||||||||||||
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| • The Phase Control mode cannot be set to ON in the |
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Better sound using Phase Control |
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| following cases: |
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| decoding processing is only performed when surround | ||||||||||||||||||||||
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| back channel signals are detected in the input signals. | ||||||||||||||||||||||||
This receiver’s Phase Control feature uses phase correction |
| - When the PURE DIRECT mode is switched on. |
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| • SB OFF – Matrix decoding processing for generating | ||||||||||||||||||||||||||||||||
| - When the headphones are connected. |
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measures to make sure your sound source arrives at the |
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| the surround back component from the surround | |||||||||||||||||||||||||||||||
listening position in phase, preventing unwanted distortion |
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| component is turned off. |
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and/or coloring of the sound. |
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| Using surround back channel processing (VSX- |
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Phase Control technology provides |
| coherent sound |
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| 1023 only) |
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| Setting the Up Mix function | ||||||||||||||||||||||||||||||
reproduction through the use of | phase matching for an |
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optimal sound image at your listening position. The default |
| You can have the receiver automatically use 6.1 or 7.1 | In a | ||||||||||||||||||||||||||||||||
setting is on and we recommend leaving Phase Control |
| decoding for 6.1 encoded sources (for example, Dolby Digital | placed directly at the sides of the listening position, the | ||||||||||||||||||||||||||||||||
switched on for all sound sources. |
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| EX or | surround sound of | |||||||||||||||||||||||||
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| decoding (for example, with 5.1 encoded material). With 5.1 | The Up Mix function mixes the sound of the surround | |||||||||||||||||||
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| encoded sources, a surround back channel will be generated, | speakers with the surround back speakers so that the | |||||||||||||||||||
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| 1 | 2 | 3 |
| DISP |
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| but the material may sound better in the 5.1 format for which | surround sound is heard from diagonally to the rear as it | |||||||||||||||||||||
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| RECEIVER SLEEP | SOURCE |
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| it was originally encoded (in which case, you can simply | should be. |
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| 4 | 5 | 6 |
| CH |
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| switch surround back channel processing off). |
| • Using the Up Mix function is effective when the speakers in | |||||||||||||||||||||||
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| RECEIVER |
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| 7 | 8 | 9 |
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| INPUT |
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| the |
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| SHIFT |
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| CLR | 0 | ENTER |
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36