Connect the amplifier input to Ch. 1 only, and use only the Ch. 1 Gain control, which now controls the entire amplifier. Do not feed another input into Channel 2. The Ch. 2 Gain control should be kept off for safety. An 8 or 16 ohm speaker load should be connected across the two red speaker terminals, using the red terminal of Ch. 1 as the “+” or “hot” terminal, the red terminal of Ch. 2 is the “-” or “common” terminal.

Mono Bridge Precautions

a.Minimum load impedance is 8 ohms, which will be the equivalent, to the amp, of 4 ohms per channel. If a four- ohm load is used, the amp will have to work very hard and may overheat.

b.Both sides of the speaker cable are “hot” or active. Be sure there is no ground or other circuit connected to either side of the speaker cable.

c.If the parallel-channel switches (#5,6, see Section 3.51) are switched on,the signal into Ch. 2 will cancel the mono-bridge signal. To prevent this, and still permit patching to additional amps, keep the Gain for Ch. 2 fully off.

3.6 SPEAKER CONNECTIONS

3.61Speaker Terminals Red and Black 5-way binding posts, on standard 3/4-inch centers, are located on the rear of the chassis of all Series One amplifiers.

The 1100 features a pair of standard 1/4" headphone jacks on the front panel. They are connected to the speaker outputs of the amplifier through a resistive pad that prevents excessive power levels from damaging the headphones. Always fully turn down the Gain controls before plugging in headphones to prevent accidental exposure to excessive sound levels that can cause permanent hearing damage.

3.62Terminal Polarity The Red binding post carries the positive or “hot” speaker output. The Black binding post is the ground return for the speaker.

3.63Speaker Cables In order to obtain the full benefit of the high power and high damping factor of the amplifier, the user must avoid cable losses. The best way is to use the heaviest-gauge, finely stranded wiring possible. 12- gauge speaker cable is available, and heavier gauge “specialty” cable is sold by audio dealers.

3.64Cable Termination A major problem with heavy-gauge cables is that the ends are too large to fit most speaker terminals. Usually, it is necessary to install spade lugs on each end, which must be soldered or soundly crimped. These must then be screwed firmly under the binding posts. Dual banana plugs are more convenient for portable systems, and will normally accept at least 12-gauge wires.

3.65Cable Polarity Be sure to observe correct polarity at both the speaker and amplifier end. Most present-day speaker cable is color-coded or polarized in some way. Adopt a consistent wiring convention and stick to it. We suggest Black for “Com” (ground or negative) and Red for “Spkr” (hot or positive). These colors match the binding posts. By the same logic, we can assign the copper-colored wire to the Red (“Spkr”) terminal, and the silver- colored wire to the Black (“Com”) terminal.

3.66Bridged Mono Please see Section 3.52 for the bridged-mono speaker connection.

3.67Speaker Impedance The Series One amplifiers have adequate current capability to fully drive loads down to two ohms. However, many high-performance “8-ohm” loudspeakers, especially multiple-way systems with passive crossovers, have impedances at some frequencies which are far lower than the average rating. An impedance minimum of 2 ohms or less is not uncommon. For this reason, speaker impedance curves should be consulted before connecting speakers in parallel.

We would expect the amplifier to do an outstanding job with any 8-ohm, full-range speaker system, and we expect equally outstanding performance when driving 4-ohm loads without passive crossovers (as part of a bi-or-tri- amped system, for instance). 2-ohm loads should be approached with caution, as there is no further margin for impedance dips. The amp should not be damaged, but high-power operation into reactive 2-ohm loads may result in overheating or excessive AC current consumption, causing shutdowns. In addition, some power may be lost at those frequencies where the impedance dips below 2 ohms. For these reasons, operation with 2-ohm loads should be tested thoroughly before putting into use.

3.69Speaker Wire Table The following table is presented to assist in selection of appropriate speaker wire. Power losses and net damping factors (including the amplifier, with a Damping Factor of 200) are shown for a variety of lengths and gauges. Note that loss of power and damping factor are more severe for longer lengths, lower impedance loads, and higher (thinner) gauges. One should maintain a minimum damping factor of 20, and preferably 50 for high-quality systems; this will automatically prevent significant power loss. Although a power

13

Page 13
Image 13
QSC Audio 1400, 1100, 1700, 1200 owner manual Speaker Connections, Mono Bridge Precautions

1200, 1700, 1400, 1100 specifications

QSC Audio has long been a revered name in professional audio, and its series of amplifiers—including the QSC 1100, 1200, 1400, and 1700—continues to showcase the brand's commitment to quality, performance, and innovation. Each model is designed to meet the diverse needs of audio professionals, whether for live sound, installations, or studio use.

The QSC 1100 amplifier is renowned for its lightweight and compact design while delivering a solid 1100 watts of power. It features QSC's advanced Class D technology, which not only provides high efficiency but also significantly reduces heat generation. The 1100 includes comprehensive protection circuitry, ensuring safe operation in all situations. With a Frequency Response of 20 Hz to 20 kHz, the amplifier offers a balanced and clear sound profile, making it suitable for various applications.

Moving up the line, the QSC 1200 offers increased power output at 1200 watts and comes equipped with advanced DSP (Digital Signal Processing). The DSP allows users to tailor the audio output precisely, delivering optimized performance for any setting. In addition to its robust power, the 1200 features a versatile input section, supporting both XLR and 1/4" TRS connectors, providing flexibility for any audio source.

The QSC 1400 amplifier is a workhorse in the series, capable of producing up to 1400 watts, making it ideal for larger venues and events. This model is designed with enhanced thermal management, ensuring reliability even during extended use. The 1400’s high-frequency response capabilities further improve its adaptability, handling complex audio signals with ease.

Lastly, the QSC 1700 stands as the powerhouse of this lineup, delivering a remarkable 1700 watts of clean, distortion-free audio. It boasts an advanced cooling system, making it perfect for high-demand environments. The 1700 is also equipped with customizable limiter settings, allowing users to protect their speakers while maintaining sound integrity.

QSC’s commitment to durability is evident in all four amplifiers, featuring rugged chassis designs and high-quality components to withstand the rigors of professional use. Collectively, the QSC 1100, 1200, 1400, and 1700 amplifiers offer a compelling range of features that cater to various audio needs, all while ensuring superior sound quality and reliability, making them excellent choices for any sound engineer or venue manager.