Guided Tour - Main Section

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17:DSP select switches - Allows you to select any of three preset reverb effects for the onboard DSP: Vocal, Long Hall (“L HALL”) or Short Hall (“S HALL”). For more information, see the “Using DSP” section on page 22 of this manual.

18:DSP On/Off switch - When pressed in (“On”), output signal from the internal DSP is routed to Aux Return 2. When up (“Off”), Aux Return 2 instead receives signal from any device connected to the Aux Return 2 jacks. For more information, see the “Using the Aux Sends and Returns” and “Using DSP” sections on pages 20 and 22 in this manual.

19:Aux 1 / Monitor switch - When pressed in, Aux send 1 is routed to the right side of the TM300’s power amplifier and the stereo mix is automatically combined to mono and routed to the left side of the TM300’s power amplifier. This allows the TM300 to be used in a “split mono” configuration, so that it can drive both main “Front Of House” PA speakers (from the left speaker output ) and onstage monitors (from the right speaker output) without the need for any external power amplifier. When used in a “split mono” configuration, the Rev To Aux 1 Level knob allows you to route signal from the internal DSP to your onstage monitors (the signal can also be routed to Aux Return 2 for simultaneous use in the main PA signal. For more information, see the “Using the Aux Sends and Returns” and “Using DSP” sections on pages 20 and 22 in this manual.

20:EQ On/ Off switches (L, R)- When pressed in (“On”), the equivalent side of the master seven-band graphic equalizer is active; when out (“Off”), the equivalent side of the master seven-band graphic equalizer is inactive regardless of the settings of the EQ sliders (see #21 below). Note that, when using the TM300 in a “split mono” configuration (that is, when the Aux 1 / Monitor switch [see #19 above] is pressed in), the left side of the graphic equalizer affects the main “Front Of House” PA speakers and the right side affects the onstage monitors, saving you the expense of having to use a separate outboard graphic equalizer for your onstage monitors.

21:Graphic EQ sliders - These sliders allow you to add 12 dB of boost or attenuation to seven different frequency

areas. When a slider is at its center detented (“0 dB”) position, the selected frequency area is unaffected (it is said to be flat). When a slider is moved up (above the “0 dB” position, towards the “+12 dB” position), the selected frequency area is boosted, and when it is moved down (below the “0 dB” position, towards the “-12 dB” position), the selected frequency area is attenuated. For more information, see the “Using Equalization” section on page 17 in this manual.

22:Stereo Faders - These linear sliders determine the relative level of the main left/right stereo outputs. The “0”

position of each fader indicates unity gain (no level boost or attenuation). Moving each fader below this position (towards the “∞ ” position) causes the signal to be attenuated (at the very bottom, it is attenuated infinitely— in other words, there is no sound). For best signal-to-noise ratio, both Stereo faders should generally be kept at or near the 0 level. For more information, see the “Setting The Correct Gain Structure” section on page 14 in this manual.

23:Headphone Level - This knob sets the level of the signal sent to the headphone jack (see #24 below).

WARNING: To avoid possible damage to connected headphones (or, worse yet, to your ears!), always turn this all the way off (to the fully counterclockwise “0” position) before plugging in a pair of headphones— then raise the level slowly while listening. The Headphone Level has no effect on any other TM300 outputs.

24:Headphone jack - Connect any standard stereo headphones to this jack (via a 1/4" TRS plug) for private monitoring of the stereo output, Aux sends, or soloed channels (depending upon the setting of the Meter Headphone Source switch [see #15 on the preceding page] and whether or not any channel PFL switches have been pressed in). The built-in TM300 headphone preamp delivers approximately 100 mw of power.

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Samson TM300 owner manual Guided Tour Main Section
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TM300 specifications

The Samson TM300 is a highly regarded professional microphone designed for studio and live performance applications. Renowned for its distinctive sound quality and durability, the TM300 caters to musicians, vocalists, and audio engineers alike.

At the core of the TM300's design is its dynamic microphone element, which excels in capturing the nuances of vocal performances. This type of microphone inherently rejects unwanted noise and feedback, making it an excellent choice for both live settings and studio recordings. The TM300's frequency response, typically spanning from 50Hz to 15kHz, showcases its ability to reproduce deep lows and crisp highs, ensuring that every vocal nuance is accurately captured.

One of the standout features of the TM300 is its cardioid polar pattern. This directional pickup pattern allows the microphone to focus on sound sources directly in front of it while minimizing background noise from the sides and rear. This characteristic is crucial in live settings, where minimizing ambient noise can greatly enhance the clarity of the performance.

The TM300 is built with high-quality materials, featuring a rugged metal housing that can withstand the rigors of frequent use. Its sturdy construction ensures longevity, even in demanding environments. Furthermore, the microphone includes a built-in pop filter that helps reduce plosive sounds (such as "p" and "b" consonants), providing cleaner audio capture without the need for additional accessories.

In terms of connectivity, the Samson TM300 typically utilizes a standard XLR output, making it compatible with a wide range of mixing consoles, audio interfaces, and recording devices. This versatility allows it to be seamlessly integrated into both professional and home studio setups.

For audio professionals seeking an affordable yet high-performance microphone, the Samson TM300 offers exceptional sound quality, rugged build, and user-friendly features. Whether used for live performances, studio recordings, or broadcast applications, the TM300 continues to impress with its reliable performance, making it a favorite choice among musicians and audio engineers alike. As the demand for quality audio equipment rises, the TM300 remains a testament to Samson's commitment to excellence in the audio industry.
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