Using the Internal Digital Signal Processor (DSP)

 

DSP

ENGLISH

0

VOCAL

 

 

+10

 

REV TO AUX 1

 

L HALL

 

S HALL

 

ON

DSP Controls

There’s probably no better way to enhance audio than with the judicious use of effects such as reverb and echo. The TM300 has its own built-in Digital Signal Processor (DSP) chip which provides three high-quality preset reverberation (“reverb”) effects.

As discussed in the “Using The Aux Sends and Returns” section on page 20 in this manual, each TM300 channel has its own discrete Aux Send 2 knob. This allows effects to be applied only to certain signals and not just to the overall mix (applying effects to the overall mix could make for a muddy sound). As each channel’s Aux Send 2 knob is turned clockwise, signal from that channel is routed increasingly to the internal DSP (if the DSP On/Off switch (see #18 on page 8) is pressed in [“on”]). Note that the TM300’s master Aux Send 2 Level knob (#10 on page 7) sets the overall amount of level being routed to the internal DSP. For best signal-to-noise ratio, you should use the master Aux Send 2 Level knob and the channel Aux Send 2 knobs to drive the DSP as hot as possible, short of overloading it.

To return signal from the internal DSP, use the Aux Return 2 knob in the TM300 main section (see #9 on page 7) to set the amount of “wet,” processed signal you want to have added to the overall mix. (Note: this knob sets the amount of signal returning from the Aux Return 2 jacks instead when the DSP On/Off switch is off). When set to the fully counterclockwise (“”) position, no signal is returned from the DSP, so you’ll hear only “dry” signal. Turning the Aux Return 2 knob clockwise will cause more and more DSP (“wet”) signal to be added to the overall mix. When set to the fully clockwise (“+10”) position, the wet signal is boosted by 10 dB. Wet signal is returning at unity gain (that is, with no boost or attenuation) when the knob set to the “0” position.

The Rev To Aux 1 Level control (see #16 on page 7) is used to return signal from the internal DSP to onstage monitors or headphones connected to the Aux Send 1 jacks (when operating the TM300 in standard stereo configuration) or to the right speaker outputs (when operating the TM300 in “split mono” configuration— that is, when the Aux 1 / Monitor switch is pressed in [see #19 on page 8]). See the “Using Aux Sends and Returns” section on page 20 in this manual for more information.

The TM300 provides three preset reverb effects. As its name implies, the “VOCAL” preset is designed specifically to enhance the sound of vocals, though it can also be used to add extra body to instrument sounds. Large Hall (“L HALL”) is a digital representation of a large hall and Small Hall (“S HALL”) is a digital representation of a small hall, allowing you to place your performance in a sizable or intimate acoustic space.

24

Page 24
Image 24
Samson TM300 owner manual Using the Internal Digital Signal Processor DSP

TM300 specifications

The Samson TM300 is a highly regarded professional microphone designed for studio and live performance applications. Renowned for its distinctive sound quality and durability, the TM300 caters to musicians, vocalists, and audio engineers alike.

At the core of the TM300's design is its dynamic microphone element, which excels in capturing the nuances of vocal performances. This type of microphone inherently rejects unwanted noise and feedback, making it an excellent choice for both live settings and studio recordings. The TM300's frequency response, typically spanning from 50Hz to 15kHz, showcases its ability to reproduce deep lows and crisp highs, ensuring that every vocal nuance is accurately captured.

One of the standout features of the TM300 is its cardioid polar pattern. This directional pickup pattern allows the microphone to focus on sound sources directly in front of it while minimizing background noise from the sides and rear. This characteristic is crucial in live settings, where minimizing ambient noise can greatly enhance the clarity of the performance.

The TM300 is built with high-quality materials, featuring a rugged metal housing that can withstand the rigors of frequent use. Its sturdy construction ensures longevity, even in demanding environments. Furthermore, the microphone includes a built-in pop filter that helps reduce plosive sounds (such as "p" and "b" consonants), providing cleaner audio capture without the need for additional accessories.

In terms of connectivity, the Samson TM300 typically utilizes a standard XLR output, making it compatible with a wide range of mixing consoles, audio interfaces, and recording devices. This versatility allows it to be seamlessly integrated into both professional and home studio setups.

For audio professionals seeking an affordable yet high-performance microphone, the Samson TM300 offers exceptional sound quality, rugged build, and user-friendly features. Whether used for live performances, studio recordings, or broadcast applications, the TM300 continues to impress with its reliable performance, making it a favorite choice among musicians and audio engineers alike. As the demand for quality audio equipment rises, the TM300 remains a testament to Samson's commitment to excellence in the audio industry.