Using Aux Sends and Returns

ENGLISH

 

0

+10

AUX1

PRE

 

0

+10

 

AUX2

Channel Aux Sends

 

0

 

0

+10

+10

AUX RET 1

AUX RET2/REV

 

0

 

0

+10

+10

AUX SEND 1

AUX SEND 2

Main section Aux Returns

and main Aux Sends

AUX SEND 1

+4dB

AUX SEND 2

Aux Send jacks

AUX RET1

+4dB

L/MONOR

AUX RET2

Aux Return jacks

The two Aux Sends provided by the TM300 allow you to combine the signal from multiple channels and send the resulting mix to the internal Digital Signal Processor (DSP) and/or to external devices such as effects processors.

When a channel Aux Send knob is at its 2 o’clock “0” position, the signal is routed with unity gain (that is, no boost or attenuation). As it is turned clockwise from the “0” position, the signal is boosted; as it is turned counterclockwise from the “0” position, it is attenuated. Aux Send 1 is post-eq but pre-fader; that is, the level of the signal is determined solely by the channel’s Trim control and equalizer settings. In contrast, Aux Send 2 is post-fader(and post-eq); that is, the level of the signal is affected by the channel’s Trim control, equalizer settings, and fader position.

There are also two master Aux Send knobs, located in the TM300’s main section. These control the overall level of the total mixed signal being routed to the internal DSP and/or output from the two unbalanced 1/4" Aux Send jacks. Note that, when the TM300 is operated in a “split mono” configuration (that is, when the Aux 1 / Monitor switch is pressed in), the Aux Send 1 signal is internally routed to the right speaker outputs (normally connected to onstage monitors). In this configuration, the master Aux 1 Send knob acts as a master level control for the onstage monitor output. The Rev To Aux 1 Level control (see #16 on page 8) provides a means for adding reverb or other processed signal from the internal DSP to onstage monitors or headphones connected to the Aux Send 1 jacks (when operating the TM300 in standard stereo configuration) or to the right speaker outputs (when operating the TM300 in “split mono” configuration).

The TM300 also provides two stereo Auxiliary Returns. Aux Return 1 allows you to return signal from outboard devices connected to the Aux Return 1 jacks. Aux Return 2 can also be used to return signal from outboard devices, but only when the DSP On/Off switch (see #18 on page 8) is off. If the DSP On/Off switch is pressed in (“on”), Aux Return 2 is used to return signal from the internal DSP and the Aux Return 2 jacks become inoperative. See the “Using DSP” section on page 22 in this manual for more information.

Each of the stereo Aux Returns acts like a stereo channel. In practice, you’ll probably want to use one or both of the Aux Returns to bring in signal from connected effects processors. If the effects processors have stereo outputs, they should be connected to both the left and right Aux Return inputs so that their stereo integrity is retained. If they have mono outputs, you can route them to either the left or right inputs. In this way, you can actually connect up to four monophonic devices to the TM300’s Aux Return section. Note that signal arriving at the left Aux Return input is automatically panned hard left and signal arriving at the right input is automatically panned hard right. The TM300 Aux Return jacks are unbalanced 1/4" inputs.

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Samson TM300 owner manual Using Aux Sends and Returns

TM300 specifications

The Samson TM300 is a highly regarded professional microphone designed for studio and live performance applications. Renowned for its distinctive sound quality and durability, the TM300 caters to musicians, vocalists, and audio engineers alike.

At the core of the TM300's design is its dynamic microphone element, which excels in capturing the nuances of vocal performances. This type of microphone inherently rejects unwanted noise and feedback, making it an excellent choice for both live settings and studio recordings. The TM300's frequency response, typically spanning from 50Hz to 15kHz, showcases its ability to reproduce deep lows and crisp highs, ensuring that every vocal nuance is accurately captured.

One of the standout features of the TM300 is its cardioid polar pattern. This directional pickup pattern allows the microphone to focus on sound sources directly in front of it while minimizing background noise from the sides and rear. This characteristic is crucial in live settings, where minimizing ambient noise can greatly enhance the clarity of the performance.

The TM300 is built with high-quality materials, featuring a rugged metal housing that can withstand the rigors of frequent use. Its sturdy construction ensures longevity, even in demanding environments. Furthermore, the microphone includes a built-in pop filter that helps reduce plosive sounds (such as "p" and "b" consonants), providing cleaner audio capture without the need for additional accessories.

In terms of connectivity, the Samson TM300 typically utilizes a standard XLR output, making it compatible with a wide range of mixing consoles, audio interfaces, and recording devices. This versatility allows it to be seamlessly integrated into both professional and home studio setups.

For audio professionals seeking an affordable yet high-performance microphone, the Samson TM300 offers exceptional sound quality, rugged build, and user-friendly features. Whether used for live performances, studio recordings, or broadcast applications, the TM300 continues to impress with its reliable performance, making it a favorite choice among musicians and audio engineers alike. As the demand for quality audio equipment rises, the TM300 remains a testament to Samson's commitment to excellence in the audio industry.