Connecting the TM300

ENGLISH

The actual connections you’ll make to and from the TM300 will vary according to the environment you use it in and the particular equipment you have. Here are a few basic rules concerning TM300 connections that will apply in most situations:

In general, it’s best to make all connections with the TM300 turned off. If you must

make connections with the power on, make sure that all faders are completely down (at their “” position). If the TM300 is connected to any external power amplifiers, turn them off first. Wait a few seconds for their power supplies to discharge and then turn off all other connected equipment, turning the TM300 off last.

Try to use balanced connectors and cabling wherever possible. These kind of connections do a better job of rejecting extraneous noise and hum and generally provide a cleaner signal. Although the TM300 will accept unbalanced connectors throughout, it specifically provides electronically balanced inputs for all mono channel line inputs. The wiring diagram below shows how 1/4" TRS (Tip/Ring/Sleeve) connectors should be wired:

SLEEVE

TIP +

TIP

GROUND

RING

RING -

XLR connectors for mono channel mic-level inputs should be wired as follows:

3 - SIGNAL

1 GROUND T TO MIC

2 + SIGNAL

Unbalanced cables use standard 1/4" phone connectors, wired as follows:

 

+ SIGNAL

+ SIGNAL

 

GROUND

GROUND

Always make one connection at a time and then monitor the incoming signal. If you hear a distinct hum or buzz, you may have a grounding problem with that particular device. See the “Grounding Techniques” section on page 16 in this manual for information on how to avoid grounding problems.

NEVER connect a microphone and line level input to the same channel simultaneously— use one or the other. You can have some channels connected to microphones and others to line level signals (for example, you might want to plug mics into channels 1 - 4 and line level signals into the remaining channels)— just don’t have both kinds of inputs connected to the same channel.

There are two “hidden” (or at least not so obvious) stereo inputs to the TM300; these are the Auxiliary returns. Use these whenever you want to bring in stereo signals that will not need to be equalized or otherwise processed.

Channel and Main insert cables (sometimes called “Y-cords”) should terminate in standard 1/4" TRS jacks (ring to send and tip to return), wired as follows:

TIP (RETURN)

RING (SEND)

SLEEVE (GROUND)

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Samson owner manual Connecting the TM300, Signal Ground T to MIC + Signal

TM300 specifications

The Samson TM300 is a highly regarded professional microphone designed for studio and live performance applications. Renowned for its distinctive sound quality and durability, the TM300 caters to musicians, vocalists, and audio engineers alike.

At the core of the TM300's design is its dynamic microphone element, which excels in capturing the nuances of vocal performances. This type of microphone inherently rejects unwanted noise and feedback, making it an excellent choice for both live settings and studio recordings. The TM300's frequency response, typically spanning from 50Hz to 15kHz, showcases its ability to reproduce deep lows and crisp highs, ensuring that every vocal nuance is accurately captured.

One of the standout features of the TM300 is its cardioid polar pattern. This directional pickup pattern allows the microphone to focus on sound sources directly in front of it while minimizing background noise from the sides and rear. This characteristic is crucial in live settings, where minimizing ambient noise can greatly enhance the clarity of the performance.

The TM300 is built with high-quality materials, featuring a rugged metal housing that can withstand the rigors of frequent use. Its sturdy construction ensures longevity, even in demanding environments. Furthermore, the microphone includes a built-in pop filter that helps reduce plosive sounds (such as "p" and "b" consonants), providing cleaner audio capture without the need for additional accessories.

In terms of connectivity, the Samson TM300 typically utilizes a standard XLR output, making it compatible with a wide range of mixing consoles, audio interfaces, and recording devices. This versatility allows it to be seamlessly integrated into both professional and home studio setups.

For audio professionals seeking an affordable yet high-performance microphone, the Samson TM300 offers exceptional sound quality, rugged build, and user-friendly features. Whether used for live performances, studio recordings, or broadcast applications, the TM300 continues to impress with its reliable performance, making it a favorite choice among musicians and audio engineers alike. As the demand for quality audio equipment rises, the TM300 remains a testament to Samson's commitment to excellence in the audio industry.