Samson AirLine Setting Up and Using Your AirLine System

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13.Temporarily turn down the level of your mixer/amplifier system and turn off the power to your transmitter, leaving the receiver on. Then restore the previously set level of your mixer/amplifier. With the transmitter off, the receiver output should be totally silent—if it is, skip ahead to the next step. If it isn’t (that is, if you hear some noise), you may need to adjust the receiver Mute (squelch) control.

When the Mute control is at its minimum setting, the AirLine system always provides maximum range without dropout; however, depending upon the particular environment your system is used in, you may need to reduce that range somewhat in order to eliminate band noise when the transmitter is turned off. To do so, use the provided screwdriver to rotate the Mute (squelch) control completely counterclockwise (to the “Min” position), then slowly turn it clockwise until the noise disappears. If no noise is present at any position, leave it at its fully counterclockwise “Min” position (so as to have the greatest overall range available).

14.When first setting up your AirLine System in a new environment, it’s always a good idea to do a walkaround in order to make sure that coverage is provided for your entire performance area. Accordingly, turn down the level of your audio system and turn on both the transmitter and receiver. Then, with the transmitter unmuted, restore the level of your audio system and while speaking or singing, walk through the entire area that will need to be covered. As you do so, observe the RF display or meter on the receiver to make sure that it is receiving sufficiently strong RF signal (in the AR1 receiver, the “Power On / RF” LED should always remain lit steadily green; in the UR1 and UM1 receivers, all segments of the RF Level meter should be lit). Always try to minimize the distance between trans- mitter and receiver as much as possible so that the strongest possible signal is received from all planned transmission points. If you are using an AR1 receiver in fixed installations such as A/V or corporate conference rooms, you may find it handy to mount it in the sup- plied wall-mount holder. In certain environments, it may be desirable to angle the receiver antenna(s) differently from the vertical

position. Where extended range coverage is required, the Samson UR1 true diversity receiver (set to the same channel as the trans- mitter) should be used. For videography applications, the Samson UM1 micro diversity receiver should be used.

If you have followed all the steps above and are experiencing difficulties, contact your local distributor or, if purchased in the United States, call Samson Technical Support (1-800-372-6766) between 9 AM and 5 PM EST.

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Samson AR1, UR1, UM1, AL1, AX1 owner manual Samson AirLine Setting Up and Using Your AirLine System
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AX1, UR1, AR1, UM1, AL1 specifications

The Samson AL1 and QL5 are two advanced offerings from Samson Technologies, a company renowned for its commitment to innovation in the audio industry. The AL1, a lightweight and portable active speaker, is designed for versatility and high sound quality, making it perfect for various applications—ranging from live performances to mobile DJ setups.

The AL1 features a powerful 200-watt peak power amplifier, delivering clear and dynamic sound even in challenging acoustic environments. Complemented by a 10-inch woofer and a high-frequency 1-inch compression driver, the speaker provides an impressive frequency response that enhances low-end depth alongside crisp high frequencies. Its built-in limiter ensures the system maintains clarity without distortion at high volumes.

Portability is a key characteristic of the AL1. With a rugged, molded plastic enclosure, the speaker is lightweight and easy to transport, equipped with carrying handles for added convenience. Additionally, it offers multiple input options, including XLR and 1/4-inch TRS, allowing it to connect seamlessly with microphones, instruments, or other audio sources.

On the other hand, the QL5 embodies the cutting-edge of digital mixing technology. Designed for both live and studio applications, the QL5 is a compact digital mixer that boasts 32 input channels and 16 mix buses, providing immense flexibility for sound engineers. One of the standout features is its intuitive touchscreen interface that simplifies navigation through complex mixing tasks, making it user-friendly even for those new to digital mixing.

The QL5 is equipped with a variety of premium effects processors, including reverb, delay, and compression, enabling users to enhance their mixes with professional-grade sound quality. Additionally, the onboard Dugan automixer facilitates automatic gain control, significantly reducing the need for manual adjustments during live events, thus streamlining the workflow.

Connectivity is another key aspect of the QL5, incorporating a range of I/O options, including USB, Dante, and ADAT interfaces for interoperability with other digital audio devices. The QL5's integration with the QL stage box further expands its capability for multi-channel recording and live sound reinforcement.

In conclusion, both the Samson AL1 and QL5 represent the brand’s dedication to delivering high-quality audio solutions equipped with advanced features and technologies. Perfectly suited for a range of audio applications, these products exemplify the balance between versatility, portability, and professional sound quality, making them essential tools for anyone serious about delivering exceptional audio experiences.
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