Recording Operations
For basic recording operations, see pages 6 and 7.Things You Should Know Before Recording
The difference between a blank section and a
The deck distinguishes between two kinds of silent sections, which are respectively called a “blank section” or
This is a section on which no signal has ever been recorded.
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This is a section on which a signal has been recorded but at a level that is not audible.
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Important
Make sure no blank sections are created while you are recording. The existence of blank sections within recorded material will make search operations using the PREVIOUS =/NEXT + buttons impossible or destroy the continuity of the absolute time codes.
zIf you press the REC r button while in a blank section
The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause (except during Timer Recording).
Absolute time codes
Absolute time codes indicate the elapsed time from the beginning of the tape. These codes are automatically recorded. Note that once recorded, absolute time codes cannot be
•If the tape is blank, make sure to start recording from the beginning of the tape.
•Use Record Muting (see page 11) to insert spaces between tracks. Do not advance the tape with the PLAY ( or FF ) button.
•To start recording from the middle of a tape, use End Search (see page 10) to locate the end of the recorded portion. This will prevent the creation of blank sections.
Recording Operations
If “EMPHASIS” appears in the display
The deck is recording a digital signal with emphasis (in the higher frequencies). The recording will also contain the same emphasis.
If the deck is left in recording pause for more than 10 minutes
Recording pause will be released automatically, the deck will stop and “SOURCE” will appear in the display.
To resume recording, press the REC rbutton. The deck will change to recording pause.
When using a new tape
Before you record on a new tape, we recommend that you fast forward the whole tape and then rewind to the beginning to make the tape reel smoothly.
Adjusting the Recording Level |
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ANALOG (LINE) IN, set the INPUT switch to |
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ANALOG and adjust the recording level. | STANDARD |
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| REC LEVEL L | R |
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| MARGIN | START ID |
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| RESETAUTO | RENUMBER REHEARSAL | 4 | 6 |
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TIMER | PREVIOUS | NEXT | REW | FFMODE RESET |
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REC OFF PLAY | AMS |
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| INPUT | REC MODE SBM | PHONES | PHONE LEVEL |
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POWER | STOP |
| PLAY | PAUSE REC MUTE REC | OPEN/CLOSE ANALOG | 48 kHz | ON |
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| ( | P R r | ¤ COAXIAL | LONG | OFF |
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PLAY ( PAUSE P | MARGIN RESET | REC LEVEL |
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1Do Steps 1 to 6 of “Recording on a DAT” on pages 6 and 7.
2Play the portion of the program source with the strongest signal level.
3While monitoring the sound, turn REC LEVEL to adjust the recording level so that the peak level meters are at maximum level without entering the OVER (red) range.
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Maximumevell
tiunlRemains
The segments of the peak level meters corresponding to the maximum signal strength remain lit longer than normal.
The MARGIN indication shows the margin between maximum signal strength and 0 dB, changing each time a stronger signal.
(Continued) 9EN