Recording Operations

For basic recording operations, see pages 6 and 7.

Things You Should Know Before Recording

The difference between a blank section and a sound-muted section

The deck distinguishes between two kinds of silent sections, which are respectively called a “blank section” or “sound-muted section”.

Blank section

This is a section on which no signal has ever been recorded.

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Sound-muted section

This is a section on which a signal has been recorded but at a level that is not audible.

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Important

Make sure no blank sections are created while you are recording. The existence of blank sections within recorded material will make search operations using the PREVIOUS =/NEXT + buttons impossible or destroy the continuity of the absolute time codes.

zIf you press the REC r button while in a blank section

The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause (except during Timer Recording).

Absolute time codes

Absolute time codes indicate the elapsed time from the beginning of the tape. These codes are automatically recorded. Note that once recorded, absolute time codes cannot be re-written.

For accurate recording of absolute time codes

If the tape is blank, make sure to start recording from the beginning of the tape.

Use Record Muting (see page 11) to insert spaces between tracks. Do not advance the tape with the PLAY ( or FF ) button.

To start recording from the middle of a tape, use End Search (see page 10) to locate the end of the recorded portion. This will prevent the creation of blank sections.

Recording Operations

If “EMPHASIS” appears in the display

The deck is recording a digital signal with emphasis (in the higher frequencies). The recording will also contain the same emphasis.

If the deck is left in recording pause for more than 10 minutes

Recording pause will be released automatically, the deck will stop and “SOURCE” will appear in the display.

To resume recording, press the REC rbutton. The deck will change to recording pause.

When using a new tape

Before you record on a new tape, we recommend that you fast forward the whole tape and then rewind to the beginning to make the tape reel smoothly.

Adjusting the Recording Level

 

for Analog Recording

 

 

 

 

 

Basic

Before you start recording an analog source through

 

ANALOG (LINE) IN, set the INPUT switch to

 

 

 

Operations

ANALOG and adjust the recording level.

STANDARD

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REC LEVEL L

R

 

 

 

 

 

 

MARGIN

START ID

 

5

 

 

 

 

 

 

 

 

RESETAUTO

RENUMBER REHEARSAL

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8

 

 

 

 

 

 

WRITE

 

ERASE

1

 

9

 

 

 

 

 

 

 

 

 

0

10

 

 

TIMER

PREVIOUS

NEXT

REW

FFMODE RESET

 

 

 

 

 

 

 

 

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+

0

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REC OFF PLAY

AMS

 

 

 

INPUT

REC MODE SBM

PHONES

PHONE LEVEL

 

POWER

STOP

 

PLAY

PAUSE REC MUTE REC

OPEN/CLOSE ANALOG

48 kHz

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OFF

 

 

 

 

 

 

 

 

 

 

 

 

 

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10

 

PLAY ( PAUSE P

MARGIN RESET

REC LEVEL

 

1Do Steps 1 to 6 of “Recording on a DAT” on pages 6 and 7.

2Play the portion of the program source with the strongest signal level.

3While monitoring the sound, turn REC LEVEL to adjust the recording level so that the peak level meters are at maximum level without entering the OVER (red) range.

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The segments of the peak level meters corresponding to the maximum signal strength remain lit longer than normal.

The MARGIN indication shows the margin between maximum signal strength and 0 dB, changing each time a stronger signal.

(Continued) 9EN

3-856-761-11(2)

Page 8
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Sony DTC-A6 Adjusting the Recording Level For Analog Recording, Things You Should Know Before Recording

DTC-A6 specifications

The Sony DTC-A6 is a high-quality digital audio tape (DAT) recorder that stands out for its advanced features and superior sound quality. Designed for professional use as well as for audiophiles looking to capture and play back audio with fidelity, the DTC-A6 integrates cutting-edge technology and user-friendly functionality.

One of the defining characteristics of the DTC-A6 is its ability to record and play back audio at 48 kHz sampling rates with a resolution of 16-bit, providing stereo sound that rivals even that of compact discs. This precision makes the unit particularly appealing for professionals engaged in music production, broadcasting, and live event recording. The DAT format itself is known for its excellent dynamic range and low noise, which further enhances the audio output.

The DTC-A6 features an intuitive interface, making it accessible for both beginners and seasoned audio engineers. Its front panel includes essential controls alongside a clear digital display that shows tape transport status and audio levels. The unit offers a variety of recording modes, including PCM (Pulse Code Modulation) for uncompressed audio, as well as longer-play modes that allow users to stretch recording time without compromising quality.

Connectivity is another strong point for the DTC-A6. It offers multiple input and output options, including digital outputs like coaxial and optical, alongside traditional analog connections. This versatility allows users to integrate the DAT recorder seamlessly into various audio setups, whether in a studio or live environment.

The DTC-A6 uses advanced error correction technologies to minimize dropout and ensure consistent playback quality. Its ability to handle long-duration recordings is complemented by features like automatic track incrementing, making it easier to manage extensive audio sessions.

In conclusion, the Sony DTC-A6 is a robust digital audio tape recorder that combines superior sound quality, versatile connectivity options, and user-friendly features. Whether utilized in professional recordings or home audio systems, the DTC-A6 represents a commitment to high fidelity and reliability, appealing to both professionals and enthusiasts in the realm of digital audio. Its legacy continues to influence modern audio technology, highlighting Sony's dedication to innovation in sound reproduction.