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White Balance Adjustment

Adjusting the white balance ensures that as lighting conditions change white objects remain white in the image and tones remain natural.

The color of light emitted varies from one light source to another, and as the lighting changes the apparent color of an illuminated subject changes. It is therefore necessary to adjust the white balance each time the principal lighting source changes.

Saving an Appropriate White Balance Value in Memory

You can save two white balance values in separate memories, A and B. Unless changed, the saved values are retained for approximately ten years, even when the camera is powered off.

Once a value is saved, you can automatically restore the adjustment by moving the W. BAL switch to the A or B position. This makes shooting under alternating lighting conditions easy.

Separate white balance values for each FILTER control setting

In the default case, as described above, the same two A and B white balance values apply to all settings of the FILTER control. It is possible, however, to change the AWB MEM menu setting (see page 58) so that there are eight possibly different values for each of the A and B positions and for the four FILTER control settings.

4

1

2 1

1 Make the following settings on the camera.

•POWER switch: ON SAVE

•OUTPUT/DL/DCC+ switch: one of the CAM positions

•Lens iris selector: A (automatic)

•ATW button: off

2 Set the FILTER control according to the lighting conditions. (See page 39.)

3 Set the W. BAL switch to A or B.

4 Arrange a white subject (paper, cloth, etc.) under the same lighting conditions as for shooting, and zoom in on it so that as far as possible the whole screen is white.

The minimum white area requirements for the adjustment are shown in the following figure.

Area of white within this rectangle should be

Center of the screen equivalent to at least 10% of the image area.

approximately

 

 

 

 

 

 

 

 

approximately

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

70% of the

 

 

 

 

 

 

 

 

70% of the

height of the

 

 

 

 

 

 

 

 

width of the

image

 

 

 

 

 

 

 

 

image

5 Push the WHT/BLK switch in the WHT direction and release.

The white balance adjustment is carried out. During the adjustment the legend “AUTO WHITE -OP-” appears in the viewfinder.

After a few seconds the adjustment is complete, and the legend in the viewfinder changes to “AUTO WHITE -OK-” plus a color temperature, as shown in the following figure.

Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

AUTO WHITE

-OK-

3200K

5 1 3

DXC-D30WS/P(E)/V1

Chapter 5 Adjustments and Settings

71

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Sony DXC-D30WSP service manual White Balance Adjustment, Saving an Appropriate White Balance Value in Memory
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DXC-D30WS, DXC-D30WSP specifications

The Sony DXC-D30WSP and DXC-D30WS are professional broadcast cameras known for delivering exceptional image quality, reliability, and versatility. Both models are part of Sony's renowned lineup of 3-chip CCD cameras, designed to meet the high demands of television production and video broadcasting.

At the heart of the DXC-D30WSP and DXC-D30WS is a high-resolution 3CCD image sensor system. This technology allows for accurate color reproduction and enhanced sensitivity, making it suitable for various lighting conditions. The cameras produce vibrant images with low noise levels, ensuring that footage remains clear and detailed, even in challenging environments.

One of the standout features of these cameras is their adaptability. The DXC-D30WSP model is equipped with a wide range of interchangeable lenses, allowing operators to select the appropriate lens for their specific shooting needs. This flexibility is crucial for cinematographers and videographers who work on diverse projects, from documentaries to commercials.

The DXC-D30WS, which is similar in many ways to its counterpart, emphasizes ease of use with its ergonomic design and intuitive controls. This model is particularly well-suited for field work, as it is lightweight and portable, enabling easy transport without sacrificing performance. Both cameras have comprehensive connectivity options, including SDI and analog outputs, making them compatible with various production environments.

In terms of performance, the Sony DXC-D30WSP and DXC-D30WS feature enhanced digital signal processing. This technology optimizes image quality by improving sharpness, contrast, and color fidelity. In addition to standard recording formats, these cameras support multiple aspect ratios, making them versatile tools for filmmakers who want to achieve specific artistic visions.

Furthermore, both models include advanced white balance and exposure control features, allowing operators to fine-tune settings for optimal results. This precision is critical for maintaining consistent visual quality throughout a production.

In conclusion, the Sony DXC-D30WSP and DXC-D30WS are distinguished by their robust build quality, advanced imaging technologies, and user-friendly designs. They are ideal choices for professionals seeking reliable, high-performance cameras that can adapt to a wide range of shooting situations. Whether for broadcast television or independent filmmaking, these cameras remain a valuable asset in any production setup, ensuring that creators can capture stunning visuals with ease.
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