1-50

Warning Indications

Specifications

If a fault occurs during operation, a warning is given

WARNING indicator on the VTR also lights or

by the REC/TALLY and BATT indicators in the

flashes, and warning indications appear in the display

viewfinder and the tally lamp lighting or flashing, and

window. There is also a warning tone in the earphone.

also by warning indications on the viewfinder screen.

 

When you are using a DSR-1/1P or PVV-3/3P, the

 

Warning indications

Camera

 

 

VTR

 

 

Fault

VTR action

What to do

REC/

BATT

Viewfinder

WARNING

Display

Warning tone

 

 

 

TALLY

indicator

screen

indicator

window

 

 

 

 

indicator

 

indication

 

 

 

 

 

 

and tally

 

 

 

 

 

 

 

 

lamp

 

 

 

 

 

 

 

 

 

 

RF

 

The video

The VTR emits

Carry out head cleaning,

 

 

 

 

(during

 

heads are

a warning tone

referring to the instruction

 

 

 

 

recording

 

clogged, or

when it detects

manual for the VTR. If the

 

 

 

 

only)

(During

there is some

head clogging.

problem persists after cleaning

 

 

 

 

 

recording only) other fault in

 

the heads, disconnect the

 

 

 

 

 

 

the recording

 

power and consult your Sony

 

 

 

 

 

 

system.

 

dealer.

 

 

SERVO

 

The servo

Recording

Disconnect the power and

 

 

 

 

 

 

lock has

continues, but

consult your Sony dealer. (The

 

 

 

 

 

 

been lost.

the recording

SERVO indication may flash

 

 

 

 

 

 

 

may not be

momentarily when the tape

 

 

 

 

 

 

 

satisfactory.

transport starts, but this does

 

 

 

 

 

 

 

 

not indicate a problem.)

DXC-D30/D30P Camera Head

Imaging element

Three-chip interline transfer CCD

Pixel resolution

768 (horizontal) × 494 (vertical)

 

(DXC-D30)

 

752 (horizontal) × 582 (vertical)

 

(DXC-D30P)

Imaging area

8.8 × 6.6 mm (corresponds to 2/3-

 

inch picture tube)

Built-in filter settings

 

1: 3200K

 

 

2: 5600K

+ 1/8ND

 

3: 5600K

 

 

4: 5600K

+ 1/64ND

Lens mount

Bayonet mount

Signal standards

EIA standard signal (NTSC color

 

system) (DXC-D30)

 

CCIR standard signal (PAL color

 

system) (DXC-D30P)

Scanning system

525 lines, 2:1 interlace (DXC-D30)

 

625 lines, 2:1 interlace

Y:1.0 Vp-p, sync negative, unbalanced

 

C: burst level 0.286 Vp-p, no

 

sync

Video S/N ratio

63 dB (typical) (DXC-D30)

 

61 dB (typical) (DXC-D30P)

Registration

0.05% for all zones, without lens

Input/output connectors

 

VIDEO OUT connector: BNC,

 

75 Ω, unbalanced

 

LENS connector: 12-pin, for 2/3-

 

inch lens

 

VF connector (front): 20-pin

 

VF connector (left side): 8-pin

 

REMOTE connector 1: Stereo

 

mini-jack

 

REMOTE connector 2: 10-pin

 

MONITOR OUT connector: BNC,

 

75 Ω, unbalanced

Power supply

12 V DC

Power consumption

 

12 W (12.7 W when the DSR1/1P

HUMID

(During

recording)

(During

playback, rewind, or fast forward)

There is

Recording

Stop the tape transport. Wait

condensation. continues, but

until the HUMID indication

 

if the tape

does not appear when you

 

sticks to the

power the unit on.

 

drum,

 

 

recording

 

 

stops.

 

 

Playback,

 

 

rewind, or fast

 

 

forward stops.

 

(DXC-D30P)

Scanning frequencies

Horizontal:

15.734 kHz

(DXC-D30)

15.625 kHz (DXC-D30P)

Vertical: 59.94 Hz (DXC-D30)

50.00 Hz (DXC-D30P)

 

is connected)

Operating temperature

 

 

–10 °C to +45

°C (14 °F to 113 °F)

Storage temperature

 

 

–20 °C to +60

°C (–4 °F to 140 °F)

Mass

2.3 kg approx. (5 lb 1 oz)

External dimensions in millimeters (inches)

Appendix

SLACK

TAPE

 

(During

(flashing,

 

during

 

recording

recording

 

only)

only)

TAPE

 

 

(flashing)

 

BATT

BATT

 

11.0V

(flashing) (During

 

 

recording)

 

BATT

BATT

 

10.5V

(flashing)

The tape is

The operation

Press the EJECT button to

not wound

stops. (Refer

eject the cassette. Close the

properly.

to the service

cassette compartment and

 

manual or

check that the top panel has

 

maintenance

descended before powering

 

manual.)

off. Then consult your Sony

 

 

dealer. (Do not attempt to

 

 

insert any cassette.)

The tape is

Operation

Change the cassette if

near the end.

continues.

necessary.

The tape is at

Recording,

Change the cassette.

the end.

playback, and

 

 

fast forward all

 

 

stop.

 

The battery is

Operation

Change the battery when

almost

continues.

possible.

exhausted.

 

 

The battery is

Operation

Change the battery.

exhausted.

continues.

 

Synchronization Internal sync

External sync, using signal input

(VBS or BS) to the GEN LOCK IN connector of an optional camera adaptor or input from the GEN LOCK connector of a CCU-M5/M5P/M7/M7P camera control unit to the VTR/CCU/ CMA connector of an optional camera adaptor.

Horizontal resolution

850 TV lines (center)

Minimum illumination

 

0.5 lux (at f/1.4, +36 dB)

 

0.8 lux (at f/1.8, +36 dB)

Sensitivity

2000 lux (f/11.0 standard, 3200 K)

Gain levels

Selectable –3 dB, 0 dB, 3 dB, 6 dB,

242 (95/8)

 

 

258

 

(101/4)

 

480 (19)

VCL-916BYA Zoom Lens

Focal length

9.0 to 144 mm

Zoom

Manual or power, selectable; zoom

 

ratio: ×16

Appendix

 

 

Continuous

Flashing once per second

Flashing four times per second

 

 

Four beeps per second

One beep per second

Continuous

DXC-

For the warnings appearing in the viewfinder when a VTR is connected, see the section “Viewfinder Normal Indications” (page

47).

 

 

 

 

 

 

 

Y/C separate signals

 

 

D30WS/P(E)/V1

86

Appendix

 

 

 

 

 

 

 

 

 

 

9 dB, 12 dB, 18 dB, 18 dB +

 

DPR, 24 dB, 24 dB + DPR, hyper

 

gain (30 dB + DPR)

Video output

Composite signal

 

1.0 Vp-p, sync negative, 75 Ω,

 

unbalanced

Maximum aperture

 

 

 

1:1.8

 

Iris

Manual or automatic, selectable;

f/

 

Appendix

87

Page 54
Image 54
Sony DXC-D30WSP service manual DXC-D30/D30P Camera Head, VCL-916BYA Zoom Lens

DXC-D30WS, DXC-D30WSP specifications

The Sony DXC-D30WSP and DXC-D30WS are professional broadcast cameras known for delivering exceptional image quality, reliability, and versatility. Both models are part of Sony's renowned lineup of 3-chip CCD cameras, designed to meet the high demands of television production and video broadcasting.

At the heart of the DXC-D30WSP and DXC-D30WS is a high-resolution 3CCD image sensor system. This technology allows for accurate color reproduction and enhanced sensitivity, making it suitable for various lighting conditions. The cameras produce vibrant images with low noise levels, ensuring that footage remains clear and detailed, even in challenging environments.

One of the standout features of these cameras is their adaptability. The DXC-D30WSP model is equipped with a wide range of interchangeable lenses, allowing operators to select the appropriate lens for their specific shooting needs. This flexibility is crucial for cinematographers and videographers who work on diverse projects, from documentaries to commercials.

The DXC-D30WS, which is similar in many ways to its counterpart, emphasizes ease of use with its ergonomic design and intuitive controls. This model is particularly well-suited for field work, as it is lightweight and portable, enabling easy transport without sacrificing performance. Both cameras have comprehensive connectivity options, including SDI and analog outputs, making them compatible with various production environments.

In terms of performance, the Sony DXC-D30WSP and DXC-D30WS feature enhanced digital signal processing. This technology optimizes image quality by improving sharpness, contrast, and color fidelity. In addition to standard recording formats, these cameras support multiple aspect ratios, making them versatile tools for filmmakers who want to achieve specific artistic visions.

Furthermore, both models include advanced white balance and exposure control features, allowing operators to fine-tune settings for optimal results. This precision is critical for maintaining consistent visual quality throughout a production.

In conclusion, the Sony DXC-D30WSP and DXC-D30WS are distinguished by their robust build quality, advanced imaging technologies, and user-friendly designs. They are ideal choices for professionals seeking reliable, high-performance cameras that can adapt to a wide range of shooting situations. Whether for broadcast television or independent filmmaking, these cameras remain a valuable asset in any production setup, ensuring that creators can capture stunning visuals with ease.