U S E R C O N F I G ( 1 / 2 ) R r
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| xR G B / C O M P S E L | xxxx |
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| · C O M P L E V E L | xxxxx |
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| · N T S C S E T U P | x |
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| · G A M M A | x |
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| · F O R M AT D I S P | xxx |
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| · L A N G UAG E | xxx |
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| U S E R C O N F I G ( 2 / 2 ) R r |
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| xM A R K E R | xxx |
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| · C E N T E R M A R K E R | xxx |
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| · M A R K E R L E V E L | x |
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| · S C A N | xxxx |
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| · P I C D E L AY M I N | xxx |
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Submenu | Setting | |
RGB/COMP SEL | When a signal input via the RGB/ | |
| COMPONENT connector is being monitored, | |
| based on the signal being input, select “RGB” | |
| or “COMP” (component). | |
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COMP LEVEL | Select the component level from among three | |
| modes. | |
| • SMPTE: for 100/0/100/0 signal | |
| • | BETA0: for 100/0/75/0 signal |
| • | BETA7.5: for 100/7.5/75/7.5 signal |
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NTSC SETUP | Select the NTSC setup level from two modes. | |
| The 7.5 setup level is used mainly in North | |
| America. The 0 setup level is used mainly in | |
| Japan. | |
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GAMMA | Select the appropriate gamma mode. You can | |
| select from among five settings. When “3” is | |
| selected, the setting is roughly same as the | |
| gamma mode of the CRT (2.2). | |
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FORMAT DISP | Select the display mode of the signal format. | |
| • ON: The format is always displayed. | |
| • OFF: The display is hidden. | |
| • AUTO: The format is displayed for about 10 | |
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| seconds when the input of the signal |
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| starts. |
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LANGUAGE | You can select the menu or message language | |
| from among seven languages. | |
| • | ENGLISH: English |
| • | FRANÇAIS: French |
| • | DEUTSCH: German |
| • | ESPAÑOL: Spanish |
| • | ITALIANO: Italian |
| • | : Japanese |
| • | : Chinese |
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MARKER | When the frame of the film is displayed on the | |
| screen, select the aspect ratio according to the | |
| film. | |
| When 16:9 aspect ratio is selected with | |
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| the ASPECT select button |
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| You can select either 4:3 or OFF. |
| When 4:3 aspect ratio is selected with | |
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| the ASPECT select button |
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| You can select either 16:9 or OFF. |
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CENTER MARKER | Select “ON” to display the center mark of the | |
| picture and “OFF” not to display. | |
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MARKER LEVEL | Sets the luminance to display the “MARKER” | |
| and “CENTER MARKER”. | |
| When the setting is low, the marker is displayed | |
| dark. | |
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Submenu |
| Setting |
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SCAN |
| Sets the scan size of the picture. Select from | ||||||||||||||
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| “OFF” and “FULL” mode. |
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| • OFF: Changes between over scan and under | |||||||||||||
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| scan. |
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| • FULL: Changes to over scan, under scan or | |||||||||||||
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| full screen. |
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PIC DELAY MIN |
| Select to set the delay by the picture processing | ||||||||||||||
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| to the minimum level when the signal is input. | |||||||||||||
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| When 1080I signal is input, “OFF” cannot be | |||||||||||||
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| selected. |
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| • OFF: Mode for giving precedence to the | |||||||||||||
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| picture quality (recommended mode). It | |||||||||||||
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| takes longer than “ON” for processing | |||||||||||||
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| the picture. |
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| • ON: The processing time is short. As the line | |||||||||||||
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| flicker is displayed in this mode, it is | |||||||||||||
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| available for checking the line flicker of | |||||||||||||
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| the telop work and so on. | |||||||||||||
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| Input |
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| 4 |
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| 16 |
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| 3 |
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| 9 | ||||||
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| OVER SCAN |
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| (5 % OVER |
| 4 |
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| 16 |
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| SCAN) |
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| UNDER SCAN |
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| 16 |
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| SCAN) |
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| 3 |
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| 9 | |||
Output |
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FULL |
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| 16 |
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| – |
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| FULL (1080) |
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| 1920 |
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| – |
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| 1080 | |||
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18 Adjustment Using the Menus