Mixer Functions (Continued)

sure signals aren't out of

Pressing SHIFT + SELECT will monitor

phase with each other.

in mono. The LEDs in the monitor

The CUE button

section will flash to indicate MONO mode.

To go back to stereo, press SELECT.

at the bottom of

 

the monitor section

 

switches the TRACK CUE

 

section on and off in the

 

MONITOR OUTPUT. As

 

mentioned in the TRACK

 

CUE section, the TRACK

 

CUE mix does not appear

 

in the stereo mix. This

 

only turns the TRACK CUE

 

mix on to the monitor section.

ROUTING & SCENE LIBRARIES

As easy as the signal routing is on the 788 with the controls on the surface of the recorder, it is sometimes easier to just recall a set-up from a preestablished library. This is especially true when you're switching projects, or moving from recording tracks to bouncing down, etc.

The three basic routing setups under the QUICK SETUP key are:

- Routes inputs straight to mixer channels. (Input A to track 1, input B to track 2, etc.)

- Routes recorder tracks to all channels on the mixer for playback.

- Routes tracks 1-6 to channels 1-6, and assigns the stereo mix to tracks 7/8 for bounce down.

There is also a ROUTING LIBRARY where you can store your own routing set-ups, and a SCENE LIBRARY which can store a complete snapshot of the mixer settings (ie - fader levels, EQ curves, aux sends, etc.)

Both the scene library and

The READ and SAVE tabs indicate

the routing library work

whether the selected scene will

be loaded, or the target for saving

the same way.

and

the current set-up.

tabs are shown at

 

top. If the R

tab is

 

selected, the chosen scene

 

or routing scheme will be

 

loaded into the mixer. If

 

is selected, the

 

current mixer settings or

 

routing scheme will be saved to that location. Use the CURSOR keys to switch tabs and select the scene. Pressing ENTER/YES will recall the selected scene.

A 12 character name can be assigned to each scene and routing scheme. To assign a name, highlight the

11

Section II

scene or routing library that you wish to wish to name and press SHIFT+MENU/TITLE.

See Section V, "Assigning Names" on p23 for complete naming capabilities and instructions.

When a scene is recalled, the display will immediately flip to the ASSIGN MAP screen to show you the routing scheme you've just recalled

ASSIGN MAP

The ASSIGN MAP on the 788 is a chart that shows you where the various signals are routed in the 788. You can view this at any time by pressing SHIFT+QUICK SETUP. Audio sources are listed down the left side of the screen, with mixer channels listed across the top.

Main Mixer Channels Input Submixer

Input A

Input B

Input C

Input D

Aux Input

Track Return

Stereo Mix

Effect Insert

In the above example, you may notice a little circle in the Effect Insert row under Mixer Channel 2. This indicates an effect is inserted into the channel. It could represent the multieffect chain of EFFECT 1, or a channel dynamic from EFFECT 2.

This screen is a great tool so you know where things are routed in the heat of a session. Below, we have a few examples of routing schemes to give you a little practice understanding what it is showing you.

This is the basic RECORDING Quick Setup. Inputs are assigned in order to mixer channels in order. (Input A to Channel 1, Input D to channel 4, etc.) The Aux Input is double assigned to Channels 5-6 and Channels 7-8.

This set up is intended for bouncing tracks. Tracks 1-6 from the recorder are fed to the channels 1-6, and all of the analog inputs are routed to the submixer. This offers 12 audio sources for mixdown. The stereo mix is assigned to channels 7/8 for routing to the recorder. The circles across the EFF column indicate channel dynamics across all channels.

This one is probably used for punching in parts on channel 4. Channels 1-3 have recorder tracks returning. Channel 4 is coming from Input D and has an effect inserted (probably a guitar plugged direct). Channels 5-6 have recorder tracks returning, while channels 7-8 are getting input from Input A and B. Input C and the Aux Input are assigned to the sub mixer which feeds the stereo buss.

TASCAM 788 Operational Tutorial • 8/2000 Edition

Mixer Functions

Page 11
Image 11
Tascam 788 manual Routing & Scene Libraries, Assign MAP

788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.