30

Troubleshooting (Continued)

Section VII

position and the processed fader position. If the

FADER MATCHING is set to , the processed fader position will not change until

the physical fader value has matched the processed fader position.

To change this setting, press

 

MENU, select , and

 

choose

. Change

If the CATCH fader matching

fader matching to either

isn't your style, use either

or

.

REAL or JUMP settings for

more instant response.

 

 

Everything is in mono.

read or . If it shows

, then change it to or .) Make sure that the send level and master send levels are turned up.

Lastly, check to make sure the effect processor output is set high enough. Press EFFECT 1 or EFFECT 2 (whichever one you’re using) and look at the bottom

parameter . That should be turned up loud

Make sure the send is set to either PRE or PST, not OFF.

If any of these lights

are flashing, the 788 is

monitoring in mono.

You probably selected the mono mode accidentally. If the lights in the MONITOR section are flashing,

enough to be heard. (A level of 100 is sufficient.)

Check that the OUT LEVEL of the processor is turned up.

Press SELECT to monitor

in stereo again.

that indicates that the mono mode was selected. (Pressing SHIFT and SELECT in the monitor section flips the 788 to mono.) To return back to stereo mode, press SELECT in the monitor section again, and the lights should go solid again.

I’m mixing down, and my recorded tracks don’t

show up in my mixdown, yet I heard them while I

was mixing down!

The tracks were probably assigned to the TRACK CUE section. The TRACK CUE does not route to the stereo mix. Tracks need to be assigned to the main mixer. To check this, press and hold TRACK. The lights for all the tracks should start blinking. If one does not, that track

I can’t hear any stereo effects.

You probably don’t have the effects

assigned correctly, or the monitor

Make sure the STEREO

LED is illuminated.

section is not selected properly.

 

Make sure the STEREO light in the

 

monitor section is lit, indicating you

 

are listening to the stereo mix.

 

(Effects return directly to the stereo

 

buss, so you must monitor the stereo

 

output to hear anything.)

If not, press SELECT

Next, check to make sure the effect

until the STEREO

light comes on.

processor is assigned as a stereo processor. Press and hold the SEND button. If the light above the Effect 1 or Effect 2 (whichever you are trying to use) doesn’t blink, then that means the processor is assigned as a

channel insert or stereo insert.

is assigned to the TRACK CUE.

In order to assign these tracks to the main mixer, hold down TRACK and press SELECT for the channel you need added to the mixer. The LEDs will confirm the new routing. If you want to use the inputs on mixdown, they can be assigned to the input submixer. See the section on Mixer Functions, page 7 for more information.

I can’t hear anything I’ve assigned to the input

submixer.

The input submixer is probably disengaged from the stereo buss.

Press and hold SUB MIX. If the

If you press and hold SUB MIX,

STEREO button does not flash,

the STEREO light should flash

if the SUB MIX is assigned to

press STEREO, then release

it. If STEREO does not flash,

SUB MIX.

press SUBMIX and STEREO

together to make the assignment.

Press and hold

To assign the effect processor

as a stereo processor again,

the SEND button.

 

If the effect

press and hold SEND, then

processor is

press EFFECT 1 or EFFECT 2,

assigned as a

 

stereo effect on

then release SEND.

a send, that

 

EFFECT's LED

In the SEND screen, make

will flash.

sure that the send is not

 

 

turned off. (The setting in

 

the far left should either

If you still can’t hear the channel, check the submixer screen to see if the level is up, and to make sure the input is assigned to the submixer. (The input should be displayed above the fader. If is shown above the fader, the input is not assigned to the input submixer.)

In the top of the screen, the input will be listed if the input is assigned to the submixer. If the input is not assigned to the submixer, "OFF" will be shown instead.

Troubleshooting

TASCAM 788 Operational Tutorial • 8/2000 Edition

Page 30
Image 30
Tascam 788 manual Troubleshooting Section, Everything is in mono, Can’t hear any stereo effects, Sub Mix

788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.