Standard Boost/Cut
ON/OFF PAD/GAIN Channel control setting indication
EQ bands are arranged vertically, with matching parameters aligning horizontally. Use the arrow keys to move between the parameters.

8

Mixer Functions (Continued)

channel 6, then release INPUT D. To route INPUT D to both channels 1 and 6, press and hold INPUT D then press SELECT for channels 1 and 6, then release INPUT D. The routing is verified by LEDs when you make the selection.

Whenever you route an input to a channel, the 788 will automatically disengage both the input and the channel from any previous assignment so that you don't have to worry about double routings.

If you want to check where things are routed, press and hold the input button; its LED will flash with the LED of the channel it is assigned to. (If none of the other LEDs flash, then it's not routed anywhere, yet.) The reverse can also be done, you can press SELECT for any of the channels, and it will flash with the input that is assigned to it.

Inputs can also be routed to the input submixer, which is discussed later in this section on p10. Routing an input to the input submixer is done by holding down the SUB MIX button and pressing the buttons for each INPUT you wish to route.

THE CHANNEL STRIP

The 788's main mixer provides extensive processing power and routing flexibility. Once the signal is routed to the main channel, the signal flows through the following steps:

Send/Return (insert) for built-in effects. This only applies if EFFECT 1 is assigned as a Multi-Effect processor on a channel or EFFECT 2 is assigned as dynamics.

EQ Section

If an aux send is assigned as pre-fader,

Section II

Channel Send & Return (Insert)

The 788's effect processing can be used as a dynamic or multi-effect processing chain inserted on channels. When the effect is routed that way, the effect will be assigned as the first item in the signal flow chain. (For information about the effect capabilities or assignment, see Effect Processing, p20.)

The EQ Section

To view the EQ section

of the 788, press the EQ button right in the middle of the 788's

control surface, then press SELECT for the channel you wish to view. The screen to the right should appear.

The 788's three band EQ is comprised of sweepable high and low shelf bands, plus a parametric mid band. An ON/OFF switch allows A/B

comparisons between the enhanced signal and the original. Finally, a PAD/GAIN control allows the signal to be padded down to prevent the channel from overloading from high boost EQ curves, or to increase signal strength when large frequency bands areas are dug out of the signal's power.

Shelf and Parametric EQs Explained

EQ basically increases and decreases the volume of specific frequency ranges in a sound. Your standard hi-fi usually has a bass and treble control... the bass control can boost or cut the low

frequencies, with the center

between 80-120Hz. The treble 20Hz20kHz

it's level is independent of the channel fader. This is typically used for monitor

control will boost or cut the higher

Boost

mixes or allowing the channel to be washed out in an effect (no dry signal).

frequencies, with a typical center between 6-12kHz.

Cut

Channel Fader

If an aux send is assigned as post-fader, its level is affected by the channel fader. This is typically used for effect sends, because the relationship between the effect and dry signal will remain constant when the fader is adjusted.

L R Panning

To Stereo Fader

The next level of control from the standard boost/cut

EQ is a sweepable EQ. Sweepable EQs have a gain

 

 

 

control to adjust the boost or cut

 

 

 

 

 

 

 

control, but also can change the

 

Mid Parametric Freq

 

 

 

center frequency. This movable

 

Freq

 

 

 

20Hz

 

 

20kHz

 

 

 

center allows accurate tuning of

 

 

 

 

 

 

 

the EQ to specific "sweet spot"

 

Sweep High/Low

 

 

areas of the sound.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Examples - Perhaps 80Hz boost will offer pillowy sound to a bass, while a 200Hz cut will take out a muddy tone.

Mixer Functions

TASCAM 788 Operational Tutorial • 8/2000 Edition

Page 8
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Tascam 788 manual Mixer Functions, Channel Strip, Channel Send & Return Insert, EQ Section

788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.