32

TIPS & TRICKS OVERVIEW

This section was assembled by the crew of Engineers and Product Specialists that worked on the 788. During the course of beta-testing, programming effect patches, and recording demos into the 788, we've come up with a short list of neat tricks. Some of these functions were designed in, some were just a good stroke of luck. Either way, these are yours to benefit from.

You should really be familiar with the 788 before going through this section. These are not primary recording techniques, but rather ways to really stretch the capabilities of the 788.

TIPS AND TRICKS

Guitar Processing - "0 Hz Flanging"

The multi-effect processing chain used for guitar effects has a few set-ups that use a flanger. If you set the flanging RATE to 0 Hz, you can use the DEPTH control to create a phase angle type of sound. The more you increase the DEPTH, the more the phased sound increases. The location of the sweeping sound of the flanger is constant at 0 Hz, and seems to always recall the same position, thus guaranteeing you the same sound each time.

Try recalling the patch "Boxed Start" to see this an example of this sound. You can experiment with the settings there. You can switch the effect on and off to give you a better idea of the sound compared to the original.

Guitar Processing - "Pitch Shift as Chorus"

Another neat effect in the guitar processing is the pitch shifter. While most people think of the pitch shifter for creating intervals between the original tone and a synthesized tone (such as creating a perfect fifth), it can also be used to create a different type of chorus sound.

Chorus effects are typically created by taking the original sound, and combining it with the original tone that wavers in pitch ever so slightly. This generally thickens up the sound. The pitch control can be used to create a similar effect, by combining the original with a copy that is just slightly out of pitch.

Try recalling "Shimmer Verb" or "Double Play" to see this in action. All you need to do is adjust the FINE control out to about 10, and you'll be in business. Typically, moving up works a little better than moving down in pitch.

Signal Routing - "Getting Effect Send External"

While the AUX SEND has dedicated plugs on the

back of the unit, the EFFECT SEND does not. If you

Section VIII

Tips & Tricks

are using the EFFECT 1 as an insert processor, the first aux send doesn't feed anything. You may want to bring the send out of the 788 so you can process it with an external effect processor.

You can set the MONITOR OUTPUT to monitor the EFFECT SEND. So, connect your effect processor to the MONITOR OUTPUT, and listen to your mix from the STEREO OUTPUT. If you've got a mixdown deck attached there, listen from the output of the mixdown deck. While this means you won't be able to use the MONITOR LEVEL control on the surface of the 788, it does offer a way to solve the problem in a pinch.

Teaching Tool - "SSA: Slow Speed Audition"

This is actually a standard feature on the unit, but people often overlook little things like this. The SSA feature can play back a stereo pair of tracks at slower speeds without changing the pitch. The variable speeds are 85%, 65%, or 50% of the original tempo.

The main function of SSA was to enable you to play a track of a song you wanted to learn, then use SSA to slow it down so you can learn it better. For years, musicians used the tape speed control on our cassette based Portastudios for this very function. However, the 788 can process this so that the pitch is not changed.

The sound quality of this process will not be as clear as the original, but it should give you plenty of clarity so that you can make out the part.

Sound Creation - "Speed Games"

In the days before digital audio workstations and digital synthesizers, the most convincing sound effects were made by recording sounds, then applying filters and listening to the sound forwards and backwards at different speeds.

Try recording different sounds in the 788, then scrubbing them at slow speeds. Heck, try it with the Slow Speed Audition too, perhaps it can add a mechanical quality to it. Or, slow the pitch way down then add the SSA feature to it after that! If you find something you really like, record it on an external recorder. Then, record it back on the 788 at normal speed so you have that wild sound you can use in your project!

Whether you're making your own video, making wild sounds for your drum loops or simply trying to create a unique sound effect, these effects can be the highlight of your project!

Tips & Tricks

TASCAM 788 Operational Tutorial • 8/2000 Edition

Page 31 Page 33
Page 32
Image 32
Tascam 788 manual Tips & Tricks Overview, Tips and Tricks
Page 31 Page 33

788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.
Top Page Image Contents