Tascam DS-M7.1 owner manual Inserts, Monitor connections

Models: DS-M7.1

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3 – Connections

Error

Meaning

Appropriate action to take

number

 

 

 

 

 

 

7

Frequency error

The master clock is not a recognized frequency (e.g. 32 kHz). Check the master set-

 

 

tings and correct, if necessary.

 

 

 

8

AES/EBU preamble error (normal)

At normal sampling frequencies, the preamble of the AES/EBU signal acting as the

 

 

clock source cannot be read by the DS-M7.1. Check and correct settings on the clock

 

 

master.

 

 

 

9

AES/EBU preamble error (high-speed)

At high sampling frequencies (88.2 kHz and 96 kHz), the preamble of the AES/EBU

 

 

signal acting as the clock source cannot be read by the DS-M7.1. Check and correct

 

 

settings on the clock master.

 

 

 

Inserts

Either analog or digital insert units can be connected to operate after the BUS/RTN switch. These are selectable pre- or post- the Input Summing Router.

These inserts can be pre- or post- the input summing router (placed between the inputs and the RTN/BUS selector switch) and always pre- the RTN/BUS switch. See the block diagram at the end of this man- ual for details.

Either AES/EBU digital devices, or analog (standard +4dBu balanced) may be used here. Note that when making connections to an analog insert unit, because of the nature of the connectors used, two connections need to be made, one for input and one for output.

After the connection has been made, you should set up the insert as follows:

1Press the INSERT key so that the screen shows something like:

[INSERT]

State DISABLED

Mode POST SUM Return ANALOG

2There are three parameters. Use the cursor keys to select them. First, select whether the insert loop is enabled (ENABLED) or dis- abled (DISABLED).

3Next, select the position of the insert loop, as described above: either PRE SUM or POST SUM (i.e. before or after the input summing router).

4Finally, set the Return type: ANALOG (analog) or DIGITAL (digital).

Monitor connections

There are two sets of monitor connections, analog and digital.

The analog connections are standard balanced +4dBu connections, and the digital outputs are in AES/EBU format.

NOTE

The sampling frequency output from the digital moni- tor outputs is the input frequency. If you are mixing a high sampling frequency project, you must therefore make sure that your digital monitoring setup can han- dle these frequencies, or use the DS-M7.1’s analog mon- itoring ports.

The analog and digital signals are output in parallel, and there is no switching between them.

TIP

The AES/EBU monitoring signals can be used in parallel with the analog monitoring signals to drive a suitably- equipped meter bridge.

However, there is one setting that can be made for the AES/EBU digital ports; the “pick-off” point for the monitoring.

This can be set so that all the downmix, bass manage- ment and delay settings, together with all muting and soloing and level settings described in “Other moni- toring settings” on page 17, are ignored, or so that these settings take effect through the digital port. This affects the digital outputs only—the analog out- puts will always reflect these settings.

16 TASCAM DS-M7.1

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Tascam DS-M7.1 owner manual Inserts, Monitor connections

DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.