1Press the SYSTEM key, and use the cursor keys until a screen similar to the following appears:

[SYSTEM]<

MonOut POST

3 – Connections

2Use the VALUE control to select between POST (the digital signals mirror the analog signals) and PRE (the parameters described above are ignored).

Other monitoring settings

There are other system settings related to the monitor system, which affect the analog outputs and the digi- tal outputs in “post” mode.

These are the SPL Reference Level, the Dimmer level, the Surround level and the LFE Gain.

SPL Reference Level sets the reference value of the SPL which will be used in the monitoring envi- ronment. See the Setup Guide for details of how this works.

It is accessed and set in the screen described here, however.

Dimmer level This sets the amount by which the monitor signal is dimmed (or attenuated) when the DIM key is active.

1Press the SYSTEM key, and use the cursor keys until a screen similar to the following appears:

[SYSTEM]<>

Dimmer-60dB SPLRefLevel 82dB SurroundLvl -10dB

2Use the VALUE control to set the Dimmer parameter value between –60dB and –10dB in 5dB steps.

Surround level This sets the amount by which the surround (rear speaker) level is attenuated.

1Press the SYSTEM key, and use the cursor keys until a screen similar to the following appears:

[SYSTEM]<>

Dimmer-60dB SPLRefLevel 82dB SurroundLvl -10dB

2Use the VALUE control to set the SurroundLvl parameter value to between 0dB and –10dB in 1dB steps.

LFE gain This refers to the amount of relative gain added to the LFE channel.

1Press the SYSTEM key, and use the cursor keys until a screen similar to the following appears:

[SYSTEM]<>

LFEGain +10dB

SoloExclusive

WordIN Normal

2Use the VALUE control to set the LFEGain parameter value to any of the following val- ues: 0, +6, +7, +8, +9 or +10 (dB).

Control room stereo inputs

These balanced +4dB inputs are used for a direct feed of the master CR analog outputs (your console may give these a different name, but they are the ste- reo outputs used for monitoring in the control room) to the DS-M7.1.

These outputs can be monitored directly from the DS-M7.1 using the SRND/ST key.

Note that the stereo inputs are subject to the same downmix, delay, processing etc. as the surround inputs. See the block diagram for details.

TASCAM DS-M7.1 17

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Tascam DS-M7.1 owner manual Control room stereo inputs, Other monitoring settings
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DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.
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