FOREWORD

sounded just like what I remembered, minus Miles Davis of course. As time has advanced forward I am always on the lookout for this printed information as well as photographs and film documentaries of recording sessions. Seeing the masters at work and their use of the pallet is the best way to learn. Not only can you see and hear what they used, but also how high and far away the microphone was placed from the instrument. The only thing we can't see is the nature of the console and what eq and dynamics were used if any. Also, the good fortune that these masters enjoyed, was the privilege of recording master musicians capable of making great sounds.

The future is now upon us. Digital microphones with built in A/D's capable of 96 khz, 24 bit output. Custom tailoring of the eq curves via computer programming for the mixer who needs the microphone to do it his way. Digital processing of these new signals by digital microphone preamplifiers with eq and dynamics. It's amazing what it used to be, as it now happens, almost as soon as we can think it up, the future is now.

Microphones have a great history and have been a part of almost all of the 20th century's most important music and political events. My gratitude to those dreamers who dreamt of reproducing human hearing in full three dimensional stereo and color. I am at their feet.

Bruce Botnick - June 1998

Bruce Botnick is a recording engineer and producer whose work spans the last three decades. Although he is primarily known as engineer and producer for the legendary 60's rock group, The Doors, Bruce has recorded and produced literally hundreds of other legendary classic rock hits throughout the 60's and 70's. His clients have included a "who's who" of Rock & Roll: The Beach Boys, Buffalo Springfield, The Turtles, The Supremes, Marvin Gaye, Stevie Wonder, The 5th Dimension, Bread, MC5, Delaney and Bonnie, Judy Collins, Dave Mason, The Rolling Stones, Joe Cocker, Eddie Money, Kenny Loggins, Steve Perry and many others. Considered by many to be one of the "pioneers" of digital recording, Bruce was the first to engineer the first all digital recording of a motion picture soundtrack, "Star Trek The Motion Picture". Since then, Bruce has recorded and produced countless music scores for films such as "E.T.", "Poltergeist I & II", "Indiana Jones And The Temple Of Doom", "Rambo", "Gremlins", "The Color Purple", "Caddyshack", "Startrek V", "Blaze", 'Total Recall", "The Doors Movie", "Sleeping With The Enemy", "Father Of The Bride", "Beauty And The Beast", "Basic Instinct", "Aladdin", "The Lion King", "Pocahontas", "Waterworld", First Knight", "City Hall", "L.A. Confidential", "Ghost & The Darkness", "Executive Decision", "Airforce One", "Deep Rising". Bruce recently completed producing The Doors 4-CD Box Set, and engineered the music score for latest Disney animated feature film, Mulan.

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TC electronic SDN BHD Gold Channel user manual Foreword
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Gold Channel specifications

TC Electronic SDN BHD has established itself as a pioneer in audio technology, and one of its standout products is the SDN BHD Gold Channel. This innovative device is designed for professional audio applications, particularly in live sound and broadcast environments. The Gold Channel is revered for its exceptional sound quality, versatility, and user-friendly interface, making it a go-to choice for audio engineers and musicians alike.

At the heart of the Gold Channel is its advanced signal processing technology. It features a high-quality preamp that provides a clean and transparent sound, essential for capturing the nuances of live performances. The preamp is complemented by a robust equalization section, allowing users to shape their sound with precision. The three-band EQ offers both high and low shelving controls, as well as a parametric mid-band, facilitating a wide range of sonic possibilities.

Another significant feature of the Gold Channel is its dynamic processing capabilities. It incorporates a powerful compressor that helps manage dynamic range effectively. Users can achieve everything from subtle compression to more aggressive limiting, ensuring that audio levels are consistent and professional. The onboard de-esser helps eliminate sibilance, making vocals smoother and more polished.

In addition to these core features, the Gold Channel also includes an excellent built-in digital effects processor. This allows users to add reverb, delay, and modulation effects directly within the channel strip, streamlining the mixing process. The intuitive controls make it easy to dial in effects quickly, which is particularly beneficial in fast-paced live settings.

Connectivity options are another strong suit of the Gold Channel. It features multiple input channels, including XLR and TRS, accommodating a variety of microphones and instruments. The outputs are equally versatile, providing balanced and unbalanced options for seamless integration with other audio equipment.

Furthermore, the Gold Channel boasts robust build quality, designed to withstand the rigors of live performances. With a sleek metal chassis and reliable components, this device is built for longevity.

In summary, the TC Electronic SDN BHD Gold Channel combines high fidelity sound, advanced processing features, and practical connectivity options into a single, powerful package. Its remarkable flexibility makes it an essential tool for audio professionals dedicated to delivering outstanding sound quality in any setting. Whether in the studio or on stage, the Gold Channel stands out as a premier audio solution.
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