JBL AVR 140 owner manual Surround Mode Selection, Digital Audio Playback, Dolby Digital

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Operation

•To set the output of the AVR so that the output is “flat,” with the tone and balance controls de- activated, press the Tone Mode button 8once or twice so that the words Tone Off appear momentarily in the Main Information Display

Ò. To return the tone controls to an active con- dition, press the Tone Mode 8button once or twice so that the words Tone In momentarily appear in the Main Information Display Ò.

•For private listening, plug the 6.3 mm stereo phone plug from a pair of stereo headphones into the front panel Headphone Jack 4. Note that when the headphone’s plug is connected, the word HEADPHONES IN will scroll once across the Main Information Display Òand all speakers will be silenced. When the head- phone plug is removed, the audio feed to the speakers will be restored.

Surround Mode Selection

One of the most important features of the AVR 140 is its ability to reproduce a full multi- channel surround sound field from digital sources, analog matrix surround encoded programs and standard stereo or even mono programs.

Selection of a surround mode is based on person- al taste, as well as the type of program source material being used. For example, CDs, motion pictures or TV programs bearing the logo of one of the major surround-encoding processes, such as Dolby Surround should be played in either the Dolby Pro Logic II or IIx Movie (with movies) or Music (with music) surround mode, with any DTS NEO:6 mode or with Harman Kardon´s exclusive Logic 7 Movie Mode, to create a full range 5.1 channel or (with Logic 7 and DTS NEO:6) even

7.1channel surround signal from surround encoded programs, with a stereophonic left and right rear signal, just as it was recorded (e.g. sound being recorded from left rear side will be heard from that side only, for more details see chart on page 26).

Note that when Dolby Digital 2.0 signals (e.g. "D.D. 2.0" tracks from DVD), that are encoded with Dolby Pro Logic information, are received via any digital input, the Dolby Pro Logic II Movie mode will be selected automatically (in addition to the Dolby Digital mode) and will decode a full range 5.1 channel surround sound even from those recordings (see also "Dolby Digital" on page 29).

To create wide, enveloping sound field environ- ments and defined pans and flyovers with all analog stereo recordings select the Dolby Pro Logic II Music or Emulation mode or Harman Kardon’s exclusive Logic 7 Music mode for a dramatic improvement in comparison to the Dolby Pro Logic (I) mode of former times.

NOTE: Once a program has been encoded with matrix surround information, it retains the sur- round information as long as the program is

broadcast in stereo. Thus, movies with surround sound may be decoded via any of the analog sur- round modes such as Pro Logic II or IIx Cinema, Logic 7 Cinema or DTS Neo:6 Cinema, when they are broadcast via conventional TV stations, cable, pay-TV and satellite transmission. In addition, a growing number of made-for-television programs, sports broadcasts, radio dramas and music CDs are also recorded in surround sound. You may view a list of these programs at the Dolby Laboratories Web site at www.dolby.com.

Even when a program is not listed as carrying intentional surround information, you may find that the Dolby Pro Logic II or IIx Music, DTS NEO:6 Music or Logic 7 Music or Enhanced modes often deliver enveloping surround presentations through the use of the natural surround information present in all stereo recordings.

However, for stereo programs without any surround information the Theater, Hall and 5/7CH Stereo modes should be tried (effective particularly with old ”extreme” stereo recordings) and for mono programs, we suggest that you try the Theater or Hall modes. And when you use only two front channel speakers you should select Harman’s patented VMAx mode, delivering a virtually three dimensional sound space with two speakers only.

Surround modes are selected using either the front panel controls or the remote. To select a new surround mode from the front panel, first press the Surround Mode Group Selector Button 5until the desired major surround mode group such as Dolby, DTS or Logic 7 is selected. Next, press the Surround Mode Selector Button 9to choose the specific individual surround mode.

To select a surround mode using the remote con- trol, press the button for the major surround mode group that includes the mode you wish to choose from: Dolby M, DTS Surround N,

DTS Neo:6 , Logic 7 O, Stereo or DSP Surround A. The first press of the button will show the current mode from that group if it is already in use, or the first available mode if you are currently using another mode. To cycle through the available modes in that group press the button again until the desired mode appears in the Main Information Display Òand the on-screen display.

To select from the DSP modes (Hall 1, Hall 2, Theater, VMAx Near or VMAx Far) press the Surround Mode Selector Arepeatedly to scroll through the list of available modes.

As the surround modes change, a blue LED will light next to the current mode in the Surround Mode Indicators (list on the front panel.

Note that the Dolby Digital or DTS modes may only be selected when a digital input is in use. In addition, when a digital source is present, the AVR will automatically select and switch to the

correct mode (Dolby Digital or DTS), regardless of the mode that has been previously selected. For more information on selecting digital sources, see the following section of this manual.

When the 6-Channel/8-Channel direct inputs are in use there is no surround processing, as these inputs take the analog output signals from an optional, external DVD-Audio or SACD player, or another source device and carry them straight through to the volume control.

To listen to a program in traditional two-channel stereo, using the front left and front right speakers only (plus the subwoofer, if installed and configured), press the Stereo Button 5

until SURR OFF appears in the Main Information Display Ò.

Digital Audio Playback

Digital audio is a major advancement over older analog surround processing systems such as Dolby Pro Logic. It delivers five or six discrete channels: left front, center, right front, left surround and right surround and with DTS ES (see below) even surround back (with identical signals for left and right). Each channel repro- duces full frequency range (20Hz to 20kHz) and offers dramatically improved dynamic range and significant improvements to signal-to-noise ratios. In addition, digital systems have the capability to deliver an additional channel that is specifically devoted to low-frequency information. This is the “.1” channel referred to when you see these systems described as “5.1,” “6.1” or “7.1”. The bass channel is separate from the other channels, but since it is intentionally bandwidth-limited, sound designers have given it that unique designation.

Dolby Digital

Dolby Digital (originally known as AC-3®) is a standard part of DVD, and is available on specially encoded LD discs and satellite broadcasts and it is a part of the new high- definition television (HDTV) system.

Note that an optional, external RF demodulator is required to use the AVR to listen to the Dolby Digital sound tracks available on laser discs. Connect the RF output of the LD player to the demodulator and then connect the digital output of the demodulator to the Optical or Coaxial inputs *Óof the AVR.

No demodulator is required for use with DVD players or DTS-encoded laser discs.

DTS

DTS is another digital audio system that is capa- ble of delivering 5.1, 6.1 or 7.1 audio. Although both DTS and Dolby Digital are digital, they use different methods of encoding the signals, and thus they require different decoding circuits to convert the digital signals back to analog.

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Contents AVR 140 Audio/Video Receiver Declaration of Conformity Table of ContentsFront panel analog A/V inputs Description and FeaturesIntroduction Unpacking Safety InformationImportant Safety Information Front Panel Controls Headphone Jack $Speaker/Channel Input IndicatorMore information on digital audio # Preset Stations Selector Press thisDigital Input Selector When playing a Surround Left Blue Surround Right Gray Surround Back Left Rear Panel ConnectionsSurround Back Right Tan Subwoofer LFE Digital AudioDigital recorder such as a CD-R or MiniDisc recorder Unswitched OutletDigital Audio Outputs Connect these Spare Button Main Remote Control Functions› Button Speaker Select Mute Volume Up/Down See page 31 for more information Channel/8 Channel Direct InputOptional is connected to Digital Media Player DMPVideo Equipment Connections Installation and ConnectionsAudio Equipment Connections Scart A/V Connections AC Power Connections System and Power ConnectionsCommand WattsSpeaker Selection Speaker PlacementUsing the On-Screen Display System ConfigurationSystem Setup First Turn OnSurround Setup Input SetupNavigation Button Cursor is next to the line readingNight Mode Settings Setting to your taste¤ Button Dso that the cursor is next to ‹/› Navigation Buttons EStereo-Direct Bypass Mode Configuring the Surround Off Stereo ModesSpeaker Setup Stereo-Digital ModeIndicators is lit you are in the Stereo-Direct Bypass mode Screen menu That option press the ‹ / › Buttons EWithin five seconds, either press the ‹/› buttons Delay SettingsNavigation Button E to enter Output Level AdjustmentButton F Is then pressed to select OFF in the highlighted video Volume until you can hear the test noise clearly Operation Surround Mode ChartChannel Conventional stereo recordingsHall Basic Operation Controls and Use of HeadphonesSource Selection Channel/8-Channel Direct InputDigital Audio Playback Surround Mode SelectionUntil Surr OFF appears in the Main Information Display Ò Dolby DigitalDigital Bitstream Indicators Surround Mode TypesRear panel Or front panel *Ó PCM Audio PlaybackSee Figure Speaker/Channel IndicatorsPCM Playback Indications Output Level Adjustment With Source Signals UsingNight Mode Tape RecordingCursor next to the desired item, or place Memory BackupFront-Panel-Display Fade Turn On Volume Level Advanced FeaturesSemi-OSD Settings Full-OSD Time Out AdjustmentTuner Operation Default Surround ModeFull-OSD Background Color Basic Tuner OperationRDS Operation RDS TuningRDS Display Options Program Search PTYProgramming the Remote with Codes Programming the RemoteCode Readout Direct Code EntryProgrammed Device Functions Volume Punch-ThroughMacro Programming Channel Control Punch-Through Resetting the Remote Memory4and the Mute button By the AVR Input SelectorAM/FM Function ListAVR DVD Processor Reset Troubleshooting GuidePower Switch 1is pushed Remote sensor Úis obscuredTechnical Specifications Appendix Settings Worksheet Introduction Harman Consumer Group International

AVR 140 specifications

The JBL AVR 140 is an audio receiver that brings the excitement of a cinematic experience right into your living room. Designed with a sleek and modern aesthetic, this receiver combines advanced technology with user-friendly features, making it an excellent choice for both audiophiles and casual users.

One of the standout features of the AVR 140 is its impressive power output. This receiver delivers an impressive 100 watts per channel at 8 ohms, ensuring that it can easily drive large speakers and fill any room with high-quality sound. Its ability to reproduce audio with clarity and depth makes it a popular choice for home theater setups.

The AVR 140 is equipped with a range of audio formats that cater to various listening preferences. It supports Dolby Digital, DTS, and Pro Logic II, allowing users to immerse themselves in multi-dimensional soundscapes. This versatility ensures that whether you're watching movies, listening to music, or playing video games, the audio experience remains engaging.

Connectivity options are abundant with the JBL AVR 140. It features multiple HDMI inputs, allowing you to connect several devices such as Blu-ray players, gaming consoles, and streaming devices all at once. Additionally, it includes composite and component video inputs, ensuring compatibility with a wide variety of devices. The built-in AM/FM tuner also allows users to enjoy radio broadcasts without the need for additional equipment.

The AVR 140 incorporates advanced technologies that enhance the overall audio experience. One notable feature is the Audyssey setup, which calibrates the receiver based on your room's acoustics. This automatic calibration process optimizes speaker placement and ensures balanced sound across all channels.

With a user-friendly interface and an easy-to-navigate remote control, operating the JBL AVR 140 is straightforward. Its on-screen display helps guide users through various settings and configurations, making it accessible even for those who may not be technologically inclined.

In summary, the JBL AVR 140 is a versatile and powerful audio receiver that features a robust power output, support for multiple audio formats, extensive connectivity options, and advanced calibration technologies. Whether for movies, music, or gaming, it delivers an exceptional audio experience that elevates your entertainment setup to new heights. With its combination of quality, performance, and user-friendliness, the JBL AVR 140 stands out as a fantastic choice for anyone seeking to enhance their home audio experience.
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