Creative 0404 owner manual Basic Controls

Page 58

5 - Effects

Core Effects Descriptions

Basic Controls

The three main controls of a compressor are the Ratio control, the Threshold control and the Gain control.

If the signal level falls below the Threshold, no processing will take place. Signals exceeding the Threshold will have gain reduction applied as set by the ratio control. This important control allows you to dial in the range of amplitudes you want to tame. For example, if you’re trying to trim off just the loudest peaks, set the threshold so the gain reduction meter only shows compression during these peaks. One of the biggest mistakes in using a compressor is having the threshold set too low. This adds noise as the compressor will always be reducing the volume.

The Ratio control determines how strongly the compressor will affect the signal. The higher the ratio, the more reduction will be applied. If the ratio is high enough, (above 10:1) the signal will effectively be prevented from getting any louder. In this situation, the compressor will be acting as a Limiter, placing an upper limit on the signal level. In general, ratios from 2:1 to 6:1 are considered compression and higher ratios above 10:1 are considered limiting.

The Post Gain control amplifies the signal after it has been compressed to bring it back up in volume. If you don’t increase the gain, the compressed signal will be much lower in volume.

Two other important controls are Attack and Release. Attack controls how quickly the gain is turned down after the signal exceeds the threshold. Release controls how fast the gain is returned to its normal setting after the signal has fallen below the threshold again. An attack setting of about 10 milliseconds will delay the onset of compression long enough to preserve the attack transients in guitar, bass or drums while allowing the sustain portion of the sound to be compressed. Longer release times are generally used to reduce the so called “pumping” effect as the compressor turns on and off. Don’t make the release time too long, however, or the compressor won’t have time to recover for the next pluck or hit. In general, the attack and release controls are used to smooth out the action of the compressor, but they can also be used to create special effects.

The Pre-Delay parameter lets the level detector “look into the future” up to 4 milli- seconds in order to anticipate upcoming peaks in the signal. This is accomplished of course, by inserting delay into the signal path. This lookahead technique allows the use of slower attack times without missing signal peaks. This parameter is especially effective on drums and percussion.

The Input Meter allows you to monitor the strength of your input signal. Always try to boost the signal before the compressor if you can.

The Compression Meter shows the amount of gain reduction being applied. Since this meter displays how much the gain is being turned down, the meter moves from right to left, instead of left to right like a normal meter.

Parameter

Description

 

 

Threshold

Threshold sets the input signal level above which dynamic range

 

compression takes place. Everything above the threshold will be

 

brought down in volume. Range: -60dB to +12dB

 

 

Ratio

Sets the ratio of input signal level to output signal level, or “how

 

much” compression will be applied. Range: 1:1 to ∞:1

 

 

Post Gain

Amplifies the signal after it has been compressed to bring up the

 

volume. Range -60dB to +60dB

 

 

50

Creative Professional

Page 57 Page 59
Image 58
Page 57 Page 59
Contents 0404 MU 0404 Digital Audio System Software Version Revision BTable of Contents Effects Appendix Index System Includes IntroductionWelcome MU Digital Audio System ComponentsOptional Sync Daughter Card Installation Setting Up the Digital Audio SystemSafety First Connector TypesName Description Connects To install the 0404 PCI card into your computer Installing the E-MU 0404 PCI CardSlots Sync Daughter Install the Sync CardCard Uninstalling all Audio Drivers and Applications Software InstallationInstalling the E-MU 0404 Drivers Windows 2000 or Windows XPInstallation Software Installation Analog Breakout Cable PCI Card & InterfacesE-MU 0404 PCI Card Analog Output ConnectionsBreakout Cable Digital Breakout CableAnalog Pdif Digital Audio Input & OutputMidi Cable Midi Sound ModuleDigital Connections PdifConnecting Cables to the Sync Daughter Card Sync Daughter Card OptionOverview of the Mixer PatchMix DSP MixerPatchMix DSP To Invoke the PatchMix DSP MixerMain Mixer WindowMonitor Pre Fader or Post FaderToolbar MU Icon in the Windows TaskbarRight-Click Here Session New SessionOpen Session Save SessionSystem Settings Session SettingsUsing External Clock PCI Card S/PDIF Input SettingsPdif Output Format Input Mixer Strips To Add a New Strip Mixer Strip CreationTo Delete a Mixer Strip Multichannel Wave Files Insert Section Working with InsertsTo Add a Send/Return Insert Insert MenuTo Add a Send Insert InputInput Asio Direct Monitor Send/ReturnRecordingPlayback To Add an Asio Direct Monitor Send/Return Meter InsertsMeter Color Indicates To Set the Input Levels of a Strip To Insert a MeterMaking the Best Possible Recording Test Tone/Signal Generator Insert Trim Pot InsertTo Bypass an Insert Managing Your InsertsTo Delete Effects from an Insert To Bypass All InsertsPan Fader ChainAux Section Aux BusPre-Fader Aux Send InputOutput Post-Fader Aux SendLevel, Pan, Solo & Mute Controls Main Section TV Screen & Selectors EffectInput OutputInput Input Sync/Sample Rate IndicatorsAuxiliary Effects & Returns OutputOutput Section Effects Palette EffectsOverview Effect Categories Core Effects Multi-EffectsTo Edit an Effect FX Insert ChainsTo Select an Effect To Delete an EffectTo Delete an Effect Category or Preset Creating, Renaming & Deleting Categories or PresetsTo Create a New Preset Category 88kHz, 96kHz, 176kHz & 192kHz OperationTo Import FX Category Folders To Import Core FX PresetsTo Export your Core FX Presets To Export your FX Category FoldersFX Edit Screen To Create a New User Preset User Preset SectionTo Select a User Preset To Bypass ALLTo Rename a User Preset Core Effects and Effects PresetsTo Delete a User Preset To Overwrite or Save a User PresetExample List of Core EffectsDSP Resource Usage Total EffectsBand Shelf EQ Core Effects DescriptionsBand Para EQ Low Shelf Or… High ShelfBand EQ Setting up a Parametric EQMid Band High Shelf Low-Shelf Mid 1-Band Mid 2-Band High-Shelf Auto-Wah Auto-Wah FilterChorus VCA OutCompressor Basic Controls Distortion DistortionInput Meter Flanger FlangerFreq Shifter Leveling Amp Post GainLite Reverb Early Reflections ReverberationTimeDelay Mono Delays 100, 250, 500, 750, 1500Rolloff Phase Shifter LFOSpeaker Simulator RotarySpeaker Type Description Stereo Delays 100, 250, 550, 750 DelayRolloff Stereo Reverb Early Reflections Late ReverbVocal Morpher FrequencyMU PowerFX Setup Cubase LE To Setup & Use E-MU PowerFXMU PowerFX Resource Availability Automating E-MU PowerFXTo Record E-MU PowerFX parameter changes in Cubase LE MU PowerFX Compatibility Chart Application Name Compatible? Render Extra BuffersGeneral Tips for Rendering using E-MU PowerFX Rendering Audio with E-MU PowerFXUsing E-MU PowerFX with WaveLab and SoundForge Tips for using Freeze Mode on Cubase LEMU VST E-Wire Wire VST plug-inDelay Compensator To Setup and use E-WireCubase VST or Cubasis Delay Compensator UseDelay Units Parameter PatchMixPowerFX Delay Or E-Wire PowerFX Or E-WireGrouping Tracks Sync Daughter Card Supplement Smpte FeaturesAppendix Smpte ConversionFlywheel Mode Host ModeExternal Mode Smpte Modes of OperationTime Code Stripe ModeSmpte Background Types of SmpteSmpte Subframe Resolution Why use SMPTE?Avoiding Smpte problems Frames-per-second ResolutionMidi Time Code MTC Other Tips for using SmpteDuplicating Smpte time code House Sync Generator Digital Device Word Clock In/OutTo Synchronize PatchMix DSP to an External Clock Source Word Clock Termination OFF Digital MixerAdat Optical Word Clock Termination onExternal Device supplies Master Clock Getting in SyncPatchMix DSP supplies Master Clock AES/EBU to S/PDIF Cable Adapter Appearance Settings in WindowsUseful Information Digital CablesType Level Frequency Response Technical SpecificationsSample Rates Bit Depth Hardware DSP Converters & OpAmps Dynamic Range Channel Crosstalk Input ImpedancePCI Card Dimensions & WeightSync Daughter Card Internet References ForumsModel No Declaration of ConformityTrade Name Responsible PartyCompliance Information Index NumericsMidi Index Midi

0404 specifications

Creative 0404 is a premium audio interface designed for musicians, podcasters, and audiophiles seeking high-quality sound reproduction and versatile connectivity options. One of its standout features is its ability to support high-resolution audio up to 24-bit/192 kHz, ensuring that every detail is captured faithfully during recording and playback. This makes it an ideal choice for those who prioritize sound clarity and depth in their projects.

The device boasts a sleek, compact design that is both portable and user-friendly. It includes a sturdy chassis that can withstand the rigors of travel while maintaining a professional appearance in studio settings. The Creative 0404 features multiple input and output options, including combo XLR/TRS inputs with switchable phantom power, allowing users to connect a variety of microphones and instruments. This flexibility is essential for those working in diverse audio environments.

One of the key technologies employed in the Creative 0404 is its high-performance DAC (digital-to-analog converter), which plays a crucial role in delivering pristine sound quality. The DAC minimizes distortion and noise, ensuring the signal integrity is retained throughout the audio chain. Additionally, the device incorporates advanced audio processing capabilities, allowing for real-time monitoring and effects.

The interface is compatible with various operating systems, including Windows and macOS, and works seamlessly with popular digital audio workstations (DAWs). This compatibility ensures that users can easily integrate the Creative 0404 into their existing workflows. Another notable feature is its low-latency performance, which is essential for live recordings and performances, enabling musicians to monitor their inputs without distractions.

Moreover, the Creative 0404 comes with a suite of software tools that enhance its usability. This includes recording, editing, and mixing software, as well as various plug-ins that allow users to expand their creative possibilities. Its straightforward controls and intuitive layout make it accessible for both beginners and seasoned professionals.

In summary, the Creative 0404 is a feature-rich audio interface that combines high-performance audio quality, versatile connectivity, and ease of use. Whether for home studios, podcasts, or live performances, it offers the tools necessary to produce professional-sounding audio effortlessly. It represents a perfect blend of technology and practicality, catering to the needs of modern audio creators.
Top Page Image Contents