Waves IR-360, IR-L, IR-1 manual Set-Up

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MEASURING HALLS, ROOMS

The measuring procedure of a venue is slightly different than that of measuring devices. Measuring venues requires a larger setup, which includes a playback device, a microphone and a loudspeaker. We can use the same session we were using for the device recordings, only instead, we connect the output of our playback device to a speaker, and a microphone should be assigned to the input of our recording device.

SET-UP:

Connect the output of your source (HD card etc…) directly to or through the mixing console to the loudspeaker. For the input, connect the microphone cable directly to or through the microphone pre amp to the recording device.

Output source (HD card etc…)Æ Input of the speaker. Microphone cable Æ Input of the recording device (HD card etc…).

You can use a microphone of any kind, with any polar patterns. We recommend a cardiod or omni-directional microphone. After deciding which microphone to use, set up the microphone with the speaker located in front of the microphones, to achieve the best results.

MONO SESSION:

To make a Mono IR, create two different channels. The first channel will be the sine sweep channel and should be assigned to the loudspeaker. The second channel should record the microphone signal.

MONO TO STEREO SESSION:

Simultaneously record one speaker (Center) with the Left and Right mics.

FULL STEREO SESSION:

To create a 4 convolution IR, Record your Left speaker with the Left mic (LL) and Right mic (LR). Then record the Right speaker with the Left mic (RL) and the Right mic (RR).

IR-SERIES PLUG-IN CHANNEL COMPONENTS

The IR-series is available in several channel configurations as follows:

Mono to Mono: 1 convolution

Mono Input

Convolution

Mono Output

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Contents User’s Guide Table of Contents Waves IR-1 software guide page 3 Introduction Synthetic Digital ReverberationSampled-Acoustics Convolution Reverberation Perfect HybridImpulse Responses IR LibraryPage Import Impulse Response from File… Sampled AcousticsVirtual Acoustics Devices and Synthetic Import Sweep Response from File…Tips for Sampling an Acoustic Space SET-UP Page Channel Configuration # of Convolutions About the IR-360Waves IR-1 software guide page 13 Waves IR-1 software guide page 14 Waves IR-1 software guide page 15 About the IR-L Reverb Time Latency Offline Calculation indicator IR-1AND IR-360 Controls and Displays Reverb Time Reverb Control Parameters Wet Properties Direct Signal Reverb Tail Latency Reverb Envelope Offline Calculation Indicator More about Reverb Damping Reverb EQ High Shelf Filter This control is only available in the Efficient components IR-360 Controls Toolbar WaveSystem ControlsLoading Impulse Responses Saving Importing Impulse ResponsesIR Info and Properties Page System Requirements CPU Mode Switch IR-1 Htdm

IR-360, IR-L, IR-1 specifications

Waves is a trusted name in the audio processing industry, and its range of plugins has consistently set the standard for professional audio production. Among its extensive lineup, the Waves IR-1, IR-L, and IR-360 are renowned for their advanced convolution reverb capabilities, delivering studio-quality reverb effects that enhance any sound environment.

The Waves IR-1 is a high-quality convolution reverb plugin that offers exceptional sound quality and versatility. Featuring a wide array of impulse responses derived from actual acoustic spaces, the IR-1 allows users to recreate the sound of various environments, from lush concert halls to intimate rooms. One of its standout features is the ability to manipulate the reverb tail, making it possible to fine-tune the duration and character of the effect. The IR-1 also includes controls for early reflections, damping, and pre-delay, enabling users to craft a reverb that perfectly complements their mix.

The Waves IR-L is a more streamlined version of the IR-1, designed for professionals who demand high-quality reverb but prefer a simplified interface. While it retains the core convolution technology and impulse response library of the IR-1, the IR-L focuses on ease of use, allowing for quick adjustments without sacrificing sound quality. One innovative feature is its “scalable” plugin structure, which lets users modify the plugin interface size based on their screen space. This makes IR-L ideal for both studio work and live sound applications.

Waves IR-360 is designed for immersive audio and 3D sound environments. By providing surround sound capabilities, it enables users to place sounds in a 360-degree space, making it ideal for film scoring and virtual reality audio. Like its predecessors, the IR-360 includes a rich selection of impulse responses, but it also integrates features tailored for spatial audio creation. This includes customizable parameters for azimuth and elevation, allowing precise control over sound placement in three-dimensional space. Additionally, the IR-360 supports various surround formats, making it versatile for multiple audio production contexts.

In summary, Waves IR-1, IR-L, and IR-360 offer powerful and innovative convolution reverb solutions, each designed with specific user needs in mind. With their advanced capabilities, extensive impulse response libraries, and user-friendly interfaces, these plugins cater to a wide range of audio production applications, setting new standards in reverb technology. Whether for music production, post-production, or immersive audio experiences, these tools are essential for achieving high-quality soundscapes.
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