Waves IR-1, IR-L, IR-360 manual Sampled Acoustics, Virtual Acoustics Devices and Synthetic

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Sampled Acoustics V2

The presets in this section are based on samples of real places. The contents of the Sampled Acoustics V2 folder on the DVD have to be copied into the IR1Impulses V2 folder inside the Waves Plug-Ins folder. You can add or delete folders from this directory. Each time upon loading, the Plug-In will scan the directory and dynamically build its preset menu according to the folder hierarchy.

Virtual Acoustics - Devices and Synthetic

The presets in the Virtual Acoustics-Devices section are samples of a reference hardware Reverb Unit. The Virtual Acoustics-Synthetic presets are synthetically generated and processed IR’s. The contents of the Virtual Acoustics folder on the DVD have to be copied into the IR1Impulses folder inside the Waves Plug-Ins folder. You can copy the Devices and/or Synthetic folders into the IR1Impulses folder, and the Plug-In will scan them upon loading.

Import Impulse Response from File…

The IR-series allows you to import your own IR’s. You can sample them yourself, download them from the Internet, or find them elsewhere.

Import Sweep Response from File…

The IR-1and IR-360allow you to import the Sweep Response that you record in an acoustical space or hardware device. The plug-in will then process that Sweep Response into a new IR.

Here are step by step instructions to make your own IR:

-Play your sweep file supplied on the CD and also downloadable from the Waves website (a 15 second sweep followed by 10 seconds of silence) through speakers in the room to be captured.

-Record the result with 1 or more microphones to 1 or more tracks.

-Create a new folder (We'll name it "My Sweeps") inside your "IR1Impulses V2". folder, where the plug-in searches for new IRs.

-Put your recorded sweep files inside your new "My Sweeps" folder.

-Load the IR-1or IR-360; Press Import Sweep Response From File…

-Guide the browser to the "My Sweeps" folder.

-Load the .wav files one by one as you are prompted by the plug-in.

-After some calculations, an Impulse Response .wir file will be automatically saved next to your sweep files in the "My Sweeps" folder.

-To save this new IR as a preset, press Save, then select Save to New File.

-Navigate to the "My Sweeps" folder.

-Reload the IR-1or IR-360; The new preset will appear in the load menu.

-Congratulations! You have created a new IR! You may now optionally delete the recorded sweep files from the "My Sweeps" folder.

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Contents User’s Guide Table of Contents Waves IR-1 software guide page 3 Introduction Synthetic Digital ReverberationSampled-Acoustics Convolution Reverberation Perfect HybridImpulse Responses IR LibraryPage Sampled Acoustics Virtual Acoustics Devices and SyntheticImport Impulse Response from File… Import Sweep Response from File…Tips for Sampling an Acoustic Space SET-UP Page Channel Configuration # of Convolutions About the IR-360Waves IR-1 software guide page 13 Waves IR-1 software guide page 14 Waves IR-1 software guide page 15 About the IR-L Reverb Time Latency Offline Calculation indicator IR-1AND IR-360 Controls and Displays Reverb Time Reverb Control Parameters Wet Properties Direct Signal Reverb Tail Latency Reverb Envelope Offline Calculation Indicator More about Reverb Damping Reverb EQ High Shelf Filter This control is only available in the Efficient components IR-360 Controls Toolbar WaveSystem ControlsLoading Impulse Responses Saving Importing Impulse ResponsesIR Info and Properties Page System Requirements CPU Mode Switch IR-1 Htdm

IR-360, IR-L, IR-1 specifications

Waves is a trusted name in the audio processing industry, and its range of plugins has consistently set the standard for professional audio production. Among its extensive lineup, the Waves IR-1, IR-L, and IR-360 are renowned for their advanced convolution reverb capabilities, delivering studio-quality reverb effects that enhance any sound environment.

The Waves IR-1 is a high-quality convolution reverb plugin that offers exceptional sound quality and versatility. Featuring a wide array of impulse responses derived from actual acoustic spaces, the IR-1 allows users to recreate the sound of various environments, from lush concert halls to intimate rooms. One of its standout features is the ability to manipulate the reverb tail, making it possible to fine-tune the duration and character of the effect. The IR-1 also includes controls for early reflections, damping, and pre-delay, enabling users to craft a reverb that perfectly complements their mix.

The Waves IR-L is a more streamlined version of the IR-1, designed for professionals who demand high-quality reverb but prefer a simplified interface. While it retains the core convolution technology and impulse response library of the IR-1, the IR-L focuses on ease of use, allowing for quick adjustments without sacrificing sound quality. One innovative feature is its “scalable” plugin structure, which lets users modify the plugin interface size based on their screen space. This makes IR-L ideal for both studio work and live sound applications.

Waves IR-360 is designed for immersive audio and 3D sound environments. By providing surround sound capabilities, it enables users to place sounds in a 360-degree space, making it ideal for film scoring and virtual reality audio. Like its predecessors, the IR-360 includes a rich selection of impulse responses, but it also integrates features tailored for spatial audio creation. This includes customizable parameters for azimuth and elevation, allowing precise control over sound placement in three-dimensional space. Additionally, the IR-360 supports various surround formats, making it versatile for multiple audio production contexts.

In summary, Waves IR-1, IR-L, and IR-360 offer powerful and innovative convolution reverb solutions, each designed with specific user needs in mind. With their advanced capabilities, extensive impulse response libraries, and user-friendly interfaces, these plugins cater to a wide range of audio production applications, setting new standards in reverb technology. Whether for music production, post-production, or immersive audio experiences, these tools are essential for achieving high-quality soundscapes.
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