Panasonic AJ-D650 manual Specifications, Other input/output connector

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Specifications

GENERAL

 

 

 

 

 

Power supply:

AC 120 V, 50–60 Hz

 

 

Power consumption:

150 W

 

 

 

 

 

 

 

 

 

(Video output connector)

Analog component output:

BNC×3 (Y, P B, PR)

 

Y: ±1.0 Vp-p, 75Ω

 

PB, PR: 0.486/0.7 Vp-p switchable, 75Ω

 

(75% color bar, 7.5% setup)

Analog composite output:

BNC×3

 

Video1/video2/video3 (superimpose

Operating ambient temperature: Operating ambient humidity: Weight:

Dimensions (W×H×D):

Recording format:

Recording tracks:

Tape speed:

Recording time:

Tape:

FF/REW time:

Search speed:

Digital slow motion:

Editing accuracy:

Tape timer accuracy:

Servo lock time:

41°F to 104°F (5°C to 40°C) 10% to 90% (no condensation) 35.2 Ibs (16 kg)

16-3/4×6-15/16x16-3/8 inches (424×175×415 mm)

DVCPRO format Digital video

Time code

Recorded in sub-code area

Digital audio

2 channels

Cue Track

1 track

Control (CTL)

1 track

33.820 mm/sec

123minutes (with AJ-P123LP)

63minutes (with AJ-P63MP)

1/4-inch thin magnetic layer metal tape Less than 3 min (with AJ-P123LP) Less than 2 min (with AJ-P63MP)

0to ±60× normal speed (color) +0.75× normal speed in + direction –0.43× normal speed in – direction ±0 frame (using time code)

±1 frame (using continuous CTL signal) Less than 0.5 sec. (color framing/

standby ON)

 

on/off)

S VIDEO output:

S terminal (4-pin)×1

 

Y: ±1.0 Vp-p, 75Ω

 

C: 0.286 Vp-p (burst), 75Ω

Serial digital component output

 

(option):

Complies with SMPTE259M-C standard,

 

BNC×3

(Video signals adjustment)

Video output gain:

±3 dB

 

Video output chroma gain:

±3 dB

Control from ENCODER

Video output hue:

±30°

REMOTE connector

Video output setup:

±15 IRE

 

Video output sync phase:

±2 μs

 

Video output SC phase:

±180°

 

A U D I O

 

 

(Digital audio)

 

 

Sampling frequencies:

48 kHz

 

Quantizing:

16 bits

 

Frequency response:

20 Hz to 20 kHz (–1.0 dB to +0.5 dB)

Dynamic range:

Better than 86 dB (1 kHz, emphasis OFF,

 

“A” weighted)

Distortion:

Less than 0.1% (1 kHz, emphasis OFF,

VIDEO (Digital video)

Sampling frequencies:

Y: 13.5 MHz/PB, PR: 3.375 MHz

Quantizing:

8 bits

Error correction:

Reed-Solomon product code

(Digital IN/analog component OUT)

Video bandwidth:

Y: 30 Hz to 5.5 MHz (±1.0 dB)

 

PB, PR: 30 Hz to 1.0 MHz (±1.0 dB)

S/N ratio:

Better than 60 dB

K factor:

Less than 2%

(Analog component IN/component OUT)

Video bandwidth:

Y: 30 Hz to 5.5 MHz (–1.5 dB to ±1.0 dB)

 

PB, PR: 30 Hz to 1.0 MHz

 

(–2.0 dB to ±1.0 dB)

S/N ratio:

Better than 55 dB

K factor:

Less than 2%

(Analog composite IN/composite OUT)

Video bandwidth:

Y: 30 Hz to 4.5 MHz (–1.5 dB to ±1.0 dB)

Y/C delay:

Better than 20 ns

K factor:

Less than 3%

 

standard level)

Crosstalk:

Less than –80 dB (1 kHz, between

 

2 channels)

Wow & flutter:

Below measurable limits

Headroom:

20 dB

De-emphasis:

T1=50 μT2=15 μs (on/off automatic)

(Cue track)

 

Frequency response:

300 Hz to 6 kHz ±3 dB

(Audio input connector)

Analog input (CH1/CH2): XLR×2, 600 Ω /high impedance selectable, +4/0/–20/–60 dBu

Digital input (CH1/CH2) (option): BNC×1, AES/EBU format

Serial digital input (option): Complies with SMPTE259M-C, 272M standard (BNC)

(Audio output connector)

Analog output (CH1/CH2):

XLR×2, low impedance, +4/0/–20 dBu

Digital output (CH1/CH2)

 

(option):

BNC×1, AES/EBU format

Serial digital output (option):

Complies with SMPTE259M-C, 272M

 

standard (BNC)

Monitor output:

Phono×1, 600 Ω , –8 dBV

(Video input connector)

Analog component input:

Analog composite input: S VIDEO input:

Reference input:

Serial digital component input (option):

BNC×3 (Y, P B, PR)

Y: ±1.0 Vp-p, 75Ω

PB, PR: 0.486/0.7 Vp-p switchable, 75Ω (75% color bar, 7.5% setup)

BNC×2, loop-through, 75 Ω on/off

Sterminal (4-pin)×1 Y: ±1.0 Vp-p, 75Ω

C: 0.286 Vp-p (burst), 75Ω

Analog composite

BNC×2, loop-through, 75 Ω on/off Complies with SMPTE259M-C standard,

BNC×2, active through

Headphones:

Variable level, 1/4" phone, 8Ω

Other input/output connector

Time code input:

BNC×1, 0.5 to 8 Vp-p

Time code output:

BNC×1, 2.0 Vp-p

RS-422A

input/output:

D-sub 9-pin, RS-422A interface

RS-232C

(option):

D-sub 25-pin, RS-232C interface

Encoder remote:

D-sub 15-pin

Weight and dimensions when shown are approximately. Specifications are subject to change without notice.

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Image 51
Contents Operating Instructions FCC Note Refer Servicing to Qualified Service PersonnelContents Features General and FeaturesMenu-driven setup Multi-function input/output interfacesChannel high-sound-quality digital audio Controls and their functions Front panelCounter Display Section EDIT/EDIT REC/REC/REC INH lamps Power switchCassette insertion slot Eject buttonStop button Reset buttonCOUNTER/REMAIN button REW button* ¹Monitor Select switch Headphones jackVolume control CTL/TC/UB switchSET button Video Input switchAudio Input switch REMOTE/LOCAL switchConnector area Time Code in connector AC in connectorSignal GND terminal Analog Audio in connectorsRemote connector S1/VIDE0 OUT connectorAnalog Component Video OUT connector Analog Composite Video OUT connectorsP e s Type Description ConsumerCassette Set the Control switch on the front panel to Local When recording/playback using 1 unitWhen recording, playback & editing with 2 units deck to deck When using an editing controller Connect the equipment as shown in the figure below Internal encoder adjustmentsWaveform on waveform monitor Printed circuit board Printed Abbr FactoryFull name Function Name Switching on the power/inserting the cassette Still Timer Setting Stop mode1Selecting video/audio input signals 2Adjusting the audio IevelRecording Playback Setup default settings Changing the settingsFollowing message is displayed Changing the file Setup setting menusUser menu SettingSetting Description System menuLocal TimerDisplay STAOperation 9P SEL Auto REWMemory StopUser menu E D I T Edit TCG VitcBlank ThruTime Code Display VideoREC CH1 CH1 OUTCH2 OUT Moni CHST2 REC CUEST1 OutputTime code/user bit Time codeUser bit Setting the internal time code Setting the external time code TC switch EXTRecording internal/external time codes Reproducing the time code/user bit Display position Operation modeSuperimpose screen Characters displayedServo reference During playback or special playback Servo reference setting tablesInput signal status Reference signal Video in signal REF in signal Servo reference No positionAudio V Fade Function AJ-D650 only Rack mounting Condensation Video head cleaningError No Descriptions VTR operation Error messagesAuto OFF mode Error No TV monitor display Descriptions VTR operationError No Descriptions VTR operation Pin No Connector signalsPin No. Signal SignalSYS.SC Coarse RS-232C Remote 25-pin D-SUB straight cable supportedOther input/output connector SpecificationsPanasonic Reference Guide Contents Setting Description of setting Additional set-up menu itemsFormat SEL Introduction RS-232C interfacePin No Signal Circuit name Description Hardware specificationsExternal interface specifications For the model AJ-D750 Connector specificationsFor the models AJ-D650 and AJ-D640 Using straight cable with D-SUB 9-pin and 25-pin connectorsNONE/ODD/EVEN Software specificationsProtocol Communication parametersSend format controller PC VTR Data format Outline of send procedure from controllerReturn format VTR controller PC Error code tableWhen the communication has terminated normally When the communication has terminated abnormallySupplementary notes Command tableCommands relating to operation control Notes Send commandSTX OSR ETX STX OSF ETXDV, Dvcam ShtlCommands relating to inquiries Notes Print Microsoft QuickBASIC sample program

AJ-D650 specifications

The Panasonic AJ-D650 is a professional digital video recorder that has garnered attention for its performance and reliability in various broadcast and production environments. This versatile machine supports a range of video formats, making it an essential tool for filmmakers, broadcasters, and video production professionals. Launched as part of Panasonic's DVCPro series, the AJ-D650 stands out for its ability to deliver high-quality images while maintaining user-friendly operation.

One of the notable features of the AJ-D650 is its ability to record in both standard-definition (SD) and high-definition (HD) formats. It utilizes the DVCPro video codec, which allows for efficient compression without compromising image quality. This is particularly advantageous for professionals looking to store large volumes of footage without sacrificing clarity or detail, making it an optimal choice for long recording sessions.

The recorder integrates advanced digital audio capabilities, offering 16-bit, 48 kHz audio recording. Stability and reliability are enhanced through its use of high-performance tape transport mechanisms, which are designed to minimize dropouts and achieve consistent playback. This is crucial in live broadcasting environments where precision is paramount.

With built-in time code support, the AJ-D650 facilitates synchronized recording and playback, ensuring accurate timestamping of footage. This feature streamlines the editing process, allowing for smoother production workflows. Additionally, the machine includes comprehensive editing functionalities, accommodating various post-production requirements.

The device is designed for rigorous professional use, featuring a robust construction that can withstand the demands of fieldwork. Its compact form factor, combined with lightweight materials, makes it portable while still ensuring durability.

Connectivity options are comprehensive, including multiple input and output ports that facilitate integration with other equipment. These features enhance its adaptability in different production setups, whether in the studio or on location.

In summary, the Panasonic AJ-D650 stands out in the realm of professional digital video recording, combining advanced technology with user-friendly features. Its versatility, robust design, and high-quality output make it a preferred choice for professionals seeking reliability and performance in video production contexts.