Output timing (DA-88) 7-4
Outputting timecode 8-6
P
PAL/SECAM 2-2,8-2Parallel port 2-5,9-1
pinout 3-2
Park position 8-7,10-3Peak hold(meters) 7-6Pitch shift 2-3,7-5,10-1PLAY 2-5
Playback after location 6-3Polarity (GPI devices) 9-1Pre-roll
in auto punch mode 2-5,6-7,10-2location 6-3,10-1
serial port unit 9-2,10-5PRESET keys 2-4PREVIOUS key 2-4,4-3PRRL key 6-7
Pull up/down 2-3,8-6,10-5
Pulse width (GPI event triggers) 9-1Punch operations
checking punch points 6-6crossfade times 6-7editing punch points 6-6IN and OUT points 2-5pre-roll and post-roll 6-7recording 2-5,6-7rehearsal 2-5,6-7setting punch points 6-6undo 6-6
R
REC 2-5
REC FUNCTION 2-2,5-2Rec muting 7-2
Recalling a location memory 6-4Rechase (timecode) 8-6Rechase mode 10-3Recording
reference levels 7-6Recording delay 9-5,10-4Recording in punch mode 6-7Reference levels for recording 7-6,10-2Reference modes 6-1
Rehearsal (punch operations) 2-5,6-7Relative humidity 1-2
Relative time 2-3,6-1setting 6-1
zero point 6-2REMOTE OUT 2-5,3-1Remote track arming on DA-98 9-5Repeat play 6-5,10-3
"RTZ" (return-to-zero) 6-2REW 2-5
Roll-around cart 1-3
RS-422 control 9-2
enabling and disabling recording 9-3location pre-roll 9-2
S
Safing tracks 2-2,5-2Sampling frequency 5-1SELECT key 2-4
Selecting audio input sources 7-5Selecting timecode source 8-1Selecting units 2-3
for transport operations 5-1in menus 4-3
NEXT and PREVIOUS keys 2-4using the MACHINE key 2-4
Serial port 10-5control mode 10-5pinout 3-2pre-roll 9-2,10-5time mode 10-5timing mode 9-3
Setting punch points 6-6
Setting relative time reference 6-1Setting values to zero 4-2Settings (user) 4-4
SHIFT key 2-4Shuttle 5-2
monitoring 5-3muting 5-3,10-2
Shuttle control 2-4,5-2Shuttle mode 5-2
Shuttle monitoring 5-3,10-6Sine oscillator 7-6,10-2Slipping tracks 2-3,7-1Sony P2 protocol 2-5,3-2,9-2Source monitoring 2-2Specifications 10-9
"Stop" & "still" tally messages 9-6,10-4Storing timecode values 2-3
STR key 2-3"Striping" tapes 8-3
Synchronizing output timecode with audio 8-6Synthesizing timecode from ABS 8-1,10-4
T
Table of monitoring modes 5-5
Tally for cue-up 10-4
Tally messages 9-6,10-4
Tape counter 2-3
Tape timecode 10-6
Tapes (formatting) 5-1
TC REC 2-3
TDIF word length 7-5,10-2
Telecine frame rates 8-6,10-5
Terminator 3-1
Timecode 8-5