JVC GY-DV5000 instruction manual White Balance Adjustment

Page 26

6. SETTING AND ADJUSTMENTS BEFORE SHOOTING

6-6 White Balance Adjustment

Since the color of light (color temperature) varies depending on the light source, it is necessary to re-adjust the white balance when the main light source illuminating the subject changes. Note When a subject illuminated by a halogen lamp with a color temperature of 3,200K is shot while the color temperature conversion filter setting is set to 5,600K, 5,600K+1/8 ND, or 5,600K+1/64 ND, a proper white balance adjustment and (FAW) Full Time Auto White balance may not be accomplishable. In this case, change the color temperature conversion filter setting to 3,200K and then carry out the white balance adjustment and (FAW) again.

Do not adjust using any highly reflective objects, such as metal, etc., as this may result in improper white balance adjustment.

6. SETTING AND ADJUSTMENTS BEFORE SHOOTING 6-7 Audio Input Signal Selection

WHITE BALANCE ADJUSTMENT

2.

FILTER knob

 

 

 

1. Iris mode

 

 

switch

 

 

 

 

3.WHT.BAL

 

 

switch

 

 

1. OUTPUT

 

 

switch

5. AUTO WHT.

1. POWER

Two kinds of white balance adjustment results can be stored in memories AUTO1 and AUTO2.

Adjustment procedure

1. Set the following switches.

Set the POWER switch to ON.

Set the OUTPUT switch to CAM-AUTO KNEE.

Set the IRIS mode switch of the lens to A (Auto).

2. Set the FILTER knob according to the current lighting.

3. Set the WHT.BAL switch to A or B.

4. Place a white object near the centre of the screen under the same lighting conditions as the target subject and zoom in to fill the screen with white.

POWER VTR

FRONT AUDIO IN

CH-1 AUDIO INPUT switch

 

 

CH-2 AUDIO INPUT

REAR AUDIO IN

connector

 

 

connector

 

 

 

 

 

 

switch

 

 

 

 

LCD BRIGHT

DISPLAY

 

 

 

 

MONITOR

 

 

 

 

 

 

 

 

SELECT

 

 

COUNTER

 

 

 

 

 

CH-1

 

FRONT

 

 

 

 

 

MIX

 

TC

 

 

 

 

 

CH-2

 

REAR

UB

 

 

 

CH-1

AUDIO

CH-2

CH-1

CH-2

 

 

 

 

 

LEVEL

 

AUDIO INPUT

 

 

 

 

 

 

AUDIO INPUT

AUDIO SELECT

TC GENE.

 

 

 

 

 

FRONT REAR

CH-1

CH-2

 

 

 

 

 

MIC

 

AUTO

REC

 

 

 

AUDIO INPUT

 

LINE

 

MANUAL

REGEN FREE

 

 

 

 

+48V

 

PRST

 

 

 

(LINE/MIC) switch

 

 

 

 

 

 

 

 

/ACCU FOCUS switch

switch

AUTO WHITE A

AUTO WHITE A

 

OPERATION

OK <3200K>

 

During operation

Result message

 

AUTO WHITE A

AUTO WHITE A

 

NG:OBJECT

ERROR:LOW LIGHT

 

Improper object

Insufficient illumination

AUTO WHITE A

 

 

ERROR:OVER LIGHT

 

 

Excessive illumination

 

 

FULL-TIME AUTO WHITE BALANCE (FAW)

The FAW function adjusts the white balance value

automatically as the lighting condition changes.

 

This mode is convenient when you have no time to adjust the

white balance or when the camera is moved frequently in and

out of places under different lighting conditions.

 

Setting procedure

The FAW function can be activated with the FAW item on the CAMERA OPERATION menu screen. The FAW function can be allocated to one of the white balance switching switches A, B, or PRESET.

See “CAMERA OPERATION menu screen” on page 69.

5. Tilt the AUTO WHT./ACCU FOCUS switch upward (to AUTO WHITE) once and release it. “AUTO WHITE A, B OPERATION” is displayed in the viewfinder while the auto white balance adjustment circuit operates. When correct white balance is obtained, the approximate color temperature is displayed together with “AUTO WHITE A, B OK” for about 5 seconds.

Error messages

If the adjustment ends abnormally, an error message, as described below, blinks for about 5 seconds.

NG: OBJECT (Improper object)

Displayed when there is not enough white color on an object or the color temperature is not suitable. Replace the color temperature conversion filter or use another white object and re-adjust the white balance.

ERROR: LOW LIGHT (Insufficient illumination)

Displayed when the illumination is dim. Increase the illumination and then re-adjust the white balance.

ERROR: OVER LIGHT (Excessive illumination)

Displayed when the light is excessively bright. Decrease the illumination and then re-adjust the white balance.

CAUTION: The FAW (Full-time Auto White balance) function cannot provide optimum white balance with a subject outside the FAW adjustment range, for example when it contains only a single color or not enough white color. The accuracy of the FAW (Full-time Auto White balance) is inferior to that of the manual white balance. When the power is turned on with the FAW mode selected, it takes about 10 seconds for the FAW adjustment to be completed. Do not shoot within this interval.

The GY-DV5000 is provided with the FRONT AUDIO IN connector and the REAR AUDIO IN connector for audio input. Two channels of sound can be recorded on the tape in digital PCM format. Using the AUDIO INPUT switch, select for each channel (CH1 and CH2) whether the sound to be recorded should be the sound from the FRONT AUDIO IN connector or the sound from the REAR AUDIO IN connector.

Selecting the CH-1 channel input sound

Make the selection using the CH-1 AUDIO INPUT switch. FRONT : The sound from the FRONT AUDIO IN connector is recorded on the CH-1 channel. REAR : The sound from the REAR AUDIO IN connector is recorded on the CH-1 channel.

Selecting the CH-2 channel input sound

Make the selection using the CH-2 AUDIO INPUT switch. FRONT : The sound from the FRONT AUDIO IN connector

is recorded on the CH-2 channel.

REAR

: The sound from the REAR AUDIO IN connector is

 

recorded on the CH-2 channel.

Selecting the FRONT AUDIO IN connector and REAR AUDIO IN connector

Select the sound to be input to the AUDIO INPUT connector using the AUDIO INPUT (LINE/MIC) switch. The setting is made individually for both the FRONT AUDIO IN connector and the REAR AUDIO IN connector.

LINE

:

Set to this position when connected to audio

 

 

equipment, etc.

 

 

The reference input level is +4 dBs.

MIC

:

Set to this position when using a monaural

 

 

microphone.

 

 

The reference input level is -60 dBs.

+48 V

:

Set to this position when a microphone

 

 

(phantom microphone) requiring +48 V DC

 

 

power supply is connected.

CAUTION: Before connecting a component that does not require +48 V power supply, make sure that the AUDIO INPUT (LINE/ MIC) switch is not set to +48 V. Neglecting this could cause damage to the connected component.

48

49

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Contents DV Camcorder For Customer UseOUT Port Cable LengthDC OUT Line OUTTelevision reception, which can be determined by turning Literature accompanying the applianceInformation Interference by one or more of the following measuresConnecting a Video Component with DV Connector Main FeaturesAC Operation Battery Pack Operation Optional Or played back on this camcorderFor servicing Introduction 1-1 Precautions for Proper UseRoutine and Periodical Maintenance Battery Pack to be Used Introduction 1-3 Precautions for Use of Head Cleaning TapeCharacteristic CCD Phenomena CondensationFront Section Right Side Section Right Side Section Cont’d Left Side Section Top SectionRear Section Status Screens Status Screens in the Camera ModeVTR mode DV signal input mode Status Screen in VTR Mode DV Signal Input Mode Magnified Status Indications on the LCD Monitor Lens Optional S14 x 7.3B12VF-P115B 1.5-Inch Viewfinder OptionalBasic System Attaching the Microphone Provided Attaching the Zoom LensAttaching the Viewfinder Attaching the Microphone OptionalAC Operation Battery Pack Operation OptionalFlat shape type battery pack Anton-Bauer battery pack CameraAttaching a Flat Shape Type Battery Pack Battery Pack Operation Optional Cont’dUsing an Anton-Bauer Battery Pack Attaching the Battery PackOperating Time with Battery Pack Turning the Power onTurning the Power OFF RechargingLoading the Cassette Cassette Loading and UnloadingUnloading the Cassette REC SaveDate Style Setting the Date and TimeViewing the LCD Monitor Time StyleDisplaying the Time and Date on the Screen Recording the Date and Time DataScreen Size 43/LETTER Mode Selection Charging the Built-in BatteryCamera Settings FilterEBU type colour bars External Monitor AdjustmentSmtpe type color bars White Balance Adjustment Recording Level Adjustment Monitoring Audio during RecordingAbout the Quick REC Start Mode When it is required to unload the videocassetteWhen the power should be turned off Basic Recording OperationScreen indications during Edit Search If the Record-Standby Mode ContinuesSetting the time before the tape protection mode is engaged Searching the tape in forward directionPlayback Procedure Recording the Color BarsFast-Forward, Rewind SettingOutputting CH-3, CH-4 Channel Audio SearchConnections SettingsOperation Date and time data10-2 Presetting and Recording of Time Code 10-1Regen Menu Screen Configuration10-4 Reproducing Time Codes Reading Out a Menu Settings File Setting Menu ScreensStoring Setting Values Resetting the Menu Settings to the Factory Settings11-4 TOP Menu Screen 11-5 Camera Operation Menu Screen11-7 Advanced Process Screen 11-8 Skin Color Adjust Screen11-6 Camera Process Menu Screen AUDIO/VIDEO Menu Screen 11-10 LCD/VF Menu Screen11-10 LCD/VF Menu Screen Cont’d 11-11 TC/UB/CLOCK Menu ScreenTIME/DATE Menu Screen Others Menu ScreenSetting procedure Lens iris can be adjusted using any Iris Brightness Adjustment12-3 Adjusting the Shutter Speed Following three methodsRelationship between gain, iris and shutter 12-5 Gain Sensitivity Adjustment Variable Scan V.SCAN Automatic Setting Contents 12-7 How to Use Skin DetailSetting the Color and Range of the Skin Detail Function Screen indications on the LCD monitor and in the Viewfinder Alarm Indications and ActionsUsing the Skin Detail Function Indication Condition RemedyBatt 13-1 Alarm Indications and Actions Cont’dHead Cleaning Required Tape Near END LOW Voltage TOP Menu menu screen TroubleshootingHour Meter Display Accumulated drum running timeSpecifications Optional Accessories External Dimensions unit mm
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