Korg 2 manual Beginning Offset %/End Offset %, Pattern Parameters, Step Transpose Value 48…0…+48

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simulate the Triton Arpeggiator setting “Arpeggio Type”: As Played (Fill).

Phase “Length Mode” is 0: AC-Actual, no cycling is performed and a Phase Change will immediately occur.

2: R-restart at other end of Phase

If note generation would extend beyond either end of the playback portion of the Phase, those notes are replaced by notes within the playback portion, as if the riff restarted at the other end. (For the more technically oriented, the index is kept within range using modulo division.) Once the specified number of events or beats of a time signature are generated, a Phase Change occurs. This can be used to simulate the Triton Arpeggiator setting “Arpeggio Type”: Running Up.

3: W-wrap at either end of Phase

If note generation would extend beyond either end of the playback portion of the Phase, those notes are replaced by notes within the playback portion, as if the riff is being “wrapped around” the end point. (For the more technically oriented, the index is kept within range by inverting it.) Once the specified number of events or beats of a time signature are generated, a Phase Change occurs. This can be used to simulate the Triton Arpeggiator setting “Arpeg- gio Type”: Up&Down.

4: B-cycle back from beginning of Phase

Allows “cycling” to occur at the beginning of the playback portion of the Phase. For example, if the movement specified by the Index Pattern causes the index to go backwards beyond the beginning of the playback portion, “cycling” will occur (the index will automatically be jumped back into the playback portion by a calculated amount). If the Phase “Length Mode” is 0: AC-Actual, no cycling is performed and a Phase Change will immediately occur.

5: E-cycle back from end of Phase

6:BE-cycle back from beginning & end of Phase

Allows the behavior described above at both ends of the playback portion of the Phase.

Beginning Offset %/End Offset %

Add the following note to the explanation for Phase Specific Parameters “Beginning Offset%” and “End Offset%.” (GE p.11)

Not available when “GE Type” (p.13) = 1: Gener- ated-Gated, unless “Gate Type” (GE p.4, p.13) = 1: Vel CP. If 2: Generated-Drum, the Note Series can be applied as pitch bend, discussed elsewhere.

Pattern Parameters

The following parameters have been added to Pattern Parameters (GE p.12).

Step Transpose Value

[-48…0…+48]

Each step of the Phase Pattern may have its own transpose value (-48…+48), which affects all notes that are generated during that step. This is cumulative with the Phase Transpose Value discussed below. For example, if a Step Transpose Value is -12, and the Phase Transpose Value for the Phase in use during that step is +24, the overall transpose would be +12. While this value is not directly accessible as a GE Parameter, it may be set as part of a GE and varied by the following 2 parameters:

Step Transpose On/Off

[0, 1]

0: Off

1: On

 

Allows “cycling” to occur at the end of the playback portion of the Phase. For example, if the movement specified by the Index Pattern causes the index to go forwards beyond end of the playback portion, “cycling” will occur (the index will automatically be jumped back into the playback portion by a calculated amount). If the

Allows the effect of the Step Transpose Values in each Phase Pattern Step to be turned on or off for the entire Phase Pattern.

Template for emulating the operation of the TRITON series arpeggiator parameters “Octave” and “Octave Motion”

 

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Octave

Octave Motion*

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0:

[0]

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

1

U D B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1:

[0

12]

0

12

0

12

0

12

0

12

0

12

0

12

0

12

2

U B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2:

[12 0]

12

0

12

0

12

0

12

0

12

0

12

0

12

0

2

D

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3:

[0

12

24]

0

12

24

0

12

24

0

12

24

0

12

24

0

3

U

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4:

[24 12

0]

24

12

0

24

12

0

24

12

0

24

12

0

24

3

D

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5:

[0

12

24

12]

0

12

24

12

0

12

24

12

0

12

24

12

3

B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6:

[0

12

24

36]

0

12

24

36

0

12

24

36

0

12

24

36

4

U

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7:

[36 24

12

0]

36

24

12

0

36

24

12

0

36

24

12

0

4

D

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

8:

[0

12

24

36

24

12]

0

12

24

36

24

12

0

12

24

36

4

B

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9:

[0]

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

1

U D B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10:

[0

0

12

12]

0

0

12

12

0

0

12

12

0

0

12

12

2

U B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

11:

[12 12

0

0]

12

12

0

0

12

12

0

0

12

12

0

0

2

D (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12:

[0

0

12

12

24

24]

0

0

12

12

24

24

0

0

12

12

3

U (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

13:

[24 24

12

12

0

0]

24

24

12

12

0

0

24

24

12

12

3

D (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

14:

[0

0

12

12

24

24

12

12]

0

0

12

12

24

24

12

12

3

B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

15:

[0

0

12

12

24

24

36

36]

0

0

12

12

24

24

36

36

4

U (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

16:

[36 36

24

24

12

12

0

0]

36

36

24

24

12

12

0

0

4

D (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

17:

[0

0

12

12

24

24

36

36

24

24

12

12]

0

0

12

12

4

B (x2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

* U = Up, D = Down, B = Both

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Image 15
Contents Page Table of Contents Conventions in this manual About this manualMain features of version IntroductionKarma function Disk mode Installing the systemSequencer mode Global modeUpdating the GE data After updating the system, you must also update the GE dataYou must update the GE data after updating the system Updating the system dataKarma Time Sig. Karma Time Signature Karma functionGE Select Select by CategoryTxFltr TxFilter Freeze RandomizeParm3 Parameter3 RTC Karma RealTime ControlsHow the Start Seed value affects the phrase 3a Freeze RandomizeStart Seed 2147483648…0 Random…+2147483647 Freeze Loop Length Off, 1…32Random Capture Retrigger Each Time Off, OnLink Start Seeds Off, On Random FF/REW ProcedureAuto K.RT Name Auto Assign Karma RT Name Auto Assign Karma RT NameRT Parameter RealTime Parameter Grp Parm Group Off, Mix, Ctrl, Trig, Zone, Rand, PECopy Scene 1&2 Copy Karma Scene AutoName w/GEchgCopy/Swap Karma Scene AutoName w/GEchg Auto Assign Karma RT Name on GE changePhase Group GE ParameterGE Generated Effect Group Step Transpose On/Off Beginning Offset %/End Offset %Pattern Parameters Step Transpose Value 48…0…+48Swing% Duration ModeRhythm Group Duration GroupCCs Group Associated Parameters Drum Group123456a Destination -6, Value Sequencer modeSEQ .3 Tone Adjust Destination -6 and Value1b Utility Sequencer modeMulti REC Standby Off, On Copy From Prog Copy from ProgramEnhancements Multi REC Standby check boxUtility menu Auto Song Setup functionQuantize Swing Parameter Other enhancementsMidi Clock Global modeRT Realtime Command User GE Memory ProtectDump User GE Foot SW AssignFoot Pedal Assign Additional Load functions Disk modeLoad Load .PCGSave Data compatibilityChanges and additions to the Save function Sequencer mode Tone Adjust parameters Global mode settings that were added in versionProgram, Combination, Sequencer, Song Play parameters Copy From Program Combination mode Copy from ProgramOther functions Tap Tempo ControlProgram mode About system exclusive messagesData dump request song, track, measure region from 15-12, Shimotakaido 1-chome, Suginami-ku, Tokyo, Japan Important Notice to Consumers