Samson TM300 owner manual Setting the Correct Gain Structure

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Setting the Correct Gain Structure

k. Repeat step (i) above for each instrument connected to TM300 channel line inputs.

l. The procedure for setting optimum microphone levels is virtually identical; sing or speak into the mic at the level you expect to use in performance while slowly raising the fader for that channel to its “0” position. Then adjust the Trim control for that channel while watching the segment meter and channel Peak LED. You should expect that microphone inputs will require rather more in the way of Trim boost than line inputs.

m. The general idea behind using the internal DSP is to drive it as hot as possible (short of overloading it) and to then use the Aux Return 2 control to carefully set the amount of processed signal you want to hear. (Note: When operating the TM300 in a “split mono” configuration, the Aux Return 2 control determines the amount of processed signal in the main [left] output and the Rev To Aux 1 Level control determines the amount of processed signal in the monitor [right] output.) Press in the DSP On/Off switch to activate the internal DSP and then select one of the three preset reverb effects for the DSP. Begin by setting the Aux Return 2 control to its “0” (2 o’clock) position (this can later be adjusted if you want to hear more or less processed signal). Next, using a channel that has already had its gain structure adjusted in step (i) or (k) above, play the instrument (or sing into the microphone) connected to that channel while slowly turning the Aux Send 2 knob for that channel clockwise until you hear the desired amount of processed signal added to the dry signal. If you hear any distortion, lower the amount of signal being sent to the DSP by turning that channel’s Aux send 2 knob (or the main Aux Send 2 knob) counterclockwise. For more information, see the “Using the Aux Sends and Returns” and “Using DSP” sections on pages 20 and 22 in this manual.

n. If you have any outboard signal processors connected to the Aux send jacks on the rear panel, follow this step. Because outboard effects processors can sometimes be quite noisy, it’s particularly important to maximize the amount of signal being sent to them via the TM300 Aux Sends. As with the internal DSP, the idea is to drive these devices as hot as possible (short of overloading them) and then to use the Aux Return level to carefully adjust the amount of processed signal being blended with the dry signal. To set optimum Aux Send levels, use a channel that has already had its gain structure adjusted in step (i) or (k) above. Turn the Aux Send 1 knob for that channel to its “0” (unity gain) position and then play the instrument (or sing into the microphone) connected to that channel. Adjust the input levels of connected outboard effects processors so that their meter shows incoming signal normally in the 0 vu range (with just occasional higher excursions). Then it’s time to optimize the Aux Return level. While continuing to play your instrument (or continuing to sing into the microphone), slowly raise the Aux Return level control until you hear the desired amount of processed signal added to the dry signal. Repeat for any external device connected to the Aux 2 Send jack (which is active only when the DSP On/Off switch is “off”). For more information, see the “Using the Aux Sends and Returns” section on page 20 in this manual.

o. The gain structure is now correctly set— you’ve optimized the level of all signals coming into and out of the TM300, and the end result will be minimum noise and distortion and maximum clean sound. You can now connect unity gain devices (such as compressors, limiters, and noise gates) as needed to the channel and/or main inserts. You’ll find that the majority of your mixes can be accomplished with most channel faders at or near their 0 (unity gain) position and that the channel peak LEDs rarely if ever light (remember, if they do light, it means that something is distorting!). If you need to make adjustments to the overall level, use the main left/right stereo faders.

If you encounter difficulty with any aspect of setting up or using your TM300, you can call Samson Technical Support (1-800-372-6766) between 9 AM and 5 PM EST.

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Contents TM300 Table of Contents TM300 Features Introduction / TM300 FeaturesTM300 Features Guided Tour Overview Guided Tour Channels Guided Tour Channels Samson Guided Tour Main SectionGuided Tour Main Section Guided Tour Main Section Samson Guided Tour Rear PanelSignal Ground T to MIC + Signal Connecting the TM300TM300 Interconnections Stereo Configuration TM300 Interconnections Split Mono Configuration Setting Up and Using The TM300 Setting the Correct Gain Structure Setting the Correct Gain Structure Grounding Techniques Using Equalization Seven-band graphic master equalizer Using Pan Using Aux Sends and Returns Using Inserts Using the Internal Digital Signal Processor DSP Caractéristiques Techniques Introduction/caractéristiques du TMCaractéristiques Techniques du TM300 Visite Guidée Les voies Visite Guidée Les voies Entré e Tape In G, D Connectez les Visite guidée Section principaleVisite guidée Section principale Visite guidée Section principale Visite guidée Face arrière Installation et utilisation du TM300 Réglages de gain Réglages de gain Deutsche Einleitung / TM300 MerkmaleTM300 Merkmale Überblick die Kanäle Überblick die Kanäle Tape In Eingang L,R Verbinden Sie die Übersicht HauptabschnittÜbersicht Hauptabschnitt Übersicht Hauptabschnitt Übersicht Rückseite Einstellung und Bedienung des TM300 Einstellung der Gain-Struktur Einstellung der Gain-Struktur Características de la TM300 Introducción / Características de la TM300Características de la TM300 Recorrido guiado Canales Recorrido guiado Canales Entrada de cinta L, R Conecte las Recorrido guiado Sección principalRecorrido guiado Sección principal Recorrido guiado Sección principal Samsonon Recorrido guiado Panel traseroAjuste y uso de la TM300 Ajuste de la estructura de ganancia correcta Ajuste de la estructura de ganancia correcta Maximum Voltage Gain Specifications

TM300 specifications

The Samson TM300 is a highly regarded professional microphone designed for studio and live performance applications. Renowned for its distinctive sound quality and durability, the TM300 caters to musicians, vocalists, and audio engineers alike.

At the core of the TM300's design is its dynamic microphone element, which excels in capturing the nuances of vocal performances. This type of microphone inherently rejects unwanted noise and feedback, making it an excellent choice for both live settings and studio recordings. The TM300's frequency response, typically spanning from 50Hz to 15kHz, showcases its ability to reproduce deep lows and crisp highs, ensuring that every vocal nuance is accurately captured.

One of the standout features of the TM300 is its cardioid polar pattern. This directional pickup pattern allows the microphone to focus on sound sources directly in front of it while minimizing background noise from the sides and rear. This characteristic is crucial in live settings, where minimizing ambient noise can greatly enhance the clarity of the performance.

The TM300 is built with high-quality materials, featuring a rugged metal housing that can withstand the rigors of frequent use. Its sturdy construction ensures longevity, even in demanding environments. Furthermore, the microphone includes a built-in pop filter that helps reduce plosive sounds (such as "p" and "b" consonants), providing cleaner audio capture without the need for additional accessories.

In terms of connectivity, the Samson TM300 typically utilizes a standard XLR output, making it compatible with a wide range of mixing consoles, audio interfaces, and recording devices. This versatility allows it to be seamlessly integrated into both professional and home studio setups.

For audio professionals seeking an affordable yet high-performance microphone, the Samson TM300 offers exceptional sound quality, rugged build, and user-friendly features. Whether used for live performances, studio recordings, or broadcast applications, the TM300 continues to impress with its reliable performance, making it a favorite choice among musicians and audio engineers alike. As the demand for quality audio equipment rises, the TM300 remains a testament to Samson's commitment to excellence in the audio industry.