Editing Functions, Assigning Virtual Tracks

Recording & Editing Functions

(Editing will be covered later in this section.) You can also use them to keep original tracks that were used to create submixes, which allows you to alter the submix balance later on, or even add or subtract parts from those mixes. Other common uses for virtual tracks include storing maintaining count-ins on a separate track, click tracks, or even spoken cues.

Assigning Virtual Tracks

The Virtual Track assignments are handled through

the screen, which is accessible by pressing the TRACK button. (The TRACK button is located in the INPUT SOURCE area in

the upper left of the 788 surface.) Tracks can be selected with the left and right arrow keys, or by pressing SELECT on that track. (Pressing SELECT for track 7/8 will flip back and

forth between track 7 and track 8.) The JOG/DATA wheel or UP and DOWN CURSOR keys can be used to scroll down the list of tracks. To accept the virtual track for that channel, press ENTER/YES.

Naming Virtual Tracks

With 250 virtual tracks at your disposal, you may want to give them more descriptive names than "Track001". You can give them names up to 12 characters long to help you remember which track had what audio on it. To name a track, press TRACK to get to the screen, scroll to the track you want to name, then press SHIFT and MENU/TITLE.

See Section V, "Assigning Names" on p23 for complete naming capabilities and instructions.

(Continued)

Section III

When you select the edit function, there will be a prompt for which tracks the edit should apply to. You can edit on a single track, stereo pair, or all 8 tracks at a time. It is also possible to edit across tracks. For instance, you can copy from one track to another.

It is also important to understand that some edit functions keep the time line of the song intact, while other functions (called "ripple" functions) affect the audio beyond the edit point. Below, we have an example of a COPY>PASTE (standard) edit and a COPY>INSERT (ripple) edit.

ORIGINAL

TRACK

IN OUTTO

STANDARD COPY>PASTE overwrites existing audio at the TO

EDIT		point, and does not affect any audio after the copy.
			COPY>PASTE


IN	OUT		TO
RIPPLE		COPY>INSERT moves the audio after the TO
EDIT		point down the exact length of the insert.
			COPY>INSERT


IN	OUT		TO

All of the editing is non-destructive with 999 levels of undo that are saved to disk. This means you have lots of opportunity to experiment with different versions without fear of losing anything.

Edit Functions Definitions

copies the audio between the IN and OUT locate points and pastes it over any pre- existing audio starting at the TO locate point.

EDITING FUNCTIONS

All of the editing functions will use the IN, OUT and TO locate points for reference on edits. For instance, if you are copying a background vocal track to another chorus, you would place the IN and OUT locate points around the part to be copied, then place the TO locate point where you want the part to go.

COPY AUDIO

IN	OUT	TO
		COPY>PASTE


IN	OUT	TO

IN	OUT	TO

TASCAM 788 Operational Tutorial • 8/2000 Edition		Recording & Editing Functions

788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.