Tascam 788 manual Mixer Functions, Channel Strip, Channel Send & Return Insert, EQ Section

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Standard Boost/Cut
ON/OFF PAD/GAIN Channel control setting indication
EQ bands are arranged vertically, with matching parameters aligning horizontally. Use the arrow keys to move between the parameters.

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Mixer Functions (Continued)

channel 6, then release INPUT D. To route INPUT D to both channels 1 and 6, press and hold INPUT D then press SELECT for channels 1 and 6, then release INPUT D. The routing is verified by LEDs when you make the selection.

Whenever you route an input to a channel, the 788 will automatically disengage both the input and the channel from any previous assignment so that you don't have to worry about double routings.

If you want to check where things are routed, press and hold the input button; its LED will flash with the LED of the channel it is assigned to. (If none of the other LEDs flash, then it's not routed anywhere, yet.) The reverse can also be done, you can press SELECT for any of the channels, and it will flash with the input that is assigned to it.

Inputs can also be routed to the input submixer, which is discussed later in this section on p10. Routing an input to the input submixer is done by holding down the SUB MIX button and pressing the buttons for each INPUT you wish to route.

THE CHANNEL STRIP

The 788's main mixer provides extensive processing power and routing flexibility. Once the signal is routed to the main channel, the signal flows through the following steps:

Send/Return (insert) for built-in effects. This only applies if EFFECT 1 is assigned as a Multi-Effect processor on a channel or EFFECT 2 is assigned as dynamics.

EQ Section

If an aux send is assigned as pre-fader,

Section II

Channel Send & Return (Insert)

The 788's effect processing can be used as a dynamic or multi-effect processing chain inserted on channels. When the effect is routed that way, the effect will be assigned as the first item in the signal flow chain. (For information about the effect capabilities or assignment, see Effect Processing, p20.)

The EQ Section

To view the EQ section

of the 788, press the EQ button right in the middle of the 788's

control surface, then press SELECT for the channel you wish to view. The screen to the right should appear.

The 788's three band EQ is comprised of sweepable high and low shelf bands, plus a parametric mid band. An ON/OFF switch allows A/B

comparisons between the enhanced signal and the original. Finally, a PAD/GAIN control allows the signal to be padded down to prevent the channel from overloading from high boost EQ curves, or to increase signal strength when large frequency bands areas are dug out of the signal's power.

Shelf and Parametric EQs Explained

EQ basically increases and decreases the volume of specific frequency ranges in a sound. Your standard hi-fi usually has a bass and treble control... the bass control can boost or cut the low

frequencies, with the center

between 80-120Hz. The treble 20Hz20kHz

it's level is independent of the channel fader. This is typically used for monitor

control will boost or cut the higher

Boost

mixes or allowing the channel to be washed out in an effect (no dry signal).

frequencies, with a typical center between 6-12kHz.

Cut

Channel Fader

If an aux send is assigned as post-fader, its level is affected by the channel fader. This is typically used for effect sends, because the relationship between the effect and dry signal will remain constant when the fader is adjusted.

L R Panning

To Stereo Fader

The next level of control from the standard boost/cut

EQ is a sweepable EQ. Sweepable EQs have a gain

 

 

 

control to adjust the boost or cut

 

 

 

 

 

 

 

control, but also can change the

 

Mid Parametric Freq

 

 

 

center frequency. This movable

 

Freq

 

 

 

20Hz

 

 

20kHz

 

 

 

center allows accurate tuning of

 

 

 

 

 

 

 

the EQ to specific "sweet spot"

 

Sweep High/Low

 

 

areas of the sound.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Examples - Perhaps 80Hz boost will offer pillowy sound to a bass, while a 200Hz cut will take out a muddy tone.

Mixer Functions

TASCAM 788 Operational Tutorial • 8/2000 Edition

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Contents Operational Tutorial Table of Contents QuickStart First Session SectionIntro & Initial SET-UP CREATE, Save a SongQuickStart First Session Mixing Tracks Basic Editing Bouncing TracksFinal Thoughts Mixer Functions Mixing Section OverviewTopics Routing Inputs & TracksMixer Functions Channel StripChannel Send & Return Insert EQ SectionFader, Pan & Linking Channels Mixer FunctionsEffect & Aux Sends Input Submixer Track CUEMonitor Section Channels already assigned to the input submixerRouting & Scene Libraries Assign MAPFader Matching Recording & Editing Functions Recording OverviewSong Menu Editing FunctionsLocate Points More Locate Resolution Recording & Editing FunctionsPunch IN/OUT & Auto Punch Virtual TracksEditing Functions Assigning Virtual TracksNaming Virtual Tracks Edit Functions DefinitionsFunction cannot be undone Recording & Editing FunctionsPitch Control / SSA Formatting Drives Targeting Record DrivesOrder to format a drive Press MENU, select MENU, select , thenBuilt-in Effect Processing Effect OverviewEffect Routing EffectsBuilt-in Effect Processing Section Controlling EffectsEffect Types EXIT/NOCompression Built-in Effect ProcessingFinal Notes Effects Naming Procedure Assigning NamesNaming Overview Selecting Items For NamingAssigning Names Editing the User Word ListMidi Clock Midi FunctionsMidi Functions Overview Midi Functions Midi Time Code MTCMetronome Settings Midi Metronome SettingsBUILT-IN Metronome Midi Machine Control MMCMMC with Midi Sequencers Midi FunctionsMidi Automation Trouble-Shooting Can’t hear the 788’s metronomeTroubleshooting Section Everything is in monoCan’t hear any stereo effects Can’t hear anything I’ve assigned to the input Submixer788 is out of time from the source Troubleshooting788 doesn’t play when I hit Play Tips and Tricks Tips & TricksTips & Tricks Overview Operational Tutorial
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