Tascam 788 manual Midi Functions, Midi Time Code MTC

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MIDI Functions (Continued)

MIDI TIME CODE (MTC)

Introduction to MIDI Time Code

MIDI Time Code (MTC) is a synchronization standard found on more advanced keyboard workstations and software sequencers. MIDI Time Code works in much the same way as SMPTE time code, counting time in a video based language that looks like this:

HOURS : MINUTES : SECONDS : FRAMES

While hours, minutes and seconds are familiar, the frame category may be new to you. The frame counting refers to the individual still pictures in a moving picture reel.

For instance, a standard US film (NTSC format) uses 24 frames per second. This means that 24 still images are flashed every second to create the moving image you perceive on the screen.

This section cannot cover the entire scope of time code rates, their development and the reasons people use any particular rate, but there are some guidelines on which rate you should probably be using:

30fps - Music project with no video.

29.97dfps - Television work in the US (NTSC format) 25fps - Film or Video in Europe (PAL format)

24fps - Film in the US (NTSC format)

If you're just recording for your own use, just use 30fps. The other rates are specifically for dealing with projects for film and video production. If you're working on a project for film or video, ask the project manager what type of code they want to use.

In the MIDI Time Code sync chain, the 788 should probably be the master. Your sequencers and other workstations should chase the 788. Probably the only time you will want the 788 to chase MTC is if you are locking multiple 788s (or similar machines) together.

MTC Offset Explained

The 788 time readout always starts at a time location of 00:00:00:00. If the project you are working on starts at another time location, you can have the 788 automatically "offset" the internal time code locations from the incoming MTC signal. For example:

If you want the time code of the project to start at one hour, you can instruct the 788 to use an offset of one hour (01:00:00:00). This way, when the incoming MTC is registering 01:00:00:00, the 788 will chase a time location of 00:00:00:00.

Section VI

Setting the 788 to Generate MIDI Time Code

The 788 needs to be set to generate MIDI Time Code. To make that setting:

1)Press MENU.

2)Select with the JOG/DATA dial and press ENTER/YES.

3)Select with the JOG/DATA dial and press ENTER/YES.

4)Make sure is set to (internal clock),

and is set to (MIDI Time Code).

5)Select your frame rate for the project. If you don't

have video in the project, the best bet is .

(30 frames per second.. the ND stands for non-drop frame rate.)

6)Press ENTER/YES to leave this screen.

Setting the 788 to Chase MIDI Time Code

The 788 needs to be set to chase MIDI Time Code. To make that setting:

1)Press MENU.

2)Select with the JOG/DATA dial and press ENTER/YES.

3)Select with the JOG/DATA dial and press ENTER/YES.

4)Make sure is set to (external clock);

the setting should be set to .

5)Select your frame rate for the project. If you don't

have video in the project, the best bet is .

(30 frames per second.. the ND stands for non-drop frame rate.)

6)If you want to create an MTC offset, go ahead and enter the amount at the bottom.

7)Press ENTER/YES to leave this screen.

8)Press PLAY to tell the 788 to follow incoming MTC. The PLAY light will flash indicating the 788 is waiting for incoming MTC. When incoming code is received, the 788 will chase it, and the PLAY light will go solid when it locks in play. If you want to take the 788 "offline" so that it won't follow incoming MTC, press STOP. The play light will go out.

MIDI Functions

TASCAM 788 Operational Tutorial • 8/2000 Edition

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Contents Operational Tutorial Table of Contents Intro & Initial SET-UP QuickStart First SessionSection CREATE, Save a SongQuickStart First Session Mixing TracksBasic Editing Bouncing TracksFinal Thoughts Topics Mixer FunctionsMixing Section Overview Routing Inputs & TracksChannel Send & Return Insert Mixer FunctionsChannel Strip EQ SectionFader, Pan & Linking Channels Mixer FunctionsEffect & Aux Sends Monitor Section Input SubmixerTrack CUE Channels already assigned to the input submixerRouting & Scene Libraries Assign MAPFader Matching Song Menu Recording & Editing FunctionsRecording Overview Editing FunctionsLocate Points More Locate Resolution Recording & Editing FunctionsPunch IN/OUT & Auto Punch Virtual TracksNaming Virtual Tracks Editing FunctionsAssigning Virtual Tracks Edit Functions DefinitionsFunction cannot be undone Recording & Editing FunctionsPitch Control / SSA Order to format a drive Press MENU, select Formatting DrivesTargeting Record Drives MENU, select , thenEffect Built-in Effect ProcessingEffect Overview Routing EffectsEffect Types Built-in Effect Processing SectionControlling Effects EXIT/NOCompression Built-in Effect ProcessingFinal Notes Effects Naming Overview Naming ProcedureAssigning Names Selecting Items For NamingAssigning Names Editing the User Word ListMidi Clock Midi FunctionsMidi Functions Overview Midi Functions Midi Time Code MTCBUILT-IN Metronome Metronome SettingsMidi Metronome Settings Midi Machine Control MMCMMC with Midi Sequencers Midi FunctionsMidi Automation Trouble-Shooting Can’t hear the 788’s metronomeCan’t hear any stereo effects Troubleshooting SectionEverything is in mono Can’t hear anything I’ve assigned to the input Submixer788 is out of time from the source Troubleshooting788 doesn’t play when I hit Play Tips and Tricks Tips & TricksTips & Tricks Overview Operational Tutorial
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788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.