Tascam 788 manual Midi Functions Overview, Midi Clock

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MIDI FUNCTIONS OVERVIEW

MIDI IN and OUT ports are provided on the 788 for a variety of control and synchronization functions.

The MIDI OUT port can be used to transmit MIDI Clock or MIDI Time Code for synchronizing drum machines, sequencers, or MIDI workstations without using a track or purchasing extra synchronization boxes. (Keep in mind that MIDI Time Code and MIDI Clock are not the same thing; the differences are listed in the sections dealing with these time code standards.) While the 788 has an internal metronome sound generator, it can also broadcast MIDI messages to trigger external sound modules for click tracks.

MIDI IN can be used to control the 788's transport with MIDI Machine Control, recall scenes, effect patches, or routing set-ups with program change information, and even automate the mixer section and effect processors with MIDI controller messages. If you want to lock the 788 to another 788, or other device, you can set the 788 to follow MTC through the MIDI IN port, as well.

MIDI CLOCK

Introduction to MIDI Clock

MIDI Clock is a basic synchronization standard that is commonly found on drum machines and basic keyboard workstations. It is also commonly supported on most sequencing software.

MIDI Clock keeps the individual MIDI devices locked together in musical terminology, using a counting structure that looks like this:

BAR : BEAT : PPQ

The terms bar (measure) and beat should be familiar, but PPQ is a new one for some. PPQ stands for Part Per Quarter; PPQ is the internal subdivision of the quarter note.

As with any other synchronization chain, one device is deemed the master. The master broadcasts the MIDI Clock information, and the others will follow the MIDI Clock data.

In choosing the master, the rule of thumb is to set whichever device has to work the hardest as the time code master. The 788 is processing a lot of data to record and play back 8 tracks of 24 bit audio, so it will be the master in your studio. The drum machines and sequencers will follow the 788.

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Section VI

MIDI Functions

TOPICS

IN THIS SECTION:

MIDI Clock & Tempo Maps ................... p 25

MTC (MIDI Time Code) Generate/Chase . p 26 788 Metronome ................................. p 27

MMC (MIDI Machine Control) ............... p 27

MIDI Program Change Commands ....... p 28

RELATED TOPIC:

Fader Matching See Mixer Functions, p 12

While simply broadcasting measures, bars and beats will help keep the devices together, they typically require a TEMPO MAP. The tempo map tells each device what the time signature and tempo of the song is. This helps each device better anticipate the location of the bars and beats, and gives them the information on how to count the beats. Each device in the MIDI Clock chain will need their own copy of the tempo map.

Setting the 788 to Generate MIDI Clock

The 788 needs to be set to generate MIDI Clock. To make that setting:

1)Press MENU.

2)Select with the JOG/DATA dial and press ENTER/YES.

3)Select with the

JOG/DATA dial and press ENTER/YES.

4)Make sure is set to (internal clock),

and is set to (MIDI Clock).

Editing the Tempo Map

The tempo map in the 788 will list all the tempo and key signature changes in the song. It is not necessary to enter the time signature and tempo of every measure; only the changes need to be entered.

To edit the tempo map:

1)Press MENU.

2)Select with the JOG/DATA dial and press ENTER/YES.

3)Select with the

JOG/DATA dial and press ENTER/YES.

4)Press INSERT or DELETE to add or remove changes in the map. Navigate the list with the CURSOR keys, and change the settings with the JOG /DATA dial.

TASCAM 788 Operational Tutorial • 8/2000 Edition

MIDI Functions

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Contents Operational Tutorial Table of Contents Section QuickStart First SessionIntro & Initial SET-UP CREATE, Save a SongMixing Tracks QuickStart First SessionBouncing Tracks Basic EditingFinal Thoughts Mixing Section Overview Mixer FunctionsTopics Routing Inputs & TracksChannel Strip Mixer FunctionsChannel Send & Return Insert EQ SectionEffect & Aux Sends Mixer FunctionsFader, Pan & Linking Channels Track CUE Input SubmixerMonitor Section Channels already assigned to the input submixerAssign MAP Routing & Scene LibrariesFader Matching Recording Overview Recording & Editing FunctionsSong Menu Editing FunctionsLocate Points Recording & Editing Functions More Locate ResolutionVirtual Tracks Punch IN/OUT & Auto PunchAssigning Virtual Tracks Editing FunctionsNaming Virtual Tracks Edit Functions DefinitionsPitch Control / SSA Recording & Editing FunctionsFunction cannot be undone Targeting Record Drives Formatting DrivesOrder to format a drive Press MENU, select MENU, select , thenEffect Overview Built-in Effect ProcessingEffect Routing EffectsControlling Effects Built-in Effect Processing SectionEffect Types EXIT/NOFinal Notes Effects Built-in Effect ProcessingCompression Assigning Names Naming ProcedureNaming Overview Selecting Items For NamingEditing the User Word List Assigning NamesMidi Functions Overview Midi FunctionsMidi Clock Midi Time Code MTC Midi FunctionsMidi Metronome Settings Metronome SettingsBUILT-IN Metronome Midi Machine Control MMCMidi Automation Midi FunctionsMMC with Midi Sequencers Can’t hear the 788’s metronome Trouble-ShootingEverything is in mono Troubleshooting SectionCan’t hear any stereo effects Can’t hear anything I’ve assigned to the input Submixer788 doesn’t play when I hit Play Troubleshooting788 is out of time from the source Tips & Tricks Overview Tips & TricksTips and Tricks Operational Tutorial
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788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.
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