Tascam manual Trouble-Shooting, Can’t hear the 788’s metronome

Page 29

I’m changing the EQ on the 788, and I’m not

hearing the changes I’m making.

You’re probably either adjusting the EQ on the wrong channel, the EQ is switched off for that channel, or you’re changing FREQ or Q without any gain on that band.

 

IN/OUT

PAD/GAIN

Channel

The channel number is

control

setting

indication

 

 

 

 

 

 

indicated in two places.

 

 

 

 

 

 

The channel you are

 

 

 

 

 

 

affecting will have its

 

 

 

 

 

 

SELECT light on. Also,

 

 

 

 

 

 

the channel number is

 

 

 

 

 

 

indicated in the EQ

 

 

 

 

 

 

screen, just above the

 

 

 

 

 

 

L/R meters in the right

 

 

 

 

 

 

side of the screen. If

EQ bands are arranged vertically,

with matching parameters aligning

the channel number

horizontally. Use the arrow keys

shown by these

to move between the parameters.

 

 

 

 

 

 

indicators is not the channel you want to affect, press SELECT for the channel you want to affect.

To make sure the channel EQ is turned on, find the little box in the upper left corner of the EQ screen that is labeled . The button underneath it should show . If it is blank, the EQ is bypassed. To turn the EQ back on, move the cursor to the box, and turn the JOG/DATA wheel.

Lastly, check the parameter you are changing. If you are changing a parameter in the FREQ or Q rows and the GAIN for that column is set to 0, then you are adjusting the parameters of a totally flat curve. Add some gain, and you’ll start to hear the difference.

I can’t hear the 788’s metronome.

There are a couple of settings that affect the metronome:

First, check to make sure that the 788 is set to generate MIDI Clock. The metronome timing is generated from the

MIDI Clock logic, and will not work in any other setting. To check this, press MENU, select

, then select

. The

should be set to

, and

The SYNC screen should be

set to generate MIDI Clock.

the

should be

The metronome will not do

anything if the SYNC SRC is

set to

.

 

 

not set to CLOCK.

29

Section VII

Trouble-Shooting

Next, check the screen. To get to it, press

MENU, select

,

and choose

.

Under the

tab, make

sure the

is set either to

or .

( is if you

are triggering an external sound module for metronome

tones. is if you are using the internally generated clicks.)

The parameter in this screen will select whether the metronome will sound when the 788 is in record and play, or only in record. ( means record only, and means record and play.) If is set to , then the metronome will not sound when the system is

playing. Switch to if you always want to hear the metronome.

If you are using the 788’s internal clicks, make sure

the is raised up loud enough. (It should be reasonably audible at 100.) Also, make sure you are listening to the audio coming out from either the PHONES, or from the MONITOR OUTPUT. The signal is not routed to the STEREO OUTPUT.

If you are using the 788 to generate MIDI tones for an external MIDI sound module,

check the tab of the menu. Make

sure the MIDI channel in the 788 is set to the same MIDI

channel of your synth module, and that the note numbers and velocities the 788 is sending will be a valid value for the module.

Lastly, check to make sure the audio connections from the MIDI module to your monitor system are properly routed, and that the volume is up for each stage of that signal routing.

I’m moving the faders, but it’s not affecting the

level of the sound.

Move the fader all the way up, and all the way down. If the level is now properly processing, then you have

fader matching set to .

If you recall a mixer scene, or control the fader levels through MIDI controller messages, the physical fader position may not represent the level the actual processed fader position. The fader matching parameter determines the relationship between the physical fader

TASCAM 788 Operational Tutorial • 8/2000 Edition

Troubleshooting

Image 29
Contents Operational Tutorial Table of Contents Section QuickStart First SessionIntro & Initial SET-UP CREATE, Save a SongMixing Tracks QuickStart First SessionBouncing Tracks Basic EditingFinal Thoughts Mixing Section Overview Mixer FunctionsTopics Routing Inputs & TracksChannel Strip Mixer FunctionsChannel Send & Return Insert EQ SectionFader, Pan & Linking Channels Mixer FunctionsEffect & Aux Sends Track CUE Input SubmixerMonitor Section Channels already assigned to the input submixerAssign MAP Routing & Scene LibrariesFader Matching Recording Overview Recording & Editing FunctionsSong Menu Editing FunctionsLocate Points Recording & Editing Functions More Locate ResolutionVirtual Tracks Punch IN/OUT & Auto PunchAssigning Virtual Tracks Editing FunctionsNaming Virtual Tracks Edit Functions DefinitionsFunction cannot be undone Recording & Editing FunctionsPitch Control / SSA Targeting Record Drives Formatting DrivesOrder to format a drive Press MENU, select MENU, select , thenEffect Overview Built-in Effect ProcessingEffect Routing EffectsControlling Effects Built-in Effect Processing SectionEffect Types EXIT/NOCompression Built-in Effect ProcessingFinal Notes Effects Assigning Names Naming ProcedureNaming Overview Selecting Items For NamingEditing the User Word List Assigning NamesMidi Clock Midi FunctionsMidi Functions Overview Midi Time Code MTC Midi FunctionsMidi Metronome Settings Metronome SettingsBUILT-IN Metronome Midi Machine Control MMCMMC with Midi Sequencers Midi FunctionsMidi Automation Can’t hear the 788’s metronome Trouble-ShootingEverything is in mono Troubleshooting SectionCan’t hear any stereo effects Can’t hear anything I’ve assigned to the input Submixer788 is out of time from the source Troubleshooting788 doesn’t play when I hit Play Tips and Tricks Tips & TricksTips & Tricks Overview Operational Tutorial
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788 specifications

The Tascam 788 is a portable digital audio workstation that made a significant impact in the realm of music production and recording. Launched in the early 2000s, the 788 is particularly well-regarded for its blend of portability, versatility, and quality. Aimed primarily at musicians, podcasters, and sound designers, this device caters to those who need a reliable means to capture high-fidelity audio in various environments.

At the heart of the Tascam 788 is its ability to record up to eight tracks simultaneously, offering a total of 24 tracks for playback. This multi-track capability allows users to layer instruments and vocals, creating rich, full-bodied productions. Each track supports high-resolution recording at 24-bit/96kHz, providing professional quality that rivals many studio setups. The onboard effects and mixing capabilities further enhance its functionality, allowing users to manipulate their recordings in real-time.

The Tascam 788 features a user-friendly interface with a large LCD screen, making navigation straightforward. It includes a variety of inputs, including XLR and TRS, making it flexible for different microphone types and instruments. The device also has built-in phantom power for condenser mics, ensuring that you can capture clear audio with minimal external setup.

One of the standout features of the Tascam 788 is its integrated CD-RW drive, allowing users to burn audio directly onto CDs without needing a computer. This is particularly useful for artists wishing to create demo discs or share their music with others quickly and easily. Additionally, the presence of a USB port means that users can connect the device to a computer for further editing and file management, making it easy to integrate with digital audio software.

The Tascam 788 employs a compact and rugged design that is ideal for mobile musicians and recording engineers. Weighing less than many of its contemporaries, the device can be easily transported, making it suitable for on-the-go recording sessions. The long battery life adds to its portability, enabling recordings without the constant need for a power source.

In summary, the Tascam 788 stands out as a versatile tool for both novice and professional audio creators. With its multi-track recording capabilities, high-quality audio, and portable design, it remains a beloved choice for those looking to capture and produce music seamlessly and effectively. Whether in a studio or on the road, the Tascam 788 brings together essential features that cater to the diverse needs of today's audio artists.