Vox E 1 owner manual AC15TB

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AC30 and AC30TB. In a nutshell, the result of this design is more power and more distortion - the latter of which gets thick with second and third order harmonics that become more and more prevalent as the amp is cranked. Thanks to our unique Valve Reactor Technology the power stage of your ToneLab is automatically switched to its “EL84s in a Class A circuit with no feedback” emulation whenever AC15, or any of the other three Vox models, is chosen.

Like most amps of its era, the AC15 is the very essence of simplicity. In fact, the Channel we modelled, Channel 2 (remember!?), only has three controls - Volume, Brilliance (really a bass cut) and Top Cut. When you select AC15, the ToneLab’s GAIN control mimics the original’s Volume control, while the PRES- ENCE control acts as the Top Cut.* FYI, the AC15’s Top Cut control affects the high frequencies in a very different way than a “regular” Treble control. Deft use of it will help you dial in the exact amount of that instantly recognizable, world-famous VOX “sparkle.” The BASS control acts as the Bass Cut (Originally labelled Bril- liance) with total variability instead of the Original two position switch.

As for what the “extra” TREBLE and MIDDLE controls on our AC15 model do: as already mentioned earlier, they’re exactly that - “extra!” Set them at 12 o’clock and they’re “neutral” (i.e. they mimic the exact tone of the original) or tweak them for extra tonal flexibility.

*CONTROL NOTE: The original AC15’s Top Cut control works in the opposite way you’d expect - it “cuts” when you turn it up! You’ll be glad to read that our model of the Top Cut control (the PRESENCE knob) works in a much more logical fashion - turn it up for more “sparkle,” turn it down for less.

Original’s valve compliment: 1 x EF86, 3 x ECC83s, 1 x ECC82 in the preamp, 1 x EZ81 rectifier, 2 x EL84s in the power amp.

2. AC15TB

While the AC15 was born in the late ’50s, the AC15TB is a modern-day child of the ’90s which combines the sweet “n” desirable tonal characteristics of the AC15’s low Wattage power stage, with the increased tonal flexibility that the Top Boost (TB) channel of an AC30 has to offer. Then, to sweeten the pot even further, a 12" Celestion “Blue” speaker (what else?), Reverb and a Master Volume control were thrown in too. The result is a highly flexible 15 Watt, all-valve, 1x12 combo that successfully marries the pureness of great vintage VOX tone with modern fea- tures.

The original has two tone controls - Treble and Bass. So, as is the norm, the ToneLab’s TREBLE and BASS controls mimic their namesakes while the MID- DLE (“neutral” at 12 o’clock) and PRESENCE add further tonal flexibility...should you want it. To ensure maximum “Voxiness,” we’ve made sure that the PRESENCE control behaves exactly like the “Top Cut” on the original AC15 - except in reverse (“off” = cut) to make it more logical, just like on our AC15 model.

In trademark VOX fashion, our AC15TBX model oozes clean tones that “jangle” and “chime,” while its overdrives are smooth yet pulsating with desirable harmonic overtones. Enjoy!

Original’s valve compliment: 5 x ECC83s in the preamp, 1 x 5Y3GT rectifier, 2 x EL84s in the power amp.

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Contents Page Precautions Iii Setup Quick StartListen to the Programs Use the Bank , buttons 3.2 to select a bankCreate Your OWN Sounds Table of Contents Viii Restoring the Factory Preset Programs Using the Optional Foot ControllerEnd of this manual Page Introduction Main FeaturesWelcome Aboard Power AMP and the Glory Valve Reactor TechnologyAN Overview of ToneLab Signal RouteStructure Write UtilityGlobal TunerTOP Panel Guitarist’s Guided Panel TourAMP Section Treble Control Middle Control Bass Control CH Volume ControlPresence Control Pedal Selector Effects SectionEffect Type LEDs Type ButtonsBank Display Value KnobsBANK/MANUAL/WRITE/TUNER/CHANNEL Section BANK/VALUE , ButtonsWRITE/ENTER Button TUNER/CANCEL ButtonGlobal Button Name DisplayINPUT/PHONES The Front Panel Input Jack ValveValve window Phone Jack stereoMidi Power SupplyRear Panel OutputSetup Basic ConnectionsExample of Analogue Connections Using ToneLab for DIRECT-LINE RecordingExample of Digital Connections Using ToneLab with a Midi Device or Computer Using ToneLab for Live PerformanceUsing the Optional Foot Controller Example of Connection to a Guitar AMP Or AmpsPrograms Program Select Mode Selecting a ProgramIf the bank display shows Manual Mode Getting to Program Select ModeSwitching to Manual Mode Creating and Storing Your Own Programs ... & More Creating Your OWN ProgramsWhen you’ve got a sound you like, store it Naming a Program Utility Program Name Restoring a Setting to ITS Original Value Storing a ProgramExplanations of the Amp and Effect Types AMP ModelsAbout the Gain and Volume knobs AC15 Tube TalkAC15TB AC30 AC30TBUK Blues UK 68PUK ’90S UK ’80SUK Modern UK Modrn Boutique OD BTQ OD RectoUS Higain US HI-G Boutique CL BTQ CLBlack 2X12 BLK Tweed 1X12 TWDTweed 4X10 TWD Cabinet Models Black 2X10 BLKVOX AD412 AD412 VOX AC15 AC15VOX AC30 AC30 UK H30 4X12 UK H30What Goes with WHAT? OFFSome Recommendations Pedal Effects CompVOX WAH AcousticAuto WAH Treble Boost Treb BST VibeOctave Tube ODChorus FlangerTremolo PhaserRotary Tape Echo T Echo DelayMulti Head Multi HD Room SpringPlate Tuner Tuning ProcedureCalibrating the Tuner Using the Optional Foot Controller Expression Pedal SettingsExpression target Type Parameter that is Controlled Page Connecting a Midi Device or Computer Control via MidiSetting the Midi Channel Global Midi CH Program Change Global Pchg OUTControl Change Global Cchg I/O Parameter Change Global Syex OUT Backing UP and Restoring Program Data GlobalBacking UP RestoringAdjusting the Digital Output Level Global Dout LVLRestoring the Factory Preset Programs Amp isn’t powering up when the Standby switch is on TroubleshootingThere’s no sound Even though they’re dialed Midi Implementation Chart Midi Implementation ChartProgram Spec Trouble Factory Specifications Audio OutputsProgram list BlizzardThrash MR.CLEAN TASTY-FL Oldguy 11- 1 Wildman Symbols Numerics IndexTOP Panel Rear Panel Program Sheet