Appendices
Case | Cause/Remedy | |
|
| |
| On an acoustic piano, notes in the upper one | |
| and a half octaves of the keyboard continue to | |
In the upper range, | sound until they decay naturally, regardless of | |
the damper pedal. There is a difference in the | ||
the sound changes | ||
timbre as well. Roland pianos faithfully | ||
abruptly beyond a | ||
simulate such characteristics of the acoustic | ||
certain key | ||
piano. On the | ||
| ||
| by the damper pedal will change depending on | |
| the Key Transpose setting. | |
|
| |
| When listening through headphones: | |
| Some of the more flamboyant and efferves- | |
| cent piano tones feature an ample | |
| component, which may make the sound | |
| appear to have metallic reverberation | |
| added. Since this reverberation becomes | |
A | particularly audible when supplemented | |
by heavy reverb, you may be able to dimin- | ||
whine is produced | ||
ish the problem by reducing the amount of | ||
| ||
| reverb applied to the sound. | |
| When listening through speakers: | |
| Here, a different cause (such as resonance | |
| produced by the | |
| Consult your Roland dealer or nearest | |
| Roland Service Center. | |
|
|
Case | Cause/Remedy |
|
|
| When listening through speakers: |
| Playing at loud volumes may cause instru- |
| ments near the |
| Resonation can also occur with fluorescent |
| light tubes, glass doors, and other objects. |
| In particular, this problem occurs more |
| easily when the bass component is |
| increased, and when the sound is played at |
The bass range | higher volumes. Use the following mea- |
sounds odd, or | sures to suppress such resonance. |
there is a vibrating | • Place speakers so they are |
resonance | walls and other surfaces. |
| • Reduce the volume. |
| • Move the speakers away from any |
| resonating objects. |
| When listening through headphones: |
| Here, a different cause (such as resonance |
| produced by the |
| Consult your Roland dealer or nearest |
| Roland Service Center. |
|
|
The volume level of | Could you be using a connection cable that |
the instrument con- | contains a resistor? |
nected to Input | Use a connection cable that does not contain a |
jacks is too low | resistor. |
|
|
Error Messages/Other Messages
Display | Meaning | |
|
| |
USr | User. Stores recorded performances (p. 22). | |
|
| |
Usr. | The “.” in the display indicates that there is performance material already re- | |
corded (p. 22). | ||
| ||
|
| |
d. | Internal song number (p. 10). | |
|
| |
t. | Metronome sound number (p. 15). | |
|
| |
PU | This appears when a song with a pickup (a song that does not start on the first | |
beat) is played back. | ||
| ||
|
| |
dEL | This appears when you attempt to delete a recorded song (p. 21, p. 25). | |
|
| |
E.32 | The amount of performance information is too large, and further recording is | |
not possible. | ||
| ||
|
| |
E.41 | A problem such as a loose MIDI cable occurred. Make sure the MIDI cables | |
are correctly hooked up. | ||
| ||
|
|
*Error messages are indicated by an “E.” before the number. Press any button, and you can cancel the error message.
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