Roland JV-1010 owner manual Supplementary Material

Page 83

4. Supplementary Material

■Correspondence of the EFX algorithm and Exclusive Address (EFX Parameter 1–12)

EFX Parameter Value

———————+————————————————————————————————+———————————————————————

●Type01: STEREO-EQ

———————+————————————————————————————————+———————————————————————

prm1

Low Frequency

0 -

1

prm2

Low Gain

0 -

30

prm3

High Frequency

0 -

1

prm4

Hi Gain

0 -

30

prm5

Peaking1 Frequency

0 -

16

prm6

Peaking1 Q

0 -

4

prm7

Peaking1 Gain

0 -

30

prm8

Peaking2 Frequency

0

-

16

prm9

Peaking2 Q

0

-

4

prm10

Peaking2 Gain

0

-

30

prm11

Level

0

-

127

● Type02: OVERDRIVE

———————+————————————————————————————————+———————————————————————

prm1

Drive

0 -

127

prm2

Output Pan

0 -

127

prm3

Amp Simulator Type

0

-

3

prm4

Low Gain

0

-

30

prm5

High Gain

0

-

30

prm6

Output Level

0

-

127

● Type03: DISTORTION

———————+————————————————————————————————+———————————————————————

prm1

Drive

0 -

127

prm2

Output Pan

0 -

127

prm3

Amp Simulator Type

0

-

3

prm4

Low Gain

0

-

30

prm5

High Gain

0

-

30

prm6

Output Level

0

-

127

● Type04: PHASER

———————+————————————————————————————————+———————————————————————

prm1

Manual

0 - 125

prm2

Rate

0 - 125

prm3

Depth

0 - 127

prm4

Resonance

0

- 127

prm5

Mix Level

0

- 127

prm6

Output Pan

0

- 127

prm7

Output Level

0

- 127

● Type05: SPECTRUM

———————+————————————————————————————————+———————————————————————

prm1

Band1 Gain

0 -

30

prm2

Band2 Gain

0 -

30

prm3

Band3 Gain

0 -

30

prm4

Band4 Gain

0 -

30

prm5

Band5 Gain

0 -

30

prm6

Band6 Gain

0 -

30

prm7

Band7 Gain

0 -

30

prm8

Band8 Gain

0

-

30

prm9

Q

0

-

4

prm10

Output Pan

0

-

127

prm11

Output Level

0

-

127

● Type06: ENHANCER

———————+————————————————————————————————+———————————————————————

prm1

Sens

0 -

127

prm2

Mix Level

0

-

127

prm3

Low Gain

0

-

30

prm4

High Gain

0

-

30

prm5

Output Level

0

-

127

● Type07: AUTO-WAH

———————+————————————————————————————————+———————————————————————

prm1

Filter Type

0 -

1

prm2

Rate

0 -

125

prm3

Depth

0 -

127

prm4

Sens

0

-

127

prm5

Manual

0

-

127

prm6

Peak

0

-

127

prm7

Output Level

0

-

127

● Type08: ROTARY

———————+————————————————————————————————+———————————————————————

prm1

High Frequency Slow Rate

0 -

125

prm2

Low Frequency Slow Rate

0 -

125

prm3

High Frequency Fast Rate

0 -

125

prm4

Low Frequency Fast Rate

0 -

125

prm5

Speed

0 -

1

prm6

High Frequency Acceleration

0 -

15

prm7

Low Frequency Acceleration

0 -

15

prm8

High Frequency Level

0

-

127

prm9

Low Frequency Level

0

-

127

prm10

Separation

0

-

127

prm11

Output Level

0

-

127

MIDI Implementation

●Type09: COMPRESSOR

———————+————————————————————————————————+———————————————————————

prm1

Sustain

0 -

127

prm2

Attack

0 -

127

prm3

Output Pan

0 -

127

prm4

Post Gain

0

-

3

prm5

Low Gain

0

-

30

prm6

HiGH Gain

0

-

30

prm7

Output Level

0

-

127

● Type10: LIMITER

———————+————————————————————————————————+———————————————————————

prm1

Threshold Level

0 -

127

prm2

Release Time

0 -

127

prm3

Compression Ratio

0 -

3

prm4

Output Pan

0 -

127

prm5

Post Gain

0

-

3

prm6

Low Gain

0

-

30

prm7

High Gain

0

-

30

prm8

Output Level

0

-

127

● Type11: HEXA-CHORUS

———————+————————————————————————————————+———————————————————————

prm1

Pre Delay Time

0 -

125

prm2

Rate

0 -

125

prm3

Depth

0 -

127

prm4

Pre Delay Deviation

0 -

20

prm5

Depth Deviation

0

-

40

prm6

Pan Deviation

0

-

20

prm7

Effect Balance

0

-

100

prm8

Output Level

0

-

127

● Type12: TREMOLO-CHORUS

———————+————————————————————————————————+———————————————————————

prm1

Pre Delay Time

0 -

125

prm2

Chorus Rate

0 -

125

prm3

Chorus Depth

0 -

127

prm4

Tremolo Rate

0 -

125

prm5

Tremolo Separation

0

-

127

prm6

Tremolo Phase

0

-

90

prm7

Effect Balance

0

-

100

prm8

Output Level

0

-

127

● Type13: SPACE-D

———————+————————————————————————————————+———————————————————————

prm1

Pre Delay Time

0 -

125

prm2

Rate

0 -

125

prm3

Depth

0 -

127

prm4

Phase

0 -

90

prm5

Low Gain

0

-

30

prm6

High Gain

0

-

30

prm7

Effect Balance

0

-

100

prm8

Output Level

0

-

127

● Type14: STEREO-CHORUS

———————+————————————————————————————————+———————————————————————

prm1

Filter Type

0 -

2

prm2

Cutoff Frequency

0 -

16

prm3

Pre Delay Time

0 -

125

prm4

Rate

0 -

125

prm5

Depth

0 -

127

prm6

Phase

0 -

90

prm7

(not used)

 

 

prm8

Low Gain

0 -

30

prm9

High Gain

0

-

30

prm10

Effect Balance

0

-

100

prm11

Output Level

0

-

127

● Type15: STEREO-FLANGER

———————+————————————————————————————————+———————————————————————

prm1

Filter Type

0 -

2

prm2

Cutoff Frequency

0 -

16

prm3

Pre Delay Time

0 -

125

prm4

Rate

0 -

125

prm5

Depth

0 -

127

prm6

Phase

0 -

90

prm7

Feedback Level

0 -

98

prm8

Low Gain

0

-

30

prm9

High Gain

0

-

30

prm10

Effect Balance

0

-

100

prm11

Output Level

0

-

127

● Type16: STEP-FLANGER

———————+————————————————————————————————+———————————————————————

prm1

Pre Delay Time

0 -

125

prm2

Rate

0 -

125

prm3

Depth

0 -

127

prm4

Feedback Level

0 -

98

prm5

Step Rate

0 -

125

prm6

Phase

0 -

90

prm7

Low Gain

0

-

30

prm8

High Gain

0

-

30

prm9

Effect Balance

0

-

100

prm10

Output Level

0

-

127

Appendices

83

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Image 83
Page 82 Page 84
Contents Page For the U.K Page Using the Unit Safely Important Notes Power SupplyImportant Notes Additional PrecautionsQuick Start Contents Rhythm Set List SpecificationsAppendices Patch ListIncorporates the JV-1080 Sound Module Main FeaturesFront and Rear Panel Front and Rear Panel Midi Connectors IN, OUT, ThruComputer Switch Mac, PC-1, PC-2, Midi Computer ConnectorQuick Start Attaching the Rubber Feet Installing on the Rack-Mount AdaptorGetting Ready to Play Getting Ready to Play Installing a Wave Expansion BoardHow to Install a Wave Expansion Board 03a.e Position the board holders so they are orientedUse the specified screws you removed in to reattach Use the tool supplied with the Wave Expansion Board toRotate the board holders to LOCK, securing the Wave Expansion Board in placeMidi OUT Making the ConnectionsUsing a computer the Computer connector Connecting audio equipment the Output jacks L MONO, RConnecting a Midi keyboard or sequencer the Midi connectors Using headphones the Phones jackSwitching Off the Power Switching the Power On and OffSwitching On the Power Press the Value knob Turn the CATEGORY/BANK knob to choose Piano Factory ResetTurn the Value knob to choose the song you want to hear Press the Value knob or the Volume knobListening to Demo Songs Demo Play Turn the CATEGORY/BANK knob to choose DemoHans-Joerg Scheffler Composer ProfilesListening to Demo Songs Demo Play Scott Wilkie Gundy KellerSession PRESET-D GM General MidiWAVE-EXP Wave Expansion Board installed in the slot Choosing and Playing PatchesSelected patch is played Holding down the Volume knob, the sound for the currentlyAuditioning Patches Phrase Preview Choosing and Playing PatchesFinger some keys on the Midi keyboard to play a few notes Playing Notes from a Midi KeyboardTurn the Part knob and choose Choosing Patches by Bank Choosing PatchesTurn the Value knob to choose Bright Piano by holding down the Volume knobChoosing Patches by Category Turn the CATEGORY/BANK knob to choose PianoPlaying Percussion Sounds Turn the Value knob and choose a rhythm set Set the transmit channel for the Midi keyboardTurn the CATEGORY/BANK knob and choose a bank. Make Your selection from the text displayed in whiteTo Performing Multiple Parts Performance Entering GM ModePress the Value knob to switch to the GM mode GM Settings to an External Midi Device Data Transfer pSet the transmit channel on the external Midi device to Changing PatchesPatch Bank Select Program Group Number Changing Sounds from an External Midi DeviceChanging a Performance Press the Value knob and choose the Performance modePerformance Bank Select Program Group Number User PRESET-A PRESET-BChanging a Rhythm Set Rhythm Set Bank Select Program Group Number Transmit a Program Change message from the external MidiDevice to the JV-1010 refer to the following table Two Ways to Connect Connecting to a ComputerConnecting to the Computer Connector Trying Out Desktop MusicComputer cable sold separately RSC-15AT Trying Out Desktop MusicFor PCs For Apple Macintosh ComputersConnect the other end of the computer cable to the JV-1010’s Computer connectorConnecting with Midi Connectors Performance Performing Multiple Parts Performance ModeFor Part Press the Value knob to choose the Performance modeTurn the Value knob to choose patch Making Part Settings Part Editing Using Only the JV-1010Memory-Related Operations Utility Restoring the Factory Settings Factory ResetEditing Using Only the JV-1010 GM Initialize Initializing GM Mode GM InitializeTurn the CATEGORY/BANK knob to choose KEY&ORGAN Initialize Initializing the Settings InitializeDtr flashes on the display Selecting the Receive Channel Perform Ctrl CH Making System Settings SystemMaster Tune Tuning Master TuneAppendices Troubleshooting Error Messages No. Name Voice Key Assign User User Group PR-A Preset a GroupPatch List Patch List PR-B Preset B Group PR-C Preset C GroupPatch List PR-D GM Group PR-E Preset E Group Name Voice Patch List XP-A SessionKeyboard & Organ Group Patch Category ListPiano Piano Group Electric Guitar Patch Category List GUITAR/BASS Guitar/Bass GroupPatch Category List ORCH/BRASS Orchestra/Brass Group Techno Synth Pulsating Synth Synth FX Noise etc Patch Category List SYNTH/PAD Synth/Pad GroupHard Synth Lead Soft Synth LeadPoly Synth Bright Pad Synth Soft Pad Synth Vox, Choir SYN Other Synth BPD Bright PAD SPD Soft PAD VOX VOXEthnic Group Rhythm & Sound Effects Group Patch Category ListRhythm Set List User User PR-A Preset a Group PR-B Preset B GroupRhythm Set List PR-C Preset C Group PR-D GM Group PR-E Preset E Group001 002 003 004 005 006 007 008 SessionSet Demo Drum XP-A SessionPerformance List User User Group PR-A Preset a Group PR-B Preset B GroupName Key Mode Polyphonic Aftertouch Midi ImplementationData Reception Channel Voice MessagesMidi Implementation Channel Mode Messages System Exclusive Messages System Realtime MessagesData Set 1 DT1 Data TransmissionData Transmission Data Request 1 RQ1Data Set1 RPN MSB/LSB Controller number 100Identity Reply Message System Common Midi Implementation Parameter Address MapJV-1010 Model ID=6AH SystemScale Tune Performance Common PerformancePatch Common Performance PartPatch Patch Tone INT, PCM, EXP Rhythm Note Rhythm SetupRhythm Common NO-SUS, Sustain OFF, CONTINUOUS, KEY-ON Address Block MapGS Model ID = 42H Supplementary Material Type20 QUADRUPLE-TAP-DELAY Type17 STEREO-DELAYType18 MODULATION-DELAY Type19 TRIPLE-TAP-DELAYType38 CHORUS/DELAY parallel Type34 ENHANCER→ Delay serialType35 CHORUS→ Delay serial Type36 FLANGER→ Delay serialExamples of Exclusive Messages Calculating the Checksum Examples of Actual Midi MessagesJust Intonation tonic of C Scale Tune Function Model ID 42H GS, address 40 1x 40HAscii Code Table Equal TemperamentMidi Implementation Chart Specifications Computer Cable Wiring Diagrams Part IndexUser Utility IndexAvis Information Page 01891601 ’02-2-AE2-61N

JV-1010 specifications

The Roland JV-1010 is a compact and versatile synthesizer and sound module that has made a significant impact on the music production landscape since its introduction in the mid-1990s. Renowned for its extensive sound library and superior sound quality, the JV-1010 stands as a go-to device for musicians looking for a powerful yet portable instrument.

One of the standout features of the JV-1010 is its expansive sound engine, which houses 1,024 patches and 36 voices of polyphony. This allows for complex musical layers without the risk of cutting off notes. The built-in digital effects processor comes with 40 types of effects, including reverb, chorus, and flanger, enabling users to further enhance their sounds and create unique tonal textures.

The sound generation technology behind the JV-1010 is based on the JV-1080 platform, leveraging Roland's acclaimed 'SR-JV80' expansion board technology. This modular approach allows users to expand their sonic capabilities by adding additional sound banks, providing access to a wide range of genres and instruments. Notably, the synthesizer includes sounds from various musical traditions, from orchestral to electronic, making it suitable for diverse musical styles.

Another key characteristic of the JV-1010 is its user-friendly interface. It features a clear LCD screen and organized button layout, making it easy for musicians to navigate through its extensive library. Additionally, the unit supports MIDI connectivity, allowing it to seamlessly integrate with other MIDI-compatible gear, such as keyboards, drum machines, and computers. This makes the JV-1010 an excellent choice for studios and live performance settings alike.

The compact size of the JV-1010, which allows it to easily fit into a standard rack mount or travel setup, adds to its appeal, especially for mobile musicians. The lightweight design does not compromise its durability, ensuring it can withstand the rigors of frequent transport.

Overall, the Roland JV-1010 synthesizer is a powerhouse of sound engineering, providing musicians with a rich palette of tones and textures. Its robust feature set, expansion capabilities, and portability make it a timeless instrument that continues to be appreciated by both seasoned professionals and emerging artists in the music industry. Whether used for studio production, live performance, or sound design, the JV-1010 remains a reliable choice for those seeking high-quality musical tools.
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