Type17 STEREO-DELAY, Type18 MODULATION-DELAY

MIDI Implementation

●Type17: STEREO-DELAY

———————+————————————————————————————————+———————————————————————

prm1	Feedback Mode	0 -		1
prm2	Delay Time Left	0 -		126
prm3	Delay Time Right	0 -		126
prm4	Feedback Phase Left	0 -		1
prm5	Feedback Phase Right	0 -		1
prm6	Feedback Level	0 -		98
prm7	HF Damp	0 -		17
prm8	Low Gain	0	-	30
prm9	High Gain	0	-	30
prm10	Effect Balance	0	-	100
prm11	Output Level	0	-	127

● Type18: MODULATION-DELAY

———————+————————————————————————————————+———————————————————————

prm1	Feedback Mode	0 -		1
prm2	Delay Time Left	0 -		126
prm3	Delay Time Right	0 -		126
prm4	Feedback Level	0 -		98
prm5	HF Damp	0 -		17
prm6	Rate	0 -		125
prm7	Depth	0 -		127
prm8	Phase	0 -		90
prm9	Low Gain	0	-	30
prm10	High Gain	0	-	30
prm11	Effect Balance	0	-	100
prm12	Output Level	0	-	127

● Type19: TRIPLE-TAP-DELAY

———————+————————————————————————————————+———————————————————————

prm1	Delay Time Left	0 -		125
prm2	Delay Time Right	0 -		125
prm3	Delay Time Center	0 -		125
prm4	Feedback Level	0 -		98
prm5	HF Damp	0 -		17
prm6	Left Level	0 -		127
prm7	Right Level	0 -		127
prm8	Center Level	0 -		127
prm9	Low Gain	0	-	30
prm10	High Gain	0	-	30
prm11	Effect Balance	0	-	100
prm12	Output Level	0	-	127

● Type20: QUADRUPLE-TAP-DELAY

———————+————————————————————————————————+———————————————————————

prm1	Delay Time 1	0 -		125
prm2	Delay Time 2	0 -		125
prm3	Delay Time 3	0 -		125
prm4	Delay Time 4	0 -		125
prm5	Level 1	0 -		127
prm6	Level 2	0 -		127
prm7	Level 3	0 -		127
prm8	Level 4	0 -		127
prm9	Feedback Level	0	-	98
prm10	HF Damp	0	-	17
prm11	Effect Balance	0	-	100
prm12	Output Level	0	-	127

● Type21: TIME-CONTROL-DELAY

———————+————————————————————————————————+———————————————————————

prm1	Delay Time	0 -		120
prm2	Feedback Level	0 -		98
prm3	Acceleration	0 -		15
prm4	HF Damp	0 -		17
prm5	Output Pan	0 -		127
prm6	Low Gain	0	-	30
prm7	High Gain	0	-	30
prm8	Effect Balance	0	-	100
prm9	Output Level	0	-	127

● Type22: 2VOICE-PITCH-SHIFTER

———————+————————————————————————————————+———————————————————————

prm1	Pitch Shifter Mode	0 -		4
prm2	Coarse Pitch A	0 -		36
prm3	Coarse Pitch B	0 -		36
prm4	Fine Pitch A	0 -		100
prm5	Fine Pitch B	0 -		100
prm6	Pre Delay Time A	0 -		126
prm7	Pre Delay Time B	0 -		126
prm8	Output Pan A	0 -		127
prm9	Output Pan B	0	-	127
prm10	Level Balance	0	-	100
prm11	Effect Balance	0	-	100
prm12	Output Level	0	-	127

● Type23: FBK-PITCH-SHIFTER

———————+————————————————————————————————+———————————————————————

prm1	Pitch Shifter Mode	0 -		4
prm2	Coarse Pitch	0 -		36
prm3	Fine Pitch	0 -		100
prm4	Pre Delay Time	0 -		126
prm5	Feedback Level	0 -		98
prm6	Output Pan	0 -		127
prm7	Low Gain	0	-	30
prm8	High Gain	0	-	30
prm9	Effect Balance	0	-	100
prm10	Output Level	0	-	127

●Type24: REVERB

———————+————————————————————————————————+———————————————————————

prm1	Reverb Type	0 -		5
prm2	Pre Delay Time	0 -		125
prm3	Gate Time	0 -		127
prm4	HF Damp	0 -		17
prm5	Low Gain	0	-	30
prm6	High Gain	0	-	30
prm7	Effect Balance	0	-	100
prm8	Output Level	0	-	127

● Type25: GATE-REVERB

———————+————————————————————————————————+———————————————————————

prm1	Gate-Reverb Type	0 -		3
prm2	Pre Delay Time	0 -		125
prm3	Gate Time	0 -		99
prm4	Low Gain	0	-	30
prm5	High Gain	0	-	30
prm6	Effect Balance	0	-	100
prm7	Output Level	0	-	127

●Type26: OVERDRIVE→ CHORUS (serial)

———————+————————————————————————————————+———————————————————————

prm1	Drive	0 - 127
prm2	Over Drive Pan	0 - 127
prm3	Chorus Pre Delay Time	0 - 125
prm4	Chorus Rate	0 - 125
prm5	Chorus Depth	0	- 127
prm6	(not used)
prm7	Chorus Balance	0	- 100
prm8	Output Level	0	- 127

●Type27: OVERDRIVE→ FLANGER (serial)

———————+————————————————————————————————+———————————————————————

prm1	Drive	0 -		127
prm2	Over Drive Pan	0 -		127
prm3	Flanger Pre Delay Time	0 -		125
prm4	Flanger Rate	0 -		125
prm5	Flanger Depth	0	-	127
prm6	Flanger Feedback Level	0	-	98
prm7	Flanger Balance	0	-	100
prm8	Output Level	0	-	127

●Type28: OVERDRIVE→ DELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1	Drive	0 -		127
prm2	Over Drive Pan	0 -		127
prm3	Delay Time	0 -		126
prm4	Delay Feedback Level	0	-	98
prm5	Delay HF Damp	0	-	17
prm6	Delay Balance	0	-	100
prm7	Output Level	0	-	127

●Type29: DISTORTION→ CHORUS (serial)

———————+————————————————————————————————+———————————————————————

prm1	Distortion Drive	0 - 127
prm2	Distortion Pan	0 - 127
prm3	Chorus Pre Delay Time	0 - 125
prm4	Chorus Rate	0 - 125
prm5	Chorus Depth	0	- 127
prm6	(not used)
prm7	Chorus Balance	0	- 100
prm8	Output Level	0	- 127

●Type30: DISTORTION→ FLANGER (serial)

———————+————————————————————————————————+———————————————————————

prm1	Distortion Drive	0 -		127
prm2	Distortion Pan	0 -		127
prm3	Flanger Pre Delay Time	0 -		125
prm4	Flanger Rate	0 -		125
prm5	Flanger Depth	0	-	127
prm6	Flanger Feedback Level	0	-	98
prm7	Flanger Balance	0	-	100
prm8	Output Level	0	-	127

●Type31: DISTORTION→ DELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1	Distortion Drive	0 -		127
prm2	Distortion Pan	0 -		127
prm3	Delay Time	0 -		126
prm4	Delay Feedback Level	0	-	98
prm5	Delay HF Damp	0	-	17
prm6	Delay Balance	0	-	100
prm7	Output Level	0	-	127

●Type32: ENHANCER→ CHORUS (serial)

———————+————————————————————————————————+———————————————————————

prm1	Enhancer Sens	0 - 127
prm2	Enhancer Mix Level	0 - 127
prm3	Chorus Pre Delay Time	0 - 125
prm4	Chorus Rate	0 - 125
prm5	Chorus Depth	0	- 127
prm6	(not used)
prm7	Chorus Balance	0	- 100
prm8	Output Level	0	- 127

JV-1010 specifications

The Roland JV-1010 is a compact and versatile synthesizer and sound module that has made a significant impact on the music production landscape since its introduction in the mid-1990s. Renowned for its extensive sound library and superior sound quality, the JV-1010 stands as a go-to device for musicians looking for a powerful yet portable instrument.

One of the standout features of the JV-1010 is its expansive sound engine, which houses 1,024 patches and 36 voices of polyphony. This allows for complex musical layers without the risk of cutting off notes. The built-in digital effects processor comes with 40 types of effects, including reverb, chorus, and flanger, enabling users to further enhance their sounds and create unique tonal textures.

The sound generation technology behind the JV-1010 is based on the JV-1080 platform, leveraging Roland's acclaimed 'SR-JV80' expansion board technology. This modular approach allows users to expand their sonic capabilities by adding additional sound banks, providing access to a wide range of genres and instruments. Notably, the synthesizer includes sounds from various musical traditions, from orchestral to electronic, making it suitable for diverse musical styles.

Another key characteristic of the JV-1010 is its user-friendly interface. It features a clear LCD screen and organized button layout, making it easy for musicians to navigate through its extensive library. Additionally, the unit supports MIDI connectivity, allowing it to seamlessly integrate with other MIDI-compatible gear, such as keyboards, drum machines, and computers. This makes the JV-1010 an excellent choice for studios and live performance settings alike.

The compact size of the JV-1010, which allows it to easily fit into a standard rack mount or travel setup, adds to its appeal, especially for mobile musicians. The lightweight design does not compromise its durability, ensuring it can withstand the rigors of frequent transport.

Overall, the Roland JV-1010 synthesizer is a powerhouse of sound engineering, providing musicians with a rich palette of tones and textures. Its robust feature set, expansion capabilities, and portability make it a timeless instrument that continues to be appreciated by both seasoned professionals and emerging artists in the music industry. Whether used for studio production, live performance, or sound design, the JV-1010 remains a reliable choice for those seeking high-quality musical tools.