Roland owner manual Connecting Input/Output Devices to the M-48, Rear panel

Page 19

Connecting External Devices

Connecting Input/Output Devices to the M-48

M-48 rear panel

Monitor headphones: RH-300

EDIROL R-09 series, etc.

BOSS Dr. Beat DB-30, etc.

In-ear monitors: RH-PM5, etc.

 

 

Powered floor monitors

*If headphones are connected to both the PHONES jack 1 and jack 2, make sure that the combined impedance of the headphones is not less than 16 ohms.

*The LINE OUT L/R jacks are balanced TRS type jacks, and are wired as follows. Before you make connections, check the wiring of the equipment to be connected.

*After the power is turned on (p. 20), audio will not be output until the REAC connection is established.

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Contents Copyright 2009 Roland Corporation Ferrite core Check the included ItemsMain Features Table of Contents Do not open or perform any internal modifications on Unit Never install the unit in any of the following locationsNever climb on top of, nor place heavy objects on the unit Protect the unit from strong impact. Do not drop itScrews for attaching the APC-33 all purpose clamp Can deform or discolor the unit Distance from this unit, or switch them offConnectors. Rough handling can lead to malfunctions Move it farther away from the source of interferenceTop Panel Panel DescriptionsMID Freq button Line OUT Volume knobPhones Volume knob Control select section LO Gain buttonRear Panel Attach the mounting bracket to the M-48 InstallationPlacing the M-48 on a Desk at an Angle Attaching the M-48 to the Top of a Mic StandAttach the mounting bracket to the mic stand InstallationIf Your Mic Stand has 3/8 inch Threads Items to useIf Your Mic Stand has 5/8 inch Threads Below Attaching the M-48 to Any Part of a Mic StandAttach the APC-33 to your mic stand or drum, and fasten Mounting bracketAttaching the Ferrite Core Attaching the Reac Connector CoverSpread the two tabs and open the ferrite core Connecting the M-48 to a V-Mixing System Connecting External DevicesConnecting External Devices Connecting the M-48 to an Analog Mixer SystemFront speakers 400 FOH Connecting Nine or More M-48 UnitsUnits 4000S-3208 Slave Reac deviceRear panel Connecting Input/Output Devices to the M-48Turning the Power Off Turning the Power OnMaking Settings for the M-48 Other settings settings made by the mixing engineer Source level/pan settings Example setup for the DrummerGroups for the drummer Guitar2 L Example setup for lead vocalistGroups for the lead vocalist Guitar1 LGuitar1 L Guitar1 R Guitar2 L Guitar2 R Example setup for backing vocalistsSource assign settings Groups for backing vocalist Overhead LHere’s how to monitor just the audio of a specific group Adjusting the MixAdjusting the Volume of Each Group Press the Volume buttonTurn the AUX in knob to adjust the AUX in input level Adjusting the Pan of Each GroupAdjusting the Input Level of AUX Using the Built-in Ambient MicPress the Reverb Send button Using EffectsApplying Reverb to Each Group Applying EQ to Each GroupAdjusting the Line Out Output Level Applying a Limiter to the Headphones OutputStoring Mixer Settings to Memory Store Using the Memory FunctionsAbout Memory Press the Recall button Recalling Mixer Settings from Memory RecallReturning to the Factory Settings Factory Reset Turn off the power pDimensions Main SpecificationsBlock Diagram Troubleshooting Avis Other CENTRAL/ Latin America Information
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M-48 specifications

The Roland M-48 is a versatile and powerful multipurpose digital mixer that has been designed to meet the needs of modern sound engineers and musicians. This state-of-the-art device combines advanced technology with intuitive design, making it an essential tool for live performances, studio sessions, and broadcast applications.

One of the standout features of the M-48 is its 48-channel audio mixing capability. This extensive channel count allows users to mix multiple audio sources with ease, ensuring that every instrument and vocal track is given the attention it deserves. The mixer also supports up to 16 auxiliary outputs, providing flexible routing options for monitors and effects.

At the heart of the M-48 is its digital signal processing (DSP) technology. This allows for high-quality audio manipulation and enhances the overall sound quality of the mixed output. With built-in EQ, compression, and reverb effects, users have the tools they need to craft a polished and professional sound. The M-48 also supports a wide range of sampling rates, including 44.1 kHz and 96 kHz, ensuring compatibility with various audio formats.

Another key characteristic of the Roland M-48 is its ease of use. The user interface is designed for quick access to controls and settings, making it accessible for both beginner and experienced users alike. The color-coded faders and buttons enhance visibility, which is particularly useful in low-light environments. Furthermore, the mixer comes with a comprehensive software package for remote control and deeper audio editing options.

The M-48 also features advanced connectivity options, including USB, Ethernet, and MIDI. This allows for integration with other audio devices and systems, expanding its functionality. Whether connecting to a DAW for recording or to other hardware for live performance, the M-48 provides seamless integration.

Durability is another critical aspect of the Roland M-48. Built with robust materials, this mixer is designed to withstand the rigors of both studio and live environments. Its compact and lightweight design makes it portable, ensuring that users can transport it easily without sacrificing performance.

In summary, the Roland M-48 is a comprehensive digital mixer that combines high channel counts, advanced DSP technology, ease of use, and robust connectivity options. With its impressive range of features, it serves as an invaluable asset for sound professionals across various applications, from live events to studio recordings. Its combination of quality, versatility, and durability makes it a standout choice in the competitive landscape of digital mixers.