Roland owner manual Making Settings for the M-48

Page 21

Making Settings for the M-48

In order to take full advantage of the M-48, you must correctly understand the M-48’s settings and operation as a 40-channel mixer, and make the appropriate settings.

40-channel Mixer Settings and Operation

The sources 1–40 that are input via REAC are mixed by the M-48’s 40-channel mixer. Settings and operation of the 40-channel mixer are typically shared between the mixing engineer and the musician.

The forty channels of digital audio sources being input to the M-48 via REAC are called “sources 1–40.”

Settings made by the mixing engineer

Source level/pan settings

1

2

40

AUX

AUX

AUX

PAN

PAN

PAN

LEVEL

LEVEL

LEVEL

Source assign settings

Group

1 2 3 4 16

 

1

Source

2

3

 

 

4

40

REAC

 

 

 

(Set from the M-400 or computer)

 

 

 

40-channel mixer

 

 

SIG

Source

Source

Source

 

Level

Pan

Aux

 

 

 

 

 

 

EQ

 

 

Source 1

 

SOLO

LEVEL

PAN

 

Source2

 

 

 

 

AUX

 

Group

Group

Group

Group

Source40

SW

Solo

EQ

Volume

Pan

 

 

 

 

 

 

 

 

REVERB

 

 

 

 

 

SEND

 

 

 

 

 

Group

 

 

 

 

 

Reverb Send

MAIN AUX REVERB

L R L R

L R L R

MAIN AUX REVERB

Operations performed by the musician

Group mix

Settings made by the mixing engineer

These settings are made by the mixing engineer from the M-400 or computer. These can be set per M-48.

*Settings by the mixing engineer are done from the screen of the M-400 V-Mixer when the M-48 is part of a V-Mixing System. If the M-48 is connected an alternative mixing console, its settings can be edited from a computer connected to the S-4000 or S-1608 systems.

*For details on how to make these settings, refer to the owner’s manual of the M-400 (Ver. 2.0 or later) or the S-4000 RCS Ver. 2.0.

Operations performed by the musician

These operations are performed by the musician on the M-48 itself.

Group mix

Volume, pan, reverb send, EQ, and solo settings can be made for each stereo group created by the source assign settings.

*Group mix settings can also be viewed and edited from the M-400 or computer.

Source level/pan settings

These settings specify the level, pan, and AUX switches for sources 1–40.

Source assign settings

These settings assign sources 1–40 to upto sixteen groups that can be controlled from the M-48.

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Contents Copyright 2009 Roland Corporation Ferrite core Check the included ItemsMain Features Table of Contents Do not open or perform any internal modifications on Unit Never install the unit in any of the following locationsProtect the unit from strong impact. Do not drop it Never climb on top of, nor place heavy objects on the unitScrews for attaching the APC-33 all purpose clamp Connectors. Rough handling can lead to malfunctions Distance from this unit, or switch them offMove it farther away from the source of interference Can deform or discolor the unitTop Panel Panel DescriptionsPhones Volume knob Line OUT Volume knobControl select section LO Gain button MID Freq buttonRear Panel Placing the M-48 on a Desk at an Angle InstallationAttaching the M-48 to the Top of a Mic Stand Attach the mounting bracket to the M-48If Your Mic Stand has 3/8 inch Threads InstallationItems to use Attach the mounting bracket to the mic standIf Your Mic Stand has 5/8 inch Threads Attach the APC-33 to your mic stand or drum, and fasten Attaching the M-48 to Any Part of a Mic StandMounting bracket BelowAttaching the Reac Connector Cover Attaching the Ferrite CoreSpread the two tabs and open the ferrite core Connecting the M-48 to a V-Mixing System Connecting External DevicesConnecting External Devices Connecting the M-48 to an Analog Mixer SystemUnits Connecting Nine or More M-48 Units4000S-3208 Slave Reac device Front speakers 400 FOHRear panel Connecting Input/Output Devices to the M-48Turning the Power Off Turning the Power OnMaking Settings for the M-48 Other settings settings made by the mixing engineer Example setup for the Drummer Source level/pan settingsGroups for the drummer Groups for the lead vocalist Example setup for lead vocalistGuitar1 L Guitar2 LSource assign settings Groups for backing vocalist Example setup for backing vocalistsOverhead L Guitar1 L Guitar1 R Guitar2 L Guitar2 RAdjusting the Volume of Each Group Adjusting the MixPress the Volume button Here’s how to monitor just the audio of a specific groupAdjusting the Input Level of AUX Adjusting the Pan of Each GroupUsing the Built-in Ambient Mic Turn the AUX in knob to adjust the AUX in input levelApplying Reverb to Each Group Using EffectsApplying EQ to Each Group Press the Reverb Send buttonAdjusting the Line Out Output Level Applying a Limiter to the Headphones OutputUsing the Memory Functions Storing Mixer Settings to Memory StoreAbout Memory Returning to the Factory Settings Factory Reset Recalling Mixer Settings from Memory RecallTurn off the power p Press the Recall buttonDimensions Main SpecificationsBlock Diagram Troubleshooting Avis Other CENTRAL/ Latin America Information
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M-48 specifications

The Roland M-48 is a versatile and powerful multipurpose digital mixer that has been designed to meet the needs of modern sound engineers and musicians. This state-of-the-art device combines advanced technology with intuitive design, making it an essential tool for live performances, studio sessions, and broadcast applications.

One of the standout features of the M-48 is its 48-channel audio mixing capability. This extensive channel count allows users to mix multiple audio sources with ease, ensuring that every instrument and vocal track is given the attention it deserves. The mixer also supports up to 16 auxiliary outputs, providing flexible routing options for monitors and effects.

At the heart of the M-48 is its digital signal processing (DSP) technology. This allows for high-quality audio manipulation and enhances the overall sound quality of the mixed output. With built-in EQ, compression, and reverb effects, users have the tools they need to craft a polished and professional sound. The M-48 also supports a wide range of sampling rates, including 44.1 kHz and 96 kHz, ensuring compatibility with various audio formats.

Another key characteristic of the Roland M-48 is its ease of use. The user interface is designed for quick access to controls and settings, making it accessible for both beginner and experienced users alike. The color-coded faders and buttons enhance visibility, which is particularly useful in low-light environments. Furthermore, the mixer comes with a comprehensive software package for remote control and deeper audio editing options.

The M-48 also features advanced connectivity options, including USB, Ethernet, and MIDI. This allows for integration with other audio devices and systems, expanding its functionality. Whether connecting to a DAW for recording or to other hardware for live performance, the M-48 provides seamless integration.

Durability is another critical aspect of the Roland M-48. Built with robust materials, this mixer is designed to withstand the rigors of both studio and live environments. Its compact and lightweight design makes it portable, ensuring that users can transport it easily without sacrificing performance.

In summary, the Roland M-48 is a comprehensive digital mixer that combines high channel counts, advanced DSP technology, ease of use, and robust connectivity options. With its impressive range of features, it serves as an invaluable asset for sound professionals across various applications, from live events to studio recordings. Its combination of quality, versatility, and durability makes it a standout choice in the competitive landscape of digital mixers.
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