Mackie CR1604 - VLZ owner manual Pre, Shift

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We recommend going into a stereo reverb in mono and returning in stereo. We have found that on most “stereo” reverbs, the second input just ties up an extra aux send and adds nothing to the sound. There are exceptions, so feel free to try it both ways. Should you choose to use two aux sends, use the “odd” AUX (1, 3 or 5) to feed its left input and the “even” AUX (2, 4 or 6) to feed the right input. Remember, if you’re also dealing with a stereo source signal, you’ll want to follow the sides — use the odd AUX on the channel carrying the left side and the even AUX on the channel carrying the right.

PRE

This switch determines the tap point of AUX 1 and 2. Generally, “post” sends are used to feed effects devices, and “pre” sends are used to feed your stage monitors. See the “Pre vs. Post” diagram below. AUX 3 through 6 are always in post mode.

In post mode (switch up), AUX 1 and 2 will follow the EQ, LOW CUT, fader and MUTE set- tings. If you fade the channel, you fade the send. This is a must for effects sends, since you want the levels of your “wet” signals to follow the level of the “dry.”

In PRE mode (switch down), AUX 1 and 2 follow the TRIM and LOW CUT settings only. EQ, PAN, fader and MUTE settings have no ef- fect on the PRE sends. This is the preferred method for setting up stage monitor feeds — they’ll be controlled independently of the fader and mute moves.

5/6 SHIFT

Don’t let the fact that there’s only four AUX knobs per channel fool you — the CR1604-VLZ has six AUX SENDs. With the 5/6 SHIFT switch up, the knobs labeled AUX 3 and AUX 4 deliver their signals to AUX SEND 3 and 4 outputs.

With the shift switch down, the signals appear at the AUX SEND 5 and 6 outputs.

We recommend that AUX SEND 3 and 4 be patched into your “utility” effects, like a short re- verb and slap delay; effects you use all the time. Use AUX SEND 5 and 6 for “exotic” effects, like harmonizers and multi-tap delays; they are not likely to be used as often.

TRIM

 

1

-10dBV

IC GAI

M

 

N

U

 

 

10

 

60

+10dB

 

-40dB

AUX

U

 

 

 

1

 

 

OO

 

+15

 

U

 

2

 

 

OO

 

+15

PRE

 

 

 

U

 

3

 

5

OO

 

+15

 

U

 

4

 

6

OO

 

+15

5/6

 

 

SHIFT

 

EQ

U

HI

 

 

12k

-15

 

+15

 

U

MID

-15

 

+15

800

200

 

2k

100

 

8k

 

U

LOW

 

 

80Hz

-15

 

+15

LOW CUT

 

75 Hz

 

 

18dB/OCT

 

PAN

 

 

 

 

 

 

 

 

 

 

Pre Vs. Post

 

 

 

 

 

 

 

 

 

 

MUTE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INPUT

 

TRIM

 

INSERT

 

LOW

 

 

EQ

 

 

 

 

 

 

 

CUT

 

 

 

FADER

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

'PRE' SIGNAL

 

 

 

 

 

 

 

 

 

 

'POST' SIGNAL

PAN

ASSIGN

AUX 1

L R

1

MUTE

OL

-20

SOLO

1–2

PRE SWITCH

AUX 2

3–4

L - R

OO

21

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Contents MIC/LINE Mixer Safety Instructions Read this LEVEL-SETTING ProcedureInstant Mixing Other Nuggets of WisdomPlug for the Connectors Section HOW to USE this ManualIntroduction Arcane Mysteries IlluminatedContents Hookup Diagrams Stereo EQ Video Setup Switching Positions Converting to Rackmount ModePatchbay Description Phantom PowerInterface MIC InputsTrim Line InputsInsert Direct OUTSplit Monitoring AUX Send OutputsOutputs of the multitrack are then SUB Outs AUX Return InputsPhones Output Tape OutputTape Input Main Insert Power ConnectionMain Outs Mono OutputPower LED Power SwitchPhantom Switch Phantom LEDChannel Strip Description Clean FadeFader Assign 1-2, 3-4, L-RSolo LED SoloOL Mute LED During Normal AFL mode, the soloedPAN MuteStereo Sources Constant LoudnessAUX 1, 2, 3 LOW CUTShift PREVLZ MIX Architecture Output Section DescriptionSubgroup Faders Assign to Main MIXTape to Main MIX Tape in LevelSource PhonesLevel SET LED Ment switches post-EQSolo Level Rude Solo LightAUX Talk MetersAUX Sends Master Meters vs. RealityAUX Returns Level AUX Sends SoloEffects to Monitors Main MIX to Subs AUX RETReturns Solo Phns only AUX RETMackie Disclaimer UL WarningAbout Jumpers Place the mixer upside-down on a dry, non- marring surfaceCR1604-VLZ Source Mod OL Flicker CR1604-VLZ Block DiagramLOW MID High GainSpecifications Service Info TroubleshootingRepair Assign ChorusingAttenuate AuxConsole DelayCueing DBmEffects devices EchoEQ curve EqualizationGain stage GainGraphic EQ GroundKnee Input moduleLevel Line levelPan, pan pot Phantom powerParametric EQ PeakingRCA phono plug RCA phono jack-orRCA jack or phono jackRegeneration ReturnXLR connector VolumeStereo Sweep EQAppendix B Connections XLR Connectors⁄4 TS Phone Plugs and Jacks ⁄4 TRS Phone Plugs and JacksRCA Plugs and Jacks Switched 1⁄4 Phone JacksUnbalancing a Line Special Mackie ConnectionsTRS Send/Receive Insert Jacks Using the Send Only on an Insert JackMults and Ys Balanced Lines DON’T Phantom Power do & DON’T ChartDon’t use hardware-store light dimmers Do’s and Don’ts of Fixed InstallationsHere are some guidelines Free T-SHIRT OfferSession Date CR1604-VLZ0.5A