Mackie CR1604 - VLZ Assign, Attenuate, Auxiliary, Balanced, Bandwidth, Bus, Cannon, Cardioid

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APPENDIX A: GLOSSARY

This Glossary contains brief definitions of

many of the audio and electronic terms used in discussions of sound mixing and recording. Many of the terms have other meanings or nuances or very rigorous technical definitions which we have sidestepped here because we figure you already have a lot on your mind. If you’d like to get more information, you can call Mix Bookshelf at 1-800- 233-9604. We recommend the following titles: The Audio Dictionary, by Glenn White; Tech Terms, by Peterson & Oppenheimer; Handbook for Sound Engineers, by Glen Ballou, Mackie Mixer Book by Rudy Trubitt and Sound Reinforcement Handbook, by Gary Davis.

AFL

An acronym for After Fade Listen, which is another way of saying post-fader solo function.

assign

In sound mixers, assign means to switch or route a signal to a particular signal path or combination of signal paths.

attenuate

To reduce or make quieter.

aux

See next entry.

auxiliary

In sound mixers, supplemental equipment or features that provide additional capabilities to the basic system. Examples of auxiliary equipment include: serial processors (equaliz- ers, compressors, limiters, gates) and parallel devices (reverberation and delay). Most mix- ers have aux send buses and aux return inputs to accommodate auxiliary equipment.

balanced

In a classic balanced audio circuit, the two legs of the circuit (+ and –) are isolated from the circuit ground by exactly the same imped- ance. Additionally, each leg may carry the signal at exactly the same level but with opposite po- larity with respect to ground. In some balanced circuits, only one leg actually carries the signal but both legs exhibit the same impedance char- acteristics with respect to ground. Balanced input circuits can offer excellent rejection of common-mode noise induced into the line and also make proper (no ground loops) system grounding easier. Usually terminated with 14" TRS or XLR connectors.

bandwidth

The band of frequencies that pass through a device with a loss of less than 3dB, expressed in Hertz or in musical octaves. Also see Q.

bus

An electrical connection common to three or more circuits. In mixer design, a bus usually carries signals from a number of inputs to a mixing amplifier, just like a city bus carries people from a number of neighborhoods to their jobs.

Cannon

A manufacturer of electrical connectors

who first popularized the three-pin connector now used universally for balanced microphone connections. In sound work, a Cannon connec- tor is taken to mean a Cannon XLR-3 mic connector or any compatible connector.

cardioid

Means heart-shaped. In sound work, car- dioid refers to the shape of the sensitivity pattern of some directional microphones.

channel

A functional path in an audio circuit: an input channel, an output channel, a recording channel, the left channel and so on.

channel strip

The physical representation of an audio channel on the front panel of a mixer; usually a long, vertical strip of controls.

chorusing

An effect available in some digital delay effects units and reverbs. Chorusing involves a number of moving delays and pitch shifting, usually panned across a stereo field. Depend- ing on how used, it can be lovely or grotesque.

clipping

A cause of severe audio distortion that is the result of excessive gain requiring the peaks of the audio signal to rise above the capabili- ties of the amplifier circuit. Seen on an oscilloscope, the audio peaks appear clipped off. To avoid distortion, reduce the system gain in or before the gain stage in which the clip- ping occurs. See also headroom.

condenser

Another term for the electronic component generally known as a capacitor. In audio, condenser usually refers to a type of micro- phone that uses a capacitor as the sound pickup element. Condenser microphones require electrical power to run internal ampli- fiers and maintain an electrical charge on the capacitor. They are typically powered by inter- nal batteries or “phantom power” supplied by an external source, such as a mixing console.

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Contents MIC/LINE Mixer Safety Instructions Instant Mixing LEVEL-SETTING ProcedureRead this Other Nuggets of WisdomIntroduction HOW to USE this ManualPlug for the Connectors Section Arcane Mysteries IlluminatedContents Hookup Diagrams Stereo EQ Video Setup Converting to Rackmount Mode Switching PositionsInterface Phantom PowerPatchbay Description MIC InputsInsert Line InputsTrim Direct OUTAUX Send Outputs Split MonitoringOutputs of the multitrack are then AUX Return Inputs SUB OutsTape Output Phones OutputTape Input Main Outs Power ConnectionMain Insert Mono OutputPhantom Switch Power SwitchPower LED Phantom LEDFader Clean FadeChannel Strip Description Assign 1-2, 3-4, L-ROL Mute LED SoloSolo LED During Normal AFL mode, the soloedStereo Sources MutePAN Constant LoudnessLOW CUT AUX 1, 2, 3PRE ShiftSubgroup Faders Output Section DescriptionVLZ MIX Architecture Assign to Main MIXSource Tape in LevelTape to Main MIX PhonesSolo Level Ment switches post-EQLevel SET LED Rude Solo LightAUX Sends Master MetersAUX Talk Meters vs. RealityEffects to Monitors AUX Sends SoloAUX Returns Level Main MIX to Subs AUX RETPhns only AUX RET Returns SoloAbout Jumpers UL WarningMackie Disclaimer Place the mixer upside-down on a dry, non- marring surfaceCR1604-VLZ Source Mod CR1604-VLZ Block Diagram OL FlickerGain LOW MID HighSpecifications Troubleshooting Service InfoRepair Attenuate ChorusingAssign AuxCueing DelayConsole DBmEQ curve EchoEffects devices EqualizationGraphic EQ GainGain stage GroundLevel Input moduleKnee Line levelParametric EQ Phantom powerPan, pan pot PeakingRegeneration RCA phono jack-orRCA jack or phono jackRCA phono plug ReturnStereo VolumeXLR connector Sweep EQ⁄4 TS Phone Plugs and Jacks XLR ConnectorsAppendix B Connections ⁄4 TRS Phone Plugs and JacksUnbalancing a Line Switched 1⁄4 Phone JacksRCA Plugs and Jacks Special Mackie ConnectionsUsing the Send Only on an Insert Jack TRS Send/Receive Insert JacksMults and Ys Balanced Lines Phantom Power do & DON’T Chart DON’TDo’s and Don’ts of Fixed Installations Don’t use hardware-store light dimmersFree T-SHIRT Offer Here are some guidelinesSession Date CR1604-VLZ0.5A