Channel Controls
The 10 vertical channel strips look very similar, and have a only few differences between them. Each chan- nel works independently, and just controls the signals plugged into the inputs directly above it.
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| 1 |
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| 1 |
| MIC 1 |
| MIC 2 |
| MIC 3 |
| MIC 4 |
| MIC 5 |
| MIC 6 |
| MIC 7 |
| MIC 8 |
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| 2 |
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| 2 | ||||||||
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| MON SEND | FX SEND | ||||||||||||||||||||
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| L |
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| L | ||
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| LINE |
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| LINE |
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| LINE |
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| LINE |
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| LINE |
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| LINE |
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| LINE |
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| LINE |
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| (BAL/UNBAL) |
| (BAL/UNBAL) |
| (BAL/UNBAL) |
| (BAL/UNBAL) |
| (BAL/UNBAL) |
| (BAL/UNBAL) |
| (BAL/UNBAL) |
| (BAL/UNBAL) |
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| (MONO) |
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| (MONO) | ||||||||
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| INSERT |
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| INSERT |
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| INSERT |
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| INSERT |
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| INSERT |
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| INSERT |
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| INSERT |
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| INSERT |
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| R |
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| R |
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| INPUT 9/10 | INPUT 11/12 | ||||
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| 1 |
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| 2 |
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| 3 |
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| 4 |
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| 5 |
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| 6 |
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| 7 |
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| 8 |
| 9/10 | 11/12 | |||
| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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IC GAI |
| IC GAI |
| IC GAI |
| IC GAI |
| IC GAI |
| IC GAI |
| IC GAI |
| IC GAI |
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M | N |
| M | N |
| M | N |
| M | N |
| M | N |
| M | N |
| M | N |
| M | N |
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0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | +20 |
| +20 |
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+30dB | +30dB | +30dB | +30dB | +30dB | +30dB | +30dB | +30dB |
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GAIN |
| GAIN |
| GAIN |
| GAIN |
| GAIN |
| GAIN |
| GAIN |
| GAIN |
| GAIN |
| GAIN |
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LOW CUT | LOW CUT | LOW CUT | LOW CUT | LOW CUT | LOW CUT | LOW CUT | LOW CUT |
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| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
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| COMP |
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| COMP |
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| COMP |
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| COMP |
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| COMP |
| COMP |
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OFF | MAX | OFF | MAX | OFF | MAX | OFF | MAX | OFF | MAX | OFF | MAX |
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| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
+15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| HI |
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| HI |
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| MID |
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| MID |
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| 2.5kHz |
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| 2.5kHz |
+15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| U |
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| U |
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150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k |
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| LOW |
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| LOW |
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| MID |
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| MID | ||||||||||||||||
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| 400Hz |
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| 400Hz | ||||||||
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| +15 | +15 | ||||
100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
+15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| FX |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
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| PAN |
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| PAN |
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| PAN |
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| PAN |
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| PAN |
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| PAN |
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| PAN |
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| PAN |
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| PAN |
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| PAN |
L R |
| L R |
| L R |
| L R |
| L R |
| L R |
| L R |
| L R |
| L R |
| L R |
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dB |
| 1 | dB |
| 2 | dB |
| 3 | dB |
| 4 | dB |
| 5 | dB |
| 6 | dB |
| 7 | dB |
| 8 | dB | 9/10 | dB | 11/12 | ||
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10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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5 |
| OL | 5 |
| OL | 5 |
| OL | 5 |
| OL | 5 |
| OL | 5 |
| OL | 5 |
| OL | 5 |
| OL | 5 |
| OL | 5 |
| OL |
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U |
| +10 | U |
| +10 | U |
| +10 | U |
| +10 | U |
| +10 | U |
| +10 | U |
| +10 | U |
| +10 | U |
| +10 | U |
| +10 |
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| 0 |
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| 0 |
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| 0 |
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| 0 |
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| 0 |
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| 0 |
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| 0 |
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| 0 |
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| 0 |
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| 0 |
5 |
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| 5 |
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| 5 |
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| 5 |
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| 5 |
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| 5 |
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| 5 |
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| 5 |
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| 5 |
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| 5 |
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10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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| 10 |
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20 |
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| 20 |
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| 20 |
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| 20 |
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| 20 |
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| 20 |
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| 20 |
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| 20 |
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| 20 |
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| 20 |
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30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO | 30 |
| SOLO |
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40 |
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| 40 |
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| 40 |
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| 40 |
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| 40 |
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| 40 |
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| 40 |
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| 40 |
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| 40 |
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| 40 |
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50 |
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| 50 |
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| 50 |
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| 50 |
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| 50 |
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| 50 |
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| 50 |
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| 50 |
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| 50 |
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| 50 |
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60 |
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| 60 |
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| 60 |
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| 60 |
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| 60 |
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| 60 |
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| 60 |
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| 60 |
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| 60 |
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| 60 |
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OO |
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| OO |
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| OO |
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| OO |
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| OO |
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| OO |
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| OO |
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| OO |
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| OO |
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| OO |
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Stereo Channels 9/10 and 11/12
•Channels 9/10 and 11/12 are stereo channels, and their controls affect signals coming into the stereo
•The stereo channel EQ is a
“U” like Unity gain
Mackie mixers have a “U” symbol on almost every level control. It stands for “unity gain,” meaning no change in signal level. The labels on the controls are measured in decibels (dB), so you’ll know what you’re doing level- wise if you choose to change a control’s settings.
Signal Flow
The block diagram on page 33 shows the signal flow, but here is a short description of the flow through the channel strip section:
The input signals from the mic, or line inputs go through a preamplifier whose gain is set by the gain control .
The signal then passes through the
The mon 1 [33] and mon 2 controls [34] tap the signal off just before (pre) the channel fader.
Owner’s Manual
Mono Channels 1 to 8
•Channels 1 to 8 are mono channels, and their controls affect either the mono mic input or the mono
•Channels 1 to 6 each have an internal signal in- line compressor circuit with adjustable thresh- old.
•Channels 7 and 8 each have a
•The
The FX 1 [35] and FX 2 controls [36] tap the signal off after (post) the channel fader.
Owner’s Manual
15