PPM1012
Appendix D: Table of Effects Presets
No. | Title | Description | Example of its use |
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01 | Plate Reverb | This preset emulates vintage mechanical reverberation | Perfect for thickening percussive instruments, such |
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| that was generated with a metal plate. Its sound is char- | as a snare drum, or tight vocal arrangements. |
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| acterized by lots of early reflections and no |
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02 | Vocal Plate | This vintage plate emulation is warmer than your | Particularly suited for vocal signals, but can also |
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| standard plate, with a long reverberant tail, lots of fast | be used for |
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| reflections and a very short |
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03 | Warm Room | This preset is characterized by lots of fast early reflections | Useful for adding a tight and controlled |
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| with a short | ambient effect to vocals and acoustic instruments. |
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| wood paneled room. |
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04 | Bright Room | This room has a bright tone with lots of scattered reflec- | Useful on vocals that require a brighter reverb to |
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| tions to simulate harder, more reflective surfaces. | cut through the mix, or for giving acoustic instru- |
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| ments a livelier vibe. |
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05 | Warm Lounge | This preset features a medium sized room sound, with | Useful for vocals on songs that require a larger, |
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| just enough enhancement of the lower mids to produce a | more “wet” sound, or for giving dimension to |
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| warm tone. | bright horns without adding harshness. |
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06 | Small Stage | This preset simulates the sound of a small concert stage, | Useful for vocals or guitars in fast paced, high- |
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| with a medium reverb time and reverberant space. | energy songs that call for a “live” sounding |
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| reverberation. |
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07 | Warm Theater | This reverb has a warm bodied tone and medium long | Perfect for vocals, drums, acoustic and electric |
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| reverb time to simulate the live acoustics of a theater | guitars, keyboards, and more. |
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| space. |
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08 | Bright Stage | This preset emulates the sound of a large performance | Great for adding life and dimension to drums and |
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| stage, characterized by medium long reverb time and | other acoustic instruments, and for that big live |
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| vocal sound. | |
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09 | Warm Hall | This reverb simulates the sound of a spacious, yet cozy, | Perfect for adding natural concert hall ambience |
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| heavily draped and carpeted concert hall with an espe- | to |
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| cially warm tone. |
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10 | Concert Hall | This hall reverb is characterized by its large, spacious | Adds life to acoustic instruments and vocals from |
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| sound, long | solos to |
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11 | Cathedral | This reverb emulates the extremely long tails, dense dif- | Gives amazing depth to choirs, wind instruments, |
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| fusion and long | organs, and soft acoustic guitars. |
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| found in a very large, stone walled house of worship. |
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12 | Gated Reverb | This preset incorporates an | Most often used to fatten snare drums and toms |
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| extremely dense reverb is processed through a fast gate | without clutter. |
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| for an interesting, albeit artificial, sound. |
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13 | Chorus | This preset provides a soft, ethereal sweeping effect that | Perfect for enhancement of electric and acoustic |
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| is useful for thickening and for making a particular sound | guitar and bass, or to add a dramatic effect to |
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| pop out of the mix. | vocals, particularly group harmonies and choirs. |
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14 | Chorus + Reverb | This preset perfectly combines the chorus effect above | This lets you both thicken your sound with the |
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| with a large, roomy reverb. | chorus effect while adding warmth and spacious- |
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| ness thanks to the smooth reverb. |
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15 | Doubler | This effect simulates the sound of a vocal or instrument | Provides a vibe that is similar to chorus without |
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| being recorded twice (double tracked) on a | the subtle swirl. |
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| recorder. |
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16 | Tape Slap | This effect provides a single, relatively rapid delay of the | Often used on vocals for a 1950’s era feel, or on |
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| original signal, with the added warmth that vintage tape- | guitars for a |
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| based echo units provided. | whose favorite number is 16. |
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17 | DLY 1 Bright (350ms) | These 6 delay presets provide one (delay 1), three (delay | These work best with full, |
18 | DLY 1 Warm (300ms) | 2), or six (delay 3) repeats of the original signal. The | where the delay needs to cut through the mix. |
19 | DLY 2 Bright (250ms) | default delay time for each preset is shown in mS - the | Warm delays get progressively softer and warmer |
20 | DLY 2 Warm (200ms) | smaller the time, the faster the delay. Delay times can | in tone with each repetition and work great with |
21 | DLY 3 Bright (175ms) | easily be customized to suit the moment by tapping the | slow, mellow music. Bright delays have repeats |
22 | DLY 3 Warm (150ms) | knob [63] more than once. | that are consistent in tone with the original sound. |
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23 | Chorus + DLY (300ms) | This effect combines the thickening effect of the chorus | Useful on a clean electric guitar that needs a |
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| with the echoes of the | mildly swirling, ethereal tone. |
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| Delay times can easily be customized to suit the moment |
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| by using the Tap feature. |
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24 | Reverb + DLY (200ms) | This effect combines the Warm Theater reverb effect with | Perfect for thickening vocals while adding dimen- |
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| the echoes of the | sions, it can also be used as a spacey effect on |
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| Delay times can easily be customized to suit the moment | electric guitars. |
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| by using the Tap feature. |
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For presets 17 to 24, the delay can be entered by tapping the preset selector knobs [63] more than once.
PPM1012