Mackie PPM1012 owner manual House of Worship

Microphones	Acoustic Guitar
	and Mic

Owner’s Manual

L

1

1

L

L

LAMP

12V 0.5A

L

2

2

R

R

FX

MIC 1

MIC 2

MIC 3

MIC 4

MIC 5

MIC 6

7

MIC 8

IN

OUT

SEND

FX SEND

TAPE

MAIN INSERT

FOOTSWITCH

TIP:FX1

R

RING:FX2

HI-Z

HI-Z

R

LINE

LINE

LINE

LINE

LINE

LINE

L

L

L

L

LINE

LINE

(BAL/UNBAL)

(BAL/UNBAL)

(BAL/UNBAL)

(BAL/UNBAL)

(BAL/UNBAL)

(BAL/UNBAL)

(BAL/UNBAL)

(BAL/UNBAL)

(MONO)

(MONO)

(MONO)

(MONO)

PHONES

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

R

R

R

R

M

M

OO

MAX

9/

11/12

FX RTN 1

FX RTN 2

LEVEL

1

2

3

4

5

6

7

8

9/10

11/12

POWER

PHANTOM

AdjustU

VocalU

U

U

U

U

U

U

U

U

MI

G

AIN

MIC

G

AIN

MIC

G

AIN

MIC

G

AIN

MIC

G

AIN

MIC

G

AIN

MIC

G

MIC

G

AIN

2 X 800W PROFESSIONAL POWERED MIXER

AIN

Compression

MAIN EQUALIZER

EQ ASSIGN

POWER AMP

0

+50

0

+50

0

+50

0

+50

0

+50

0

+50

0

+50

0

+50

-20

+20

-20

+20

MAIN

LIMITER

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

-20dB

+30dB

MON 2

A

B

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

15

15

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

MAIN

100 Hz

100 Hz

100 Hz

100 Hz

100 Hz

100 Hz

100 Hz

100 Hz

10

10

COMP

COMP

COMP

COMP

COMP

COMP

5

5

METERS

0dB = 0dBu

HI-Z

HI-Z

0

0

OL

5

5

15

10

OFF

MAX

OFF

MAX

OFF

MAX

OFF

MAX

OFF

MAX

OFF

MAX

10

10

6

U

EQ

U

EQ

U

EQ

U

EQ

U

EQ

U

EQ

U

EQ

U

EQ

U

EQ

U

EQ

15

15

3

0

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

63

125

250

500

1K

2K

4K

8K

16K

2

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

12kHz

4

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

7

U

U

U

U

U

U

U

U

U

U

MON 1 EQUALIZER

10

MID

MID

MID

MID

MID

MID

MID

MID

HI

HI

20

press HI-Z

2 X 800W PROFESSIONAL POWERED MIXER

SPEAKER OUT	SPEAKER OUT
A	B
PIN	PIN
1+	1+
1	1

button-15 +15

MID

MID

15

15

30

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

2.5kHz

2.5kHz

L

R

-15

+15

-15

+15

600

600

600

600

600

600

600

600

U

U

10

10

LEVEL

LOW

LOW

5

5

SET

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

150

1.5k

RUDE

FREQ

MID

MID

SOLO

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

400Hz

400Hz

0

0

100

8k

100

8k

100

8k

100

8k

100

8k

100

8k

100

8k

100

8k

-15

+15

-15

+15

5

5

U

U

U

U

U

U

U

U

U

U

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

10

10

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

15

15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

63

125

250

500

1K

2K

4K

8K

16K

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX Drum

POWER AMP

U SEND

U SEND

U SEND

U SEND

U SEND

U

SEND

U SEND

U SEND

U SEND

U SEND

Machine

01 PLATE REVERB

13 CHORUS

MODE

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

02 VOCAL PLATE

14 CHORUS + REVERB

MON 1

MON 2

03 WARM ROOM

15 DOUBLER

1

1

1

1

1

1

1

1

1

1

04 BRIGHT ROOM

16 TAPE SLAP

MAINS

MON 1

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

FX 1

SIG/OL

FX 2

SIG/OL

05 WARM LOUNGE

17 DLY 1 BRIGHT (350ms)

A(L)

B(R)

U

U

U

U

U

U

U

U

U

U

U

U

06 SMALL STAGE

18 DLY 1 WARM (300ms)

07 WARM THEATER

19 DLY 2 BRIGHT (250ms)

STEREO

MON

MON

MON

MON

MON

MON

MON

MON

MON

MON

08 BRIGHT STAGE

20 DLY 2 WARM (200ms)

MAIN

2

2

2

2

2

2

2

2

2

2

09 WARM HALL

21 DLY 3 BRIGHT (175ms)

10 CONCERT HALL

22 DLY 3 WARM (150ms)

LPF

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO +15

OO

+15

11 CATHEDRAL

23 CHORUS + DLY (300ms)

U

U

U

U

U

U

U

U

U

U

SEND MASTER

SEND MASTER

12 GATED REVERB

24 REVERB + DLY (200ms)

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

TAP TO EDIT

1

1

1

1

1

1

1

1

1

1

U

120

BREAK

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

U

U

U

U

U

U

U

U

U

U

100

180

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

TAP

TAP

MUTES

DELAY

DELAY

OO +20

75Hz

200Hz

2

2

2

2

2

2

2

2

2

2

CH 1-12

TAPE IN

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

OO

+15

FX 1

FX 1

MONO OUT

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

TO MON 1

TO MON 2

INT FX

INT FX

U

U

MUTE

MUTE

FRS2800

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

Amplifier

OO

+15

OO +15

OO

MAX

SRM150 Powered Monitor

(plays2mon31 output)4

5

6

7

8

9/10

11/12

FX RTN

1

dB FX RTN 2

MON

MON

dB

1

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dB

dual1 dB -mono2dB MAIN

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

5

OL

5

OL

5

OL

5

OL

5

OL

5

OL

5

OL

5

OL

5

OL

5

OL

5

5

5

mode5

5

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

U

U

U

U

0

0

0

0

0

0

0

0

0

0

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

-20

-20

-20

-20

-20

-20

-20

-20

-20

-20

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

20

20

20

20

30

SOLO

30

SOLO

30

SOLO

30

SOLO

30

SOLO

30

SOLO

30

SOLO

30

SOLO

30

SOLO

30

30

40

40

40

40

40

40

40

40

40

40

40

50

50

50

50

50

50

50

50

50

50

50

60

60

60

60

60

60

60

60

60

60

60

O O

OO

OO

OO

OO

OO

OO

OO

OO

OO

O O

Keyboard

POWER AMP

MODE

MON 1	MON 2
MAINS	MON 1
A(L)	B(R)

STEREO

MAIN

Mains/Mon1

LPF

120

100 180

75Hz 200Hz

Press LPF and

adjust sub

crossover frequency

C300z Passive Stage Monitors

(plays mon 1 output)

S218s Passive Subwoofers	S215 Passive Speakers
(plays main mix below 100 Hz)	House System
	(plays mono main mix)

This diagram shows microphones attached to the mic inputs of channels 1 to 4, an electric guitar con- nected directly to channel 7 (with hi-z switch pressed in), an acoustic guitar microphone connected to channel 8 mic in, a keyboard attached to channels 9/10, and a drum machine to channels 11/12.

A Mackie SRM150 powered monitor is connected to the monitor 1 send, and acts as a personal stage monitor to your talented, yet still surprisingly-humble keyboard player. The mon 1 knobs of each channel allow you to set up a monitor mix that is independent of the main mix.

The power amp mode switch is set to play the mono main mix on ch. A, and monitor 1 mix on ch. B.

Mackie S215 passive speakers are connected to channel A speaker-level power output, and they play the main mono mix to your audience. C300z passive stage monitors are connected to channel B speaker- level power output, and they play the stage monitor mix 1 to your performers.

S218s passive subwoofers are powered by a Mackie FRS2800 amplifier connected to the main mix mono out, to reinforce the low end in your main mix. Press the LPF (low-pass-filter) switch in, and adjust the LPF frequency control to suit your subwoofers. The external amplifier will then only receive the low frequency range.

House of Worship

Owner’s Manual

7