Meridian America Meridian 518 manual Overview as Mastering Processor Type

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Overview of 518

12

 

 

Overview as Mastering Processor (Type 2)

 

Recorder

 

Mixer

ADC

 

 

518

Recorder

 

DAT

 

 

Using 518 as a Mastering Processor

 

The 518 is closely related to the highly respected Meridian 618 Mastering

Processor; in fact 518 uses identical DSP to the 618 in this mode.

The Meridian 618 has been used for over three years by some of the world's most experienced recording engineers and there is a long and growing list of superior CDs that have used 618 in their production. See page 4.

A mastering processor is used during recording, editing and transfer processes. In the course of making a CD for example, the music may pass through 518 two, three or four times.

The diagram shows 518 between a recorder – which may be DAT, reel– reel, CDR, MO or hard disk – and a source which may be also a recorder or an analogue-to-digital converter (ADC).

The Mastering processor provides these important functions at each stage:

de-jittering

matching wordlengths output to input

translating between consumer and professional serial interface modes

stripping subcode and some flags

level-shifting to optimise dynamic range

fading during edits

multiple re-dithering options

DSP application of pre-emphasis or de-emphasis

RS232 control

Overview as Multimedia Processor (Type 2)

 

 

 

CDR

 

Computer

 

DAT

Mixer

ADC

518

Computer

 

CD/DAT

 

Speaker

Using 518 as a Multimedia Processor

The Multimedia application of 518 is somewhat similar to the Mastering

Processor just described.

Inevitably a PC is a very unfriendly place for high-quality sound for a number of reasons. The nature of the electrical environment, the block (i.e. 'jerky') access of hard-disc data and severe electrical noise combine to seriously limit the jitter performance of digital audio functions and the analogue performance of sound cards.

The principle benefits of using 518 in multimedia systems are:

518 User Guide

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Contents 1992, 1993 Contents Simple rules for using Appendix 4 -Resolution EnhancementAppendix 2 Hints on Mastering Sales and service in the UK Sales and service in the USADesigned & manufactured in the UK by AcknowledgementsIntroduction About this manualAbout the 500 Series Conventions used in this manualInstalling your General precautionsUnpacking ConnectionsPlanning setup Whats inside a 518?Overview as Preamp Type What about analogue sources? What else do I need to know?Overview as Resolution Enhancement Processor Type CD or LaserDisc playback improvementMeridian DSP speaker improvement Meridian Surround improvement Overview as Mastering Processor Type Overview as Multimedia Processor TypeCustomising features ∙ Normal ∙ Standby ∙ Type ∙ ConfigSwitching on Starting off withBasic operation StandbyAdjusting the volume Operating 518 as a Control Unit TypeSelecting a source OutDither FlatShape a Shape BDisplay Advanced operation using the Remote Control Operating 518 as Resolution Enhancer Type Volume controlMuting the sound Menu KeysWith the Remote Control Operation summaryMemory Restoring default settings Config an overviewConfig control settings Customising 518, an overviewHow to customise Customising, general procedureConfig sources and inputs How to change to Type or ConfigCustomising using Type How to change back to NormalMaking changes to an existing setup Setting Type ControllerCustomising using Config How to use ConfigConfig Selecting TypesSelecting the controller mode Setting the system address forSetting the product address for Setting the Standby mode forSetting the Blank display option for Setting the Emphasis option forSetting the Volume mode for Setting the Volume displaySetting up sources Choosing source logosVol. dB Changing the input for a source Choosing the Comms type for a source productChoosing the address of a source product Connections Digital audio connectionsDigital input connections Digital output connectionConnecting to Meridian Digital speakers Communications connectionsTo connect to other Meridian 500 Series equipment ConPart Mastering ProcessorDescription As a Mastering or Multimedia Processor TypeMeridian 500 Comms warning D1 +2Emph +2 ShpB +2Making Recordings Transfer to editor Transfer to the final carrierNoise shaper characteristics Shaper Advantage 44.1kHz 48kHz Normal Pre-emphasisOperating Background Transparency in digital systemsDigital Audio and Quantisation DitherNoise Shaping with dither Dynamic RangePre and De-emphasis Simple rules for using Step-down in sample word sizeNo change in sample size Step up in dynamic rangeSpecification Additional technical informationHelp Cleaning Maintenance & ServicePart Appendix 1 Noise Shapes NoiseAbove noise spectrum for Shape B at 44.1kHz 0Hz 5kHz 10kHz 15kHz 20kHz Vulnerability of the signal Audible results of digital errors and editingAppendix 2 Hints on Mastering with noise-shaping Requirements for D/A conversionAppendix 2 Hints on Mastering Appendix 3 RS232 Handset FunctionsGoTo Functions Appendix 4 -Resolution Enhancement Jitter and de-jitteringDynamic-range FrequencyDynamic-range optimisation with Gain Dynamic-range optimisation with Pre-emphasisShowing CD pre- and de-emphasis curves Dynamic-range optimisation with Noise-shaped Dither DAC enhancement by using high-frequency dither DAC or channel enhancement by word-length matchingContents IndexIndex User Guide User Guide