Meridian America Meridian 518 manual Dynamic-range optimisation with Gain

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Appendix 4 –Resolution Enhancement

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Figure 3. Showing the audibility of noise in the LP system for comparison with digital channels.

Dynamic-range optimisation with Gain

The noise-floor of a digital system is determined absolutely by the lowest preceding wordsize. For nearly all commercial material this is 16 bits.

518 allows you to get the best out of whatever comes next, by making sure that the full output capability is used. Gain can be used in Resolution Enhancement and Mastering to boost the level of the signal to fill the available capacity.

For some reason, many CDs are recorded well below maximum level. By boosting these we are able to reduce the audible effect of noise in subsequent processing, or digital filters in DACs, or in the analogue electronics.

Getting this right is easy – 518 immediately tells you if had to 'clip' the output because you asked for too much. See page 18.

Dynamic-range optimisation with Pre-emphasis

Real-world music and speech signals do not have equal energy at all frequencies. Typically the loudest sounds happen in the mid-range and peak levels are much reduced above 5kHz.

This fact has been exploited extensively in audio systems over the years, with a system known as pre-emphasis.

Input

Pre-emphasis

Channel

De-emphasis

Using Pre-emphasis and de-emphasis to improve channel performance

The diagram above shows the general pre-emphasis method. To take best advantage of the channel – which could be an AM or FM radio link, an LP record, a tape recording, a CD or a DAC – high-frequency signals

518 User Guide

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Contents 1992, 1993 Contents Simple rules for using Appendix 4 -Resolution EnhancementAppendix 2 Hints on Mastering Acknowledgements Sales and service in the UKSales and service in the USA Designed & manufactured in the UK byConventions used in this manual IntroductionAbout this manual About the 500 SeriesConnections Installing yourGeneral precautions UnpackingWhats inside a 518? Planning setupOverview as Preamp Type What else do I need to know? What about analogue sources?Overview as Resolution Enhancement Processor Type CD or LaserDisc playback improvementMeridian DSP speaker improvement Meridian Surround improvement Overview as Multimedia Processor Type Overview as Mastering Processor Type∙ Normal ∙ Standby ∙ Type ∙ Config Customising featuresStandby Switching onStarting off with Basic operationOut Adjusting the volumeOperating 518 as a Control Unit Type Selecting a sourceShape B DitherFlat Shape aDisplay Advanced operation using the Remote Control Menu Keys Operating 518 as Resolution Enhancer TypeVolume control Muting the soundWith the Remote Control Operation summaryMemory Customising 518, an overview Restoring default settingsConfig an overview Config control settingsHow to change to Type or Config How to customiseCustomising, general procedure Config sources and inputsSetting Type Controller Customising using TypeHow to change back to Normal Making changes to an existing setupSelecting Types Customising using ConfigHow to use Config ConfigSetting the Standby mode for Selecting the controller modeSetting the system address for Setting the product address forSetting the Volume display Setting the Blank display option forSetting the Emphasis option for Setting the Volume mode forSetting up sources Choosing source logosVol. dB Changing the input for a source Choosing the Comms type for a source productChoosing the address of a source product Digital output connection ConnectionsDigital audio connections Digital input connectionsCon Connecting to Meridian Digital speakersCommunications connections To connect to other Meridian 500 Series equipmentMastering Processor PartD1 +2 DescriptionAs a Mastering or Multimedia Processor Type Meridian 500 Comms warningShpB +2 Emph +2Making Recordings Transfer to the final carrier Transfer to editorShaper Advantage 44.1kHz 48kHz Normal Pre-emphasis Noise shaper characteristicsDither Operating BackgroundTransparency in digital systems Digital Audio and QuantisationNoise Shaping with dither Dynamic RangePre and De-emphasis Step up in dynamic range Simple rules for usingStep-down in sample word size No change in sample sizeAdditional technical information SpecificationHelp Maintenance & Service CleaningNoise Part Appendix 1 Noise ShapesAbove noise spectrum for Shape B at 44.1kHz 0Hz 5kHz 10kHz 15kHz 20kHz Requirements for D/A conversion Vulnerability of the signalAudible results of digital errors and editing Appendix 2 Hints on Mastering with noise-shapingAppendix 2 Hints on Mastering Appendix 3 RS232 Handset FunctionsGoTo Functions Jitter and de-jittering Appendix 4 -Resolution EnhancementFrequency Dynamic-rangeDynamic-range optimisation with Pre-emphasis Dynamic-range optimisation with GainShowing CD pre- and de-emphasis curves Dynamic-range optimisation with Noise-shaped Dither DAC or channel enhancement by word-length matching DAC enhancement by using high-frequency ditherIndex ContentsIndex User Guide User Guide