Meridian America Meridian 518 manual Dynamic-range, Frequency

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Appendix 4 –Resolution Enhancement

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The block diagram on page 7 shows the twin phase-lock-loop which 518 uses to smooth out the digital sample stream. Each loop acts as a progressive 'flywheel'–following the average sample rate exactly – but removing short-term speed unevenness.

Dynamic-range

The dynamic range of a channel or system is determined by the ratio between the loudest signal it will carry without distortion and the background noise.

For digital signals the loudest signal – full output of the channel – is called full-scale and this level uses all the available bits.

In a system using digital components, the background noise may be determined by:

the analogue input signal

the analogue output components like DAC, preamp or power amp

the smallest word-size in the digital chain.

For digital systems to be transparent, dither is needed – this is described on page 37. Whether the dither is added at the analogue–digital conversion stage or later, it produces a defined noise-floor.

 

100

 

 

 

 

80

 

 

 

 

60

 

 

 

dB spl

40

 

 

 

20

 

 

 

 

 

 

 

 

0

16

 

 

 

 

 

 

 

 

18

 

 

 

-20

20

 

 

 

10Hz

100Hz

1kHz

10kHz

 

 

 

Frequency

 

Figure 2. Showing audibility of noise in dithered channels of different wordsize at very high listening levels.

In the diagram above, an audio system has been modelled for the loudest reasonable listening circumstance – where peak levels reach 120dB spl. The 'U'-shaped curve is the threshold of human hearing–sounds below this are inaudible. The three curves show the human-audible-significance of the dither level in 16, 18 and 20 bit channels. The diagram shows that for a digital audio system to reproduce the whole scope of human hearing without noise – 19 bits are needed.

For interest and comparison, the diagram below compares this circumstance with LP records where the playback is set for 115dB maximum.

518 User Guide

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Contents 1992, 1993 Contents Appendix 2 Hints on Mastering Simple rules for usingAppendix 4 -Resolution Enhancement Designed & manufactured in the UK by Sales and service in the UKSales and service in the USA AcknowledgementsAbout the 500 Series IntroductionAbout this manual Conventions used in this manualUnpacking Installing yourGeneral precautions ConnectionsPlanning setup Whats inside a 518?Overview as Preamp Type What about analogue sources? What else do I need to know?Meridian DSP speaker improvement Overview as Resolution Enhancement Processor TypeCD or LaserDisc playback improvement Meridian Surround improvement Overview as Mastering Processor Type Overview as Multimedia Processor TypeCustomising features ∙ Normal ∙ Standby ∙ Type ∙ ConfigBasic operation Switching onStarting off with StandbySelecting a source Adjusting the volumeOperating 518 as a Control Unit Type OutShape a DitherFlat Shape BDisplay Advanced operation using the Remote Control Muting the sound Operating 518 as Resolution Enhancer TypeVolume control Menu KeysMemory With the Remote ControlOperation summary Config control settings Restoring default settingsConfig an overview Customising 518, an overviewConfig sources and inputs How to customiseCustomising, general procedure How to change to Type or ConfigMaking changes to an existing setup Customising using TypeHow to change back to Normal Setting Type ControllerConfig Customising using ConfigHow to use Config Selecting TypesSetting the product address for Selecting the controller modeSetting the system address for Setting the Standby mode forSetting the Volume mode for Setting the Blank display option forSetting the Emphasis option for Setting the Volume displayVol. dB Setting up sourcesChoosing source logos Choosing the address of a source product Changing the input for a sourceChoosing the Comms type for a source product Digital input connections ConnectionsDigital audio connections Digital output connectionTo connect to other Meridian 500 Series equipment Connecting to Meridian Digital speakersCommunications connections ConPart Mastering ProcessorMeridian 500 Comms warning DescriptionAs a Mastering or Multimedia Processor Type D1 +2Emph +2 ShpB +2Making Recordings Transfer to editor Transfer to the final carrierNoise shaper characteristics Shaper Advantage 44.1kHz 48kHz Normal Pre-emphasisDigital Audio and Quantisation Operating BackgroundTransparency in digital systems DitherPre and De-emphasis Noise Shaping with ditherDynamic Range No change in sample size Simple rules for usingStep-down in sample word size Step up in dynamic rangeSpecification Additional technical informationHelp Cleaning Maintenance & ServicePart Appendix 1 Noise Shapes NoiseAbove noise spectrum for Shape B at 44.1kHz 0Hz 5kHz 10kHz 15kHz 20kHz Appendix 2 Hints on Mastering with noise-shaping Vulnerability of the signalAudible results of digital errors and editing Requirements for D/A conversionAppendix 2 Hints on Mastering GoTo Functions Appendix 3 RS232Handset Functions Appendix 4 -Resolution Enhancement Jitter and de-jitteringDynamic-range FrequencyDynamic-range optimisation with Gain Dynamic-range optimisation with Pre-emphasisShowing CD pre- and de-emphasis curves Dynamic-range optimisation with Noise-shaped Dither DAC enhancement by using high-frequency dither DAC or channel enhancement by word-length matchingContents IndexIndex User Guide User Guide