Meridian America Meridian 518 manual Overview as Preamp Type

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Overview of 518

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Overview as Preamp (Type 0)

Conventional analogue systems use a 'preamp' or control unit to gather together the various sources and to control the level of signal fed to the power amplifier so you can adjust volume.

Purists know that no matter how well a piece of analogue audio electronics is designed, there will always be unwanted and irreversible degradation, due to the addition of noise and distortion. Preamps are by no means immune from this.

For this reason, Meridian have for many years been developing an all- digital system where digital audio is handled by a digital controller (like

562)instead of a preamp. In these systems the signal is kept in the digital domain right into the DSP loudspeakers. Apart from sophisticated loudspeaker technology, the digital signal processing (DSP) in the speakers also replaces the volume control.

Some quality-concious audiophiles (who still don't have DSP speakers) prefer to use very simple replacements for the analogue preamp, placing a passive volume control between an analogue source such as a CD player or DAC and the power amp. This architecture gives very high sound quality, but has a number of disadvantages – like it requires a very sensitive power amp and has difficulties with impedance matching, hum, noise and frequency response in the passive control.

The Meridian 518 can provide an enormous improvement in the sound quality of some systems, by allowing you to dispense with the analogue preamp altogether – providing you have a good enough digital–analogue converter (DAC) and can route all signals in digital form.

For these applications – where a DAC can be connected directly to a power amp – then 518 provides a radical upgrade by removing the troublesome passive control.

CD Player

LaserDisc

DAT

518

DAC

Power Amp

Using 518 as a 'preamp'

The system is illustrated above. Up to four digital sources – like CD, DAT or LaserDisc (often using the optical input) – are connected to the 518. 518 is then configured as Type 0 (see page 21) which makes it a system controller with a fully-operational volume control.

The output of 518 is taken to a DAC (or digital power amp); the output of the DAC is directly connected to the power amplifier.

The 518 performs more functions than switching and volume control. In summary, it:

smooths the sound by de-jittering the incoming data stream,

performs resolution enhancement by word-length matching, shaped dither DAC enhancement and the option of pre-emphasising the DAC. For an overview of Resolution Enhancement see page 49.

Warning! Systems like this can sound incredibly good!

518 User Guide

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Contents 1992, 1993 Contents Appendix 2 Hints on Mastering Simple rules for usingAppendix 4 -Resolution Enhancement Sales and service in the UK Sales and service in the USADesigned & manufactured in the UK by AcknowledgementsIntroduction About this manualAbout the 500 Series Conventions used in this manualInstalling your General precautionsUnpacking ConnectionsPlanning setup Whats inside a 518?Overview as Preamp Type What about analogue sources? What else do I need to know?Meridian DSP speaker improvement Overview as Resolution Enhancement Processor TypeCD or LaserDisc playback improvement Meridian Surround improvement Overview as Mastering Processor Type Overview as Multimedia Processor TypeCustomising features ∙ Normal ∙ Standby ∙ Type ∙ ConfigSwitching on Starting off withBasic operation StandbyAdjusting the volume Operating 518 as a Control Unit TypeSelecting a source OutDither FlatShape a Shape BDisplay Advanced operation using the Remote Control Operating 518 as Resolution Enhancer Type Volume controlMuting the sound Menu KeysMemory With the Remote ControlOperation summary Restoring default settings Config an overviewConfig control settings Customising 518, an overviewHow to customise Customising, general procedureConfig sources and inputs How to change to Type or ConfigCustomising using Type How to change back to NormalMaking changes to an existing setup Setting Type ControllerCustomising using Config How to use ConfigConfig Selecting TypesSelecting the controller mode Setting the system address forSetting the product address for Setting the Standby mode forSetting the Blank display option for Setting the Emphasis option forSetting the Volume mode for Setting the Volume displayVol. dB Setting up sourcesChoosing source logos Choosing the address of a source product Changing the input for a sourceChoosing the Comms type for a source product Connections Digital audio connectionsDigital input connections Digital output connectionConnecting to Meridian Digital speakers Communications connectionsTo connect to other Meridian 500 Series equipment ConPart Mastering ProcessorDescription As a Mastering or Multimedia Processor TypeMeridian 500 Comms warning D1 +2Emph +2 ShpB +2Making Recordings Transfer to editor Transfer to the final carrierNoise shaper characteristics Shaper Advantage 44.1kHz 48kHz Normal Pre-emphasisOperating Background Transparency in digital systemsDigital Audio and Quantisation DitherPre and De-emphasis Noise Shaping with ditherDynamic Range Simple rules for using Step-down in sample word sizeNo change in sample size Step up in dynamic rangeSpecification Additional technical informationHelp Cleaning Maintenance & ServicePart Appendix 1 Noise Shapes NoiseAbove noise spectrum for Shape B at 44.1kHz 0Hz 5kHz 10kHz 15kHz 20kHz Vulnerability of the signal Audible results of digital errors and editingAppendix 2 Hints on Mastering with noise-shaping Requirements for D/A conversionAppendix 2 Hints on Mastering GoTo Functions Appendix 3 RS232Handset Functions Appendix 4 -Resolution Enhancement Jitter and de-jitteringDynamic-range FrequencyDynamic-range optimisation with Gain Dynamic-range optimisation with Pre-emphasisShowing CD pre- and de-emphasis curves Dynamic-range optimisation with Noise-shaped Dither DAC enhancement by using high-frequency dither DAC or channel enhancement by word-length matchingContents IndexIndex User Guide User Guide